Olive Films, truly a company to be revered for its interest in restoring and releasing films thought lost, has come up with yet another real winner. The Captive, directed by a 34-year-old Cecil B. DeMille, is an amazing time capsule, showing a film maker’s early steps to understanding and exploiting the new art form.
This is not a sword-and-swashbuckling lust-
Older brother Marko, younger sister Sonia and cute little brother Milos live in a Balkan country at war with the Turks. The older brother is killed. However, the conflict goes against the Turks, and prisoners are forced to aid families of the country where the older sister and little tyke live. A Turkish nobleman, Mahmud Hassan, Bey of Karvan, is charged with serving Sonia and her young brother. Yet DeMille steers the film into compelling territory: The sister and the nobleman fall in love, the Turks attack their cottage, threaten to kill and eat the tyke’s baby goat, as well as the usual rape and pillage.
How else can this end? The Turkish nobleman saves the day, clobbers a couple of Turks, and proposes to Sonia, who rejects him because he is of noble birth and she a simple peasant. Crushed, the Turk returns home, only to be stripped of all honors because of the aforesaid clobbering, so he hits the dusty road. Our heroine’s home is destroyed by more marauding Turks, and she hits the same dusty road with tyke and adorable goat, and, with the magic of cinema, they meet, embrace and live happily ever after.
The now-forgotten Blanche Sweet is a revelation in realistic film acting. The camera adores her; she is radiant in her every scene . Neither cloying nor plucky, she is completely convincing as the peasant girl who grows up and finds love. The amorous Turk is played by House Peters, and the little tyke by Gerald Ward, two names perhaps even more obscure than Sweet. The goat is suitably sympathetic.
You’ve heard of the infamous legend. Now you can meet him. Sort of.
Following its theatrical release, the action-packed saga of the “Wild Bill” Hickok has rolled onto 4K UHD + BD and DVD. In the hopes of escaping his past as a notorious outlaw, seeks redemption as a small town lawman. Unfortunately, as the titular gunslinger discovers, the past has a way of catching up with you in Hickok, a frontier thriller starring Luke Hemsworth in his first leading role in a feature film; the period Western from Cinedigm and Status Media also stars Bruce Dern and country cronners Trace Adkins and Kris Kristofferson.
We are speeding so fast to get you new First Run Features news that we may a ticket. It’s worth it. Now on DVD:
A film by Amber Fares
English & Arabic with English subtitles, 2016
The Speed Sisters are the first all-woman race car driving team in the Middle East. Grabbing headlines and turning heads at improvised tracks across the West Bank, these five women have sped their way into the heart of the gritty, male-dominated Palestinian street car-racing scene.
Weaving together their lives on and off the track, Speed Sisters takes you on a surprising journey into the drive to go further and faster than anyone thought you could.
Marinoni: The Fire in the Frame
A film by Tony Girardin
English, French & Italian w/ English subtitles, 2016
Giuseppe Marinoni found his calling when he transitioned from champion cyclist to master bike craftsman. But after years hunched over toxic fumes, his passion almost killed him. Today, at age 75, Marinoni is back in top shape, and decided to attempt the world hour record for his age group, all on a bike he built with his own hands almost 40 years ago.
A film by Hubert Woroniecki
When he created the Elite modeling agency in the ’70s, John Casablancas invented the concept of the “supermodel.” If names like Naomi, Cindy, Linda, Iman, Gisèle or Kate are part of popular culture today, it’s mostly his doing.
He lived a life many have dreamed about, surrounded by glamour and beauty. Now, John Casablancas tells his own story.
Summer is still sizzling and Paramount Home Media Distribution is making waves with the release of Baywatch. This new extended version features outrageous footage not seen in theaters, on 4K Ultra HD Combo Pack and Blu-ray Combo Pack. Take a dip now that the flick has been released.
When a dangerous crime wave hits the beach, legendary Lt. Mitch Buchannon (Dwayne Johnson) leads his elite squad of badass lifeguards on a mission to prove you don’t have to wear a badge to save the bay. Joined by a trio of hot-shot recruits including former Olympian Matt Brody (Zac Efron), they’ll ditch the surf and go deep undercover to take down a ruthless businesswoman (Priyanka Chopra), whose devious plans threaten the future of the bay.
The Baywatch 4K Ultra HD and Blu-ray Combo Packs include both the extended and theatrical versions of the film and are loaded with special features, including interviews with the sensational cast, a look at the “Baywatch” legacy, behind-the-scenes footage of the spectacular stunts, as well as deleted and extended scenes. The film also boasts a Dolby Atmos soundtrack remixed specifically for the home theater environment to place and move audio anywhere in the room, including overhead.
Shot on the stunningly beautiful Ards Peninsula Ards Peninsula in Northern Ireland, My Mother and Other Strangers (PBS Distribution) portrays the culture clash when a U.S. bomber base is established near the fictional village of Moybeg in 1943, bringing hundreds of gum-chewing, swing-band-listening American airmen to a remote Ulster farming community, with its winsome women and stolid workingmen.
The action is framed from the point of view of a young boy, Francis Coyne, whose childhood is populated by strangers. On the one hand, there are the friendly Americans in their Jeeps and airplanes, who treat him like a little brother.
Then there is his mother, Rose, an upright Englishwoman who married Michael Coyne and moved to his hometown, Moybeg, where she is raising their three children, teaching in the village school, and tending a grocery shop next to Michael’s pub. Despite being a pillar of the community, Rose has never fit in. She speaks more properly than the locals, loves English literature, and has a lively interest in the wider world.
Into this isolated domain comes Captain Ronald Dreyfus, U.S. Army Air Forces, who encounters Rose during a walk on the heath. When they meet again, he quotes her a line from Tennyson’s “The Lady of Shalott”—one of her favorite poems.
Captain Dreyfus is as reserved as Rose is. But in his capacity as base liaison officer, he has occasion to see her frequently: dealing with a fracas between airmen and regulars at the pub, arranging for an army nurse to care for a sick child, and planning a Christmas party for the school.
Both would-be lovers fight against the stronger feelings that are overwhelming them—emotions that are increasingly evident to those around them.
Wary of betraying her husband, Rose feels seized by some otherworldly force, a sentiment she can only recognize from a piece of literature—Emily Brontë’s Wuthering Heights—which she quotes from memory: “Be with me always—take any form—drive me mad! only do not leave me in this abyss, where I cannot find you!”
During its recent UK broadcast, viewers and critics were deeply moved by this bittersweet tale. “No other recent drama has captured quite so keenly a sense of the complex, hidden, unspoken desires that can roil away beneath even the quietest surface,” wrote the reviewer for The Telegraph.
My birthday (September 17) is big news, but four days before, September 13, MHz Networks makes small-screen history when they premiere 1864 on its streaming service MHz Choice. This Danish drama of love in the time of war, reaches across eras to connect individual lives, confront a nation’s trauma, and examine the events of an epic war that formed the self-image of Denmark. Internationally renowned “Danish New Wave” director Ole Bornedal, read the letters of the soldiers to create a factual fairy tale.
Shot as a feature film and available as eight episodes, this sweeping drama reflects Borndal’s renowned mix of stylistic experimentation with engrossing stories, as seen in his thriller Nattevagten (1994), which screened at the Cannes, Toronto and
Bornedal has gathered the top acting talent of the current golden era of Denmark’s film and television, such as Sidse Babett Knudson, seen in the hit television series Borgen and Westworld, who delivers an unforgettable performance alongside her Borgen costar Pilou Asbæk, also known for Game of Thrones and The Borgias.
A TALE IN TWO ERAS
Following victories over the Prussian Empire in the war of 1848-51, Denmark is emboldened and begins scheming to annex Schleswig into the Danish Kingdom. Armed with nationalist furor, the leader of the Parliament dismisses the country’s European treaties and throws Denmark into war with Prussia. Amid escalating conflict, two peasant brothers grow up and fall in love, both with the same well-read and beautiful woman. When the war erupts, these two young men volunteer for service, setting the stage for a sweeping drama.
Meanwhile, in 2014, a young girl suffers the loss of her brother to the war in Afghanistan. Depressed and despairing, she takes a position as aide to an aging Baron, who happens to reside in the same countryside inhabited by the brothers in 1864. Here, she discovers a diary and encounters the extraordinary love triangle. She becomes an eyewitness to history, powerfully connected to the brothers—and thousands of Danish soldiers—who fought one of the nation’s bloodiest battles, a slaughterhouse that changed Denmark forever.
Have you ever wanted a second chance? To give someone a gift you weren’t able to give? Tell them you loved them one last time? These are the questions at the heart of Chicago native writer/director Kenneth Mader’s award-winning sci-fi thriller Displacement (All Channel Films), a character-driven time travel story that explores themes of love and loss, the power of forgiveness, and the consequences of turning back the clock.
The flick stars Courtney Hope, Bruce Davison, Susan Blakely, Sarah Douglas, Lou Richards and Christopher Backus.
“The response to the film in theatrical, digital and festival release around the country has been great,” says Mader, “and I’m thrilled to be able to bring it to DVD fans nationwide.”
Grieving over the death of her mother (Blakely) to cancer, Cassie must find a way to reverse the anomaly and solve the mystery of Brian’s death, all while avoiding a shadowy group that is dogging her every move, sending Cassie on a journey that will shake her very core, setting off a chain of events that brings her to the brink of complete emotional and physical collapse.
In order to untangle the anomaly, Cassie seeks counsel from her old physics professor (Davison), encounters her estranged physicist father (Richards) and finds herself being repeatedly interrogated by the mysterious Dr. Miles (Douglas) all of which reveal clues that lead her further down a path toward discovery and potential redemption. But at how steep a price?
It’s the summer of 1967, and the effects of the Cold War and ’60s counterculture are being felt in Oxford. It has barely been two weeks since the events depicted in the season three finale, and we find Oxford’s finest picking up the pieces of their personal and professional lives. Endeavour waits to hear the result of his Sergeant’s Exam, and self-medicates to numb his heartache over Joan, but whisky and Tännhauser will only get a man so far. Meanwhile, Thursday and Win deal with their own sense of grief. Their home is empty, Sam gone to the Army and Joan . . . who knows where?
Welcome to Masterpiece Mystery: Endeavour Season 4 will be available on DVD and Blu-ray on September 5. The program will also be available for digital download. Save the date!
A description of each of the episodes from Season 4 is listed below.
Endeavour, struggling with Joan Thursday’s sudden departure, finds himself consumed by a nightmarish hunt for a serial killer. He must race against time to find the connection between a chess-playing “thinking” machine and a baffling drowning.
When morality advocate Joy Pettybon receives a death threat, Endeavour must protect her at all costs. But the arrival of a rebellious band, The Wildwood, quickly drags Endeavour into a bloody war of social attitudes that just had its first fatality.
Whispers of a cursed ward at the local hospital and a seemingly innocuous death begin a chain of events that leads Endeavour to investigate the dark depths of the hospital, its staff and its patients. Meanwhile, he is forced to confront his own ghosts as he discovers a chilling secret.
The extraordinary discovery of a 2,000-year-old body reveals a new lead in a missing person case. Endeavour and Thursday must investigate the eerie village of Bramford, where nature is pitted against man and pagan rites hide nuclear mysteries.