In the heavens of rock ‘n’ roll’s first-generation creators, no artist looms larger than Chuck Berry. Bob Dylan once called Berry “the Shakespeare of rock ‘n’ roll.” John Lennon stated, “If you tried to give rock ‘n’ roll another name, you might call it ‘Chuck Berry.'” Keith Richards: “Chuck Berry is the gentleman who started it all.”
In a consistently innovative recording career that spanned more than 60 years, the iconic singer-songwriter-guitarist, who passed away on March 18, 2017, laid much of the groundwork for modern rock ‘n roll, while creating some of rock’s most distinctive and enduring anthems, from “Johnny B. Goode” to “Roll Over Beethoven,” “Rock and Roll Music” to “Reelin and Rockin’,”.
Geffen/UMe pays tribute to the immortal spirit of Berry with the ultimate vinyl version of his landmark greatest hits compilation, The Great Twenty-Eight, as it celebrates its 35th anniversary, with The Great Twenty-Eight: Super Deluxe Edition. The album will be released as a limited edition five-disc box set on Chess Blue vinyl, limited to only 500 copies worldwide and available exclusively via UDiscoverMusic.com. A wide release standard black vinyl edition will be available next year on January 26, 2018.
Housed in a textured box, the Super Deluxe Edition will complement the original two-LP, 28-song compilation with an additional LP, More Great Chuck Berry, containing 14 more hits, rarities and B-sides missing from the original, as well as a rare live album, Oh Yeah! Live in Detroit, available on vinyl for the first time. The collection will also include a newly created bonus ten-inch EP Berry Christmas, featuring four holiday-themed classics on “Rudolph-Red” vinyl, with one song on vinyl for the first time as well. Pre-order The Great Twenty-Eight: Super Deluxe Edition now: https://lnk.to/Great28SDE
Berry’s classic recordings for Chicago’s seminal Chess label have been extensively anthologized in the CD era. But for many Berry devotees, the two-LP vinyl collection The Great Twenty-Eight remains both a sentimental favorite and a definitive document of Berry’s musical genius. It’s no wonder that The Great Twenty-Eight was ranked number 21 on Rolling Stone‘s “500 Greatest Albums of All Time,” the highest-ranking hits compilation on that list. For those interested in the original 28-track edition of The Great Twenty-Eight, it is now back in print in its original two-LP format for the first time since its initial release in 1982. Order The Great Twenty-Eight here: https://UMe.lnk.to/Great282LP
The Great Twenty-Eight: Super Deluxe Edition also includes a handsome 12″ x 12″ book featuring a special introductory essay by Keith Richards, a new essay by best-selling author and SiriusXM host Alan Light, complementing Michael Lydon’s liner notes from the original version of The Great Twenty-Eight, and reminiscences from DJ Lee Alan, plus complete U.S. single, album and EP discographies. The text is enhanced by reproductions of Berry’s original LP cover art and rarely-seen photographs.
A survey of Berry’s first decade of recording on Chess, the original The Great Twenty-Eight contains 21 singles along with six of their b-sides and one album track from Chuck Berry in London. Of those singles, eleven were top ten hits on the Billboard R&B singles chart and ten were Top 40 hits on the Billboard Hot 100. During his Chess years, Berry created a massive—and massively influential—body of work that includes countless beloved classics, from “Maybellene” to “Roll Over Beethoven” to “Johnny B. Goode” to “Memphis, Tennessee” and beyond. Indeed, Berry’s music is so deeply ingrained into our culture that NASA launched “Johnny B. Goode” into outer space on the Voyager spacecraft as a representation of the sounds of the human race for the benefit of our cosmic neighbors. All of these songs are included on The Great Twenty-Eight, which also includes the ubiquitous hits “Rock and Roll Music,” “Sweet Little Sixteen” and “No Particular Place To Go” and many others that have become part of the collective consciousness.
More Great Chuck Berry comprises 14 classic Berry tunes not included on The Great Twenty-Eight, including the sultry, simmering number “Wee Wee Hours,” the original flip side of “Maybellene”; “My Ding-A-Ling,” Berry’s only No. 1 pop single; “Too Pooped To Pop (Casey),” the top 20 R&B A-side of “Let It Rock”; the Top 10 R&B hit “No Money Down”; the celebratory “Promised Land”; and the rollicking “You Never Can Tell,” which earned cinematic immortality as the accompaniment to John Travolta and Uma Thurman’s twist in the film Pulp Fiction.
Oh Yeah!: Live In Detroit is a thrilling, rare concert performance from October 1963, celebrating Berry’s return to the stage after a break from performing. With support from local DJ and TV host Lee Alan, Berry, backed by Motown’s Funk Brothers rhythm section and horn players, recorded the live album during a series of performances at Detroit’s Walled Lake Casino.
Returning to the spotlight after a year-and-a-half brought out an energy and intensity in Berry that can be heard clearly in this historic 12-song set, which launches with “Guitar Boogie”and includes “Let It Rock, “Too Much Monkey Business (available for the first time in the U.S.),” “Johnny B. Goode,” Sweet Little Sixteen” and a lengthy, edge-of-chaos medley, as Berry feeds off an audience that sings along with nearly every track. Throughout the show, Berry tells jokes that slyly address racial tensions. But the record was scrapped at the time and has been previously only available as part of a limited-edition CD set; this marks its first time on vinyl, and as any kind of standalone release.
The bonus EP Berry Christmas collects together four Christmas classics on “Rudolph-Red” vinyl. The 10-inch disc features Berry’s chestnuts, “Run Rudolph Run” and “Merry Christmas Baby” along with “Christmas” and “Spending Christmas,” the latter making its vinyl debut as it was previously available only in a limited-edition CD box set.
And if those testimonials aren’t convincing enough, one listen to The Great Twenty-Eight: Super Deluxe Edition will make the case for Chuck Berry’s singular, timeless rock ‘n’ roll brilliance.
VAI is including the unedited audio of the closing commercial, hosted by Martin, which includes a message wishing everyone a Happy Thanksgiving. There’s an excerpt from a live concert of Martin with Louis Magor at the piano. Martin talks about the role of Annie, performs “Anything You Can Do” with Magor (who sings from the keyboard), and also recalls her collaboration with Ethel Merman on the Ford 50th Anniversary Show in 1953.
Inspired by Hart’s personal experience with psychotherapy, its innovative concept was termed a “musical play,” presenting the main character’s therapy sessions and waking life as spoken drama and her dream sequences as musical numbers. The excellent cast features Ann Sothern in the title role, with James Daly (Tyne’s Daddy), Carleton Carpenter, and Luella Gear. The show’s brilliant score includes “The Saga of Jenny” and “My Ship.” It’s live telecast was on September 25, 1954.
The cast includes a rare dramatic and musical performance by Kitty Carlisle as Ray’s estranged wife Adele, as well as cameo appearances by Tammy Grimes and Jacques d’Amboise. It’s live telecast was on June 9, 1956. The DVD Includes the original commercials as a separate bonus feature.
Stevens is partnered by the delightful Eddie Albert, and the cast also features the beloved baritone Earl Wrightson and the popular character actor Akim Tamiroff. Interestingly, Stevens made her Hollywood debut in a 1941 film version of The Chocolate Soldier that employed much of Straus’ score, but followed a completely different storyline. Liebman’s television production restores the original plot and characters, and faithfully conveys the romance and good humor of the Viennese operetta tradition.
Maestro Julius Rudel is the conductor of this live production, devised and directed by Tito Capobianco. An essential addition to every opera lover’s video library. 
An equally delightful DVD features the role for which Sills was world-famous: Violetta in Tito Capobianco’s stirring production of Verdi’s La Traviata. This performance was captured live on video in 1976 as part of the Wolf Trap Festival. Brava!
Gisela May performs Brecht songs with music by Weill, Heymann and Dessau. As a bonus, Martha Schlamme performs two songs of Weill, joined by Will Holt in one number.
Here she sings a slew of classics, including “A Wonderful Guy” (from South Pacific), “My Funny Valentine” (from Babes in Arms), “It Never Entered My Mind” (Higher and Higher), “Friendship” (from “Dubarry Was a Lady”) and “Down in the Depths” (from Red, Hot and Blue) Also on the show: Marc Breaux, Art Lund,Jack Cassidy, Nancy Dussault and Donald O’Connor.
There is so much about Charlie’s life in this book that it would and could make a great movie, or even better, a long-running series . . . very informative and interesting. We all love Charlie, me more than most. Enjoy the book. I did.”
It details the many themes he discussed, the authors he defended, the myths he castigated, the polemics that made him famous and his acute ear for the languages of his day. This biography enables the reader to enter into Barthes’s life and grasp the shape of his existence, and thus understand the kind of writer he became and how he turned literature into life itself.
There’s John L. Sullivan, who made the heavyweight championship a commercial property; Jack Johnson, who became the first black man to claim the title; Jack Dempsey, a sporting symbol of the Roaring Twenties; Joe Louis, whose contributions to racial tolerance and social progress transcended even his greatness in the ring; Rocky Marciano, who became an embodiment of the American Dream; Muhammad Ali, who took on the U.S. government and revolutionized professional sports with his showmanship; and Mike Tyson, a hard-punching dynamo who typified the modern celebrity. A knock out! 
Another tome to make book ends: Mad Dog: The Maurice Vachon Story (ECW, $19,95), that explores Vachon’s career and personal struggles with painstakingly detailed historical research and through both Maurice’s own recollections and those of the people who knew him best.
He also explores his own personal relationship to the character: Just as we encounter one Anna Karenina or Jay Gatsby when we are in high school and college and another when we are adults, Bloom explains his shifting understanding of Cleopatra over the course of his own lifetime. The book becomes an extraordinarily moving argument for literature as a path to and a measure of our own humanity.
A stirring, action-packed biography, 
engineers who knew Prince best, including members of the Revolution and the Time, Tudahl weaves an intimate saga of an eccentric genius and the people and events who helped shape the groundbreaking music he created. This definitive chronicle of Prince’s creative brilliance during 1983 and 1984 provides a new experience of the Purple Rain album as an integral part of Prince’s life and the lives of those closest to him.
After toiling in the industry for decades, Lee threw caution to the wind and went for broke, co-creating the Fantastic Four, Spider-Man, Hulk, Iron Man, the X-Men, the Avengers, and others in a creative flurry that revolutionized comic books for generations of readers. Marvel superheroes became a central part of pop culture, from collecting comics to innovative merchandising, from superhero action figures to the ever-present Spider-Man lunchbox.
He quips: “Perhaps my mother was conceived by a Xerox machine!” Little by Little: People I’ve Known and Been (7th Mind Publishing, $24.95) is a witty, fun read; not so much a detailed autobio, but (as Little says) “a humorous glimpse of he people I’ve impersonated and some of the funny stories that happened along the way.”
He shines a light on all the important moments of his life, from his early years and his start in politics to his crucial role as attorney general in his brother’s administration and his tragic run for president. This book brings Bobby Kennedy to life like never before and is destined to become a political classic.
With more than 40 albums to her credit, Wanda has proven to be an enduring and genre-defying legend of American music. She details her life and career in the wonderful In ![Reckless Daughter: A Portrait of Joni Mitchell by [Yaffe, David]](https://images-na.ssl-images-amazon.com/images/I/51soJq9sMAL.jpg)
From Mitchell’s youth in Canada, her bout with polio at age nine and her early marriage and the child she gave up for adoption, through the love affairs that inspired hits, and up to the present, the bio shows us why Mitchell has so enthralled her listeners, her lovers and her friends. It’s the story of an artist and an era that have left an indelible mark on American music.
The book gives an insider’s recollection of the making of such landmark musicals as West Side Story, Fiddler on the Roof, Cabaret, Company, Follies, Sweeney Todd, Evita and The Phantom of the Opera, with Prince’s perceptive comments about his mentor George Abbott and his many celebrated collaborators. He also fairly reflects on the shows that didn’t work, most memorably and painfully Merrily We Roll Along. This thoughtful, complete account of one of the most legendary and long-lived careers in theater history, written by the man who lived it, is an essential work of personal and professional recollection.
It’s about time someone gave them hell and explained that progressives can read, too. Go get ’em Mr. Grant!
Nobel Prize brought him vindication, and he immediately found himself thrust into the spotlight as a leading academic voice in all matters Dylanological. Today, through his wildly popular Dylan seminar—affectionately dubbed “Dylan 101″—Thomas is introducing a new generation of fans and scholars to the revered bard’s work. This witty, personal volume is a distillation of Thomas’s famous course, and makes a compelling case for moving Dylan out of the Rock & Roll Hall of Fame and into the pantheon of Classical poets. You’ll never think about Bob Dylan in the same way again. On October 13, 2016, he the Nobel Prize in Literature, recognizing his countless contributions to music and letters over the last 50 years. 
His acceptance speech is contained in The Nobel Lecture (Simon & Schuster , $16.99), in which Dylan reflects on his life and experience with literature, providing both a rare artistic statement and an intimate look at a uniquely American icon. 100 Songs (Simon & Schuster, $17) is an intimate and carefully curated collection of his most important lyrics that spans from the beginning of his career through the present day. 
Perfect for students who may be new to Dylan’s work as well as longtime fans, this portable, abridged volume of these singular lyrics explores the depth, breadth and magnitude of one of the world’s most enduring bodies of work. Bob Dylan: The Essential Interviews (Simon & Schuster, $35) features more than two dozen of the most significant and revealing conversations with the singer, gathered in one definitive collection that spans his career from street poet to Nobel Laureate.
In contrast to the tensions sparked by the Bay of Pigs debacle and the Cuban Missile Crisis, Cliburn brought classical music to the masses. Elegantly combining the political and the personal, this narrative provides a fresh perspective on the Cold War and its implicit nuclear threat while telling the whole of Van Cliburn’s story for the first time.
In the audaciously honest voice that her fans adore, Lewis describes her transition to Hollywood; when an undiagnosed mental illness stymies her career (culminating in a breakdown while filming The Temptations), her quest for wholeness becomes a harrowing and inspiring tale, including revelations of bipolar disorder and sex addiction.
influence that shaped the incredible Beatles phenomenon vividly to life. Hunter and his team have also rated entries to show how important, influential or meaningful that characteristic was in the history of their lives and creations. Illustrated with material from Hunter’s remarkable private collection of personal artifacts and memorabilia, this compendium is an beautiful, insightful and entertaining treasure for any Beatles fan.
He remains the ultimate guy’s guy. The Life Steve McQueen (Motorbooks, $30) explores and celebrates the memorable aspects of McQueen’s life that, taken as a whole, defined the man and cemented his reputation as a Hollywood rebel and risk taker. Peppered with period photos, illustrations, posters and more, the book surveys the movie roles, racing, personal style, art, and pop culture that all combined to crown the King of Cool and ensure his legacy.
