Marilyn Monroe said it best: “Hollywood is a place where they’ll pay you a thousand dollars for a kiss and fifty cents for your soul. I know, because I turned down the first offer often enough and held out for the fifty cents.”
Keegan Allen shows it best with his lavish tome Hollywood: Photos and Stories from Foreverland (St. Martin’s Press, $29.99). Allen, an actor; photographer; bestselling author and musician best-known from the No. 1 hit show on Freeform, Pretty Little Liars; reveals the Hollywood we see—and the one we don’t—with a photography narrative featuring more than 250 emotionally charged color and black and white photos. No wonder his first book, life.love.beauty, was a national bestseller.
The Hollywood native grew up in a world that millions
visit and many more imagine. In his new book he turns his eye and camera to the place he knows best. Hollywood captures the beauty
and glamour of the place itself—with unusual angles of the famous sign, the Chateau Marmont at twilight, secret local hideaways, red carpets and more—but also the darker side of dreams unrealized in the faces, hands, eyes and footsteps of those who live on the fringe of celebrity. His photos are enhanced by revealing, intimate captions, lyrics, and other writing, as well as exciting parodies, and iconic emulations.
A book that will engage and surprise Keegan’s legions of fans and followers, Hollywood is an essential gift for anyone who has visited or imagined this storied place
“Watch out for the music. It should come with a health warning:
It can and should make you think the world can be a better place.”
— Peter Gabriel
Each year, the Rock and Roll Hall of Fame honors rock music’s pioneering figures during a prestigious, black-tie ceremony. As the Hall of Fame enters its third decade, it’s these singular induction ceremonies- featuring the biggest names in classic rock from the ’60s, ’70s and ’80s–that have become nearly as iconic as the artists they celebrate. On April 24, Time Life and the Rock and Roll Hall of Fame give home audiences front row seats to the four most recent incredible induction ceremonies with Rock and Roll Hall of Fame: In Concert.
Never before available at retail on any format, these four memorable live concert events are filled with the kind of collaborations and jam sessions that have made Rock Hall concerts legendary. With egos set aside–in many cases original band lineups perform together for the first time in years–inductees and friends take the stage to deliver once-in-a-lifetime performances, often with a truly mind-blowing combination of talent.
“From the first induction ceremony in 1986, the Rock and Roll Hall of Fame has sought to honor the top names in all genres of rock ‘n’ roll,” says Joel Peresman, President of the Rock and Roll Hall of Fame Foundation. “These ceremonies have provided unique once-in-a-lifetime moments as the inductees and presenters come together to celebrate the legacy of these artists and it’s a privilege to produce this important part of music history and to share it with you!”
This four-disc set –a must-have for every music lover–features poignant reunions, moving and often hilarious induction speeches, and 53 iconic performances.
Among the unforgettable highlights on the DVD and Blu-ray sets:
Bruce Springsteen joining inductees E Street Band for the deep cut classic “E Street Shuffle” from the Boss’s second album, from 1973.
Legendary grunge-rock group Pearl Jam delivering thundering performances of “Alive,” “Given to Fly” and “Better Man.”
The two surviving members of Nirvana joined on stage by Lorde, Annie Clark, Kim Gordon and Joan Jett for emotional renderings of the group’s biggest hits.
Cat Stevens performing a spine-tingling version of “Father & Son” that turned the massive Barclay Center quiet as a church.
Journey performs three classics: “Separate Ways (Worlds Apart),” “Lights” and “Don’t Stop Believin’.”
Ringo Starr being welcomed into the Rock Hall with a little help from Paul McCartney.
Original Cheap Trick drummer Bun E. Carlos joining the band for the first time in 6 years tearing through their early hits including “Surrender” and “Dream Police.”
Five of the original members of Chicago performing on stage for the first time in 25 years.
Features complete Hall of Fame Induction speeches including Coldplay’s Chris Martin inducting Peter Gabriel and Metallica’s Lars Ulrich inducting Deep Purple.
Proof that music remains the soundtrack to all lives.
Grease is the word. Still, 40 years after bubbly musical was released. It’s got a groove, it’s got a meaning and it’s still a cultural phenomenon 40 years after its original release. The iconic celebration of high school life in the ’50s, Grease is the way you’ll be feeling with a new 40th Anniversary Edition on 4K Ultra HD, Blu-ray, DVD and Digital April 24 from Paramount Home Media Distribution.
Featuring an explosion of song and dance, as well as star-making performances from John Travolta and Olivia Newton-John, Grease made an indelible impact on popular culture. 40 years later, the film remains an enduring favorite as legions of new fans discover the memorable moments, sensational soundtrack and classic love story. Boasting unforgettable songs including “Greased Lightnin,” “Look At Me, I’m Sandra Dee,” “Summer Nights,” “Hopelessly Devoted To You,” “Beauty School Drop Out” and, of course, “Grease,” the film is a timeless feel-good celebration.
Paramount worked with director Randal Kleiser to restore the film to its original vibrancy with the highest quality sound, picture resolution and color. The original negative was scanned and received extensive clean up and color correction using previously unavailable digital restoration tools such as high dynamic range technology. In addition, the audio was enhanced from a six-track mix created for an original 70mm release, giving the music more clarity. The resulting picture and sound create an exceptional home viewing experience.
The Grease 40th Anniversary Edition 4K Ultra HD and Blu-ray Combo Packs include the fully restored version of the film plus an all-new, in-depth exploration of the little-known origins of what would become a Broadway play and then a feature film and worldwide phenomenon. “Grease: A Chicago Story” features new interviews with writer Jim Jacobs and original cast members of the Chicago show. In addition, the discs include the original song the title sequence was animated to and an alternate ending salvaged from the original black & white 16mm work print discovered by director Randal Kleiser.
Both the 4K Ultra HD and Blu-ray Combo Packs also feature more than an hour of previously released bonus material, including a sing-along, vintage interviews with the cast, deleted scenes and more. Plus, the Blu-ray Combo comes in collectible packaging with 16 pages of images laid out like a high school yearbook. In addition, a Grease Collection will be available in a Steelbook Locker, which includes the 40th Anniversary Blu-ray of Grease, as well as Grease 2 and Grease: Live! on Blu-ray for the first time.
Fire up the home entertainment system and call your buds because the ultimate stoner comedy is celebrating its 40th anniversary. The high-larious cannabis cultural epic breakthrough Up in Smoke will “grab you by the poo poo” all over again when it arrives on Blu-ray Combo Pack and DVD April 10 from Paramount Home Media Distribution. A special Deluxe Collector’s Edition, pairing the Blu-ray with the original soundtrack on CD and Vinyl LP in deluxe packaging, will arrive the following week from Rhino, featuring a newly recorded 2018 version of the title song “Up In Smoke.”
In 1978, Cheech Marin and Tommy Chong made their feature film debut in Up in Smoke,the outrageously funny classic inspired by their now legendary comedy routines of the early ’70s. Following massive success with more than 10 million comedy albums sold, four Grammy nominations and a win for Best Comedy Recording for Los Cochinos, Cheech and Chong took Hollywood by storm when Up in Smoke became a smash hit, establishing the pair as the reigning comedy duo of a new generation. Today, the film still has viewers rolling in the aisles and maintains surprising cultural relevance four decades after its original release.
“The greatest thrill is making your first movie and this one has been seen and been influential all over the world for over forty years,” says Richard “Cheech” Marin. “Up in Smoke started stoner movies and is still going strong so smoke it up one more time.”
Adds Thomas Chong: “Where did the time go? Fortyyears ago we made low budget movies that grossed over 100 million and are still being watched all over the world. And it also helped legalize an important medicine. I am so proud that a movie bearing a title of a simple song I wrote would be so influential for so many years.”
Cheech and Chong play wannabe musicians and stoners who unwittingly smuggle a van made of marijuana from Mexico to L.A. Their drug-laced humor keeps their spirits high as they unknowingly elude the police and meander their way to an outrageous finale at the Roxy Theatre in Hollywood where Cheech performs in a pink tutu and Chong plays drums in a red body suit with a Quaalude logo.
The Blu-ray Combo Pack features a brand new short-form documentary entitled “How Pedro Met the Man: Up In Smoke at 40,”which chronicles the duo’s comedy history, as well as the origins and impact of the film itself. Capturing a complex and fascinating pop culture odyssey, the documentary incorporates new interviews with Cheech Marin, Tommy Chong and producer/director Lou Adler along with archival footage. The Combo Pack is also loaded with previously released bonus material including deleted scenes, commentary, a music video and more.
The Deluxe Collector’s Edition is presented in a 12 x 12 package, limited to 5,000 copies.
The set pairs the Blu-ray with the original soundtrack on CD and Vinyl, as well as a 7-inch picture disc, oversized “Up In Smoke” rolling papers, a film poster and booklet with new essays by both Cheech and Chong, along with rare and unseen photos. In addition to the new version of “Up In Smoke,” the CD also features another previously unreleased version of the song from 1978 with an additional Spanish verse by Cheech.
On our list of favorite female songwriters: Cynthia Weil. We have never lost that lovin’ feeling for her. And we are not kidding. Somewhere out there are other good female songwriters, but Weil, a Grammy award-winning and Rock & Roll Hall of Fame inductee, is a genius. Make that Genius.
Collaborating with her husband, Barry Mann, she has written countless standards. Our all-time favorite is “Blame It on the Bossa Nova”, a song that was a huge hit for Eydie Gorme, a friend we so sorely miss.
Weil has been inducted into the Songwriters Hall of Fame and The Rock & Roll Hall of Fame (only the third woman to receive this honor in the non-performing category). She has been honored with multiple Grammy nominations and two Grammy awards for “Somewhere Out There,” which won the awards for “Motion Picture Song of the Year” and “Song of the Year.” Weil is so important in the history of pop music that she is featured as a real-life character in the Tony Award-winning musical Beautiful: The Carole King Musical.
Weil. Such a novel woman. It’s only fitting, then, that her new children’s book, 806: A Novel (Tanglewood Publishing, $16.99), has a teen songwriter as its main character. The book hits shelves on March 13.
806: A Novel takes readers on a life-changing road trip with more than a few twists and turns. Taking on the thought-provoking topic of sperm donor kids seeking their father while facing challenges and disappointments along the way, the story is balanced by its humor, newfound familial relationships, and heartfelt moments. Teens will connect with KT, Jesse, and Gabe for different reasons during their journey as they race through the book to discover how everything turns out.
We told you she was a genius. By the way: Is it any wonder that “You’ve Lost That Lovin’ Feeling”, is the most played song of the 20th century? I pray she will continue making her own kind of music.
The answer, my friend, is blowin’ in the wind. Marking the 15th anniversary of the Grammy-nominated Gotta Serve Somebody: The Gospel Songs of Bob Dylan, MVD Entertainment Group will reissue the film of the same title. Gotta Serve Somebody: The Gospel Songs of Bob Dylan features an intense 1980 Bob Dylan performance of “When He Returns,” as well as powerful performances and interviews with Aaron Neville, Shirley Caesar, Fairfield Four, Mighty Clouds of Joy and Dottie Peoples, reflecting on their faith and connections to Dylan’s Christian music.
“It was an honor to have made an impression on the great artist himself with these recordings,” says the film’s producer Jeffrey Gaskill. From 2009 to 2011, Bob Dylan opened 40 concerts around the world with “Gonna Change My Way of Thinking” (his Grammy-nominated new version re-written and recorded for Gotta Serve Somebody: The Gospel Songs of Bob Dylan) in concert halls in Los Angeles, New York, Hong Kong, London, Beijing, Shanghai, Adelaide and this performance in Tel Aviv (watch it HERE).
Just a month after his recording with Mavis Staples, Dylan kicked off a new tour in Stockholm, Sweden and performed “Solid Rock” (what many consider the theme song to his gospel era concerts) for the first time in more than 20 years. Dylan would continue to perform this rousing song as well as other gospel era songs at numerous concerts across Europe and beyond.
“This gospel music was Bob Dylan’s ultimate rebellion, and it took much more courage than strapping on an electric guitar,” recalls Gaskill. The film offers historical insights into this Bob Dylan era provided by Jim Keltner, Fred Tackett, Spooner Oldham and Regina McCrary, all of whom performed and recorded with Dylan at the time.
A new year. A new crop of musical memoirs. The first (and a really good one): Scott Ian’s Access All Areas: Stories from a Hard Rock Life (Da Capo, $26).
Ian, rhythm guitarist and cofounder of the thrash-metal band, Anthrax, has seen his share of dive hotels, dirty tour buses, and decrepit green rooms. In Access All Areas: Stories from a Hard Rock Life, he collects his craziest stories to give an honest account of life on the road for a touring musician. Along the way, he recounts his encounters with celebrities such as Kirk Hammett, Dimebag Darrell, Trent Reznor, Steven Spielberg and David Lee Roth.
Throughout the book, Scott Ian steps up to the line and purposely crosses it, chronicling everything from witnessing an enema contest involving Fruit Loops backstage at Madison Square Garden after a Nine Inch Nails concert; to accompanying Madonna to a strip club to see an exotic dancer with 42GGG breasts; to blacking out after dinner with Mario Batali and Top Chef judge Tom Colicchio at the Palazzo in Vegas (only to wake up and discover he’d somehow managed to play online poker in the middle of the night—and won!); to having his sexy storyline with Christina Applegate edited out during a guest appearance on Married with Children; to seeing his hero, Lemmy Kilmister, in a pair of Daisy Dukes; to punching Michael Stipe at a loft party “because everybody hurts.”
Let us treat you to a bon mot from chapter three: “I’ve done a lot of interviews over the last thirty-three years. A LOT. It’s safe to say that the number is somewhere in the thousands, and of those thousands of interviews and tens of thousands of questions I’ve been asked there’s one question I’ve been asked more than any other: ‘What is the craziest thing you’ve seen on tour?’”
With chapters like “What If We Were the Dicks?” and “Sorry Never Felt So Good,” Access All Areas is told with an artist’s eye for detail, a performer’s knack for storytelling…and an utterly inexplicable lack of embarrassment.
“Like most Americans, Cuba seems like a dream, a land of rhythm and rum, of Ricky Ricardo and revolutionaries, baseball greats, gangsters, casinos, classic cars and big cigars. But for me, it’s the home I’ve never known, the place that my parents were formed, who in turn formed me. The roots of my musical soul have been reaching for Cuban soil my entire life. And now the reality is beyond my wildest dream.”
So remarks Grammy Award-winning singer-songwriter of The Mavericks and bandleader Raul Malo near the start of Great Performances: Havana Time Machine, a pioneering music documentary, one of the first U.S. productions since travel restrictions have opened up in Cuba.
Born Raúl Francisco Martínez-Malo, Jr. to Cuban parents in Miami, the versatile roots-rock music singer embarks on a musical and historical odyssey through the present-day Cuban capital in the program, a US/Cuba collaborative musical showcase.
Hermetically sealed by the Cold War for more than half a century Cuba remains, for the vast majority of Americans, the “Undiscovered Country,” a unique time capsule of cultural traditions, relatively untouched. But the recent thawing of Cuban-U.S. relations is forging new relationships based on collaboration. The evolution of the Revolution creates a unique opportunity for a unique presentation to showcase the tropical kaleidoscope that is Havana’s musical scene, past, present and future.
Documented by richly atmospheric camera work, Malo visits such iconic locales as the grand boulevard, the Paseo del Prado; a small apartment/recording studio in Nuevo Vedado; the Instituto Superior de Arte (ISA); the former farm estate of Ernest Hemingway; and Los Jardines De La Tropical, a once-magical beer garden now overtaken by jungle. Along with way, Malo has musical encounters with such luminaries as Eliades Ochoa, an original member of the famed Buena Vista Social Club; acclaimed Cuban singer Ivette Cepeda; Sweet Lizzy Project, a modern Latin indie-pop band; and piano-jazz maestro Roberto Fonseca. The beloved band The Mavericks perform music from their highly acclaimed new album Brand New Day (Mono Mundo Recordings).
In the heavens of rock ‘n’ roll’s first-generation creators, no artist looms larger than Chuck Berry. Bob Dylan once called Berry “the Shakespeare of rock ‘n’ roll.” John Lennon stated, “If you tried to give rock ‘n’ roll another name, you might call it ‘Chuck Berry.'” Keith Richards: “Chuck Berry is the gentleman who started it all.”
In a consistently innovative recording career that spanned more than 60 years, the iconic singer-songwriter-guitarist, who passed away on March 18, 2017, laid much of the groundwork for modern rock ‘n roll, while creating some of rock’s most distinctive and enduring anthems, from “Johnny B. Goode” to “Roll Over Beethoven,” “Rock and Roll Music” to “Reelin and Rockin’,”.
Geffen/UMe pays tribute to the immortal spirit of Berry with the ultimate vinyl version of his landmark greatest hits compilation, The Great Twenty-Eight, as it celebrates its 35th anniversary, with The Great Twenty-Eight: Super Deluxe Edition. The album will be released as a limited edition five-disc box set on Chess Blue vinyl, limited to only 500 copies worldwide and available exclusively via UDiscoverMusic.com. A wide release standard black vinyl edition will be available next year onJanuary 26, 2018.
Housed in a textured box, the Super Deluxe Edition will complement the original two-LP, 28-song compilation with an additional LP, More Great Chuck Berry, containing 14 more hits, rarities and B-sides missing from the original, as well as a rare live album, Oh Yeah! Live in Detroit, available on vinyl for the first time. The collection will also include a newly created bonus ten-inch EP Berry Christmas, featuring four holiday-themed classics on “Rudolph-Red” vinyl, with one song on vinyl for the first time as well. Pre-order The Great Twenty-Eight: Super Deluxe Edition now: https://lnk.to/Great28SDE
Berry’s classic recordings for Chicago’s seminal Chess label have been extensively anthologized in the CD era. But for many Berry devotees, the two-LP vinyl collection The Great Twenty-Eight remains both a sentimental favorite and a definitive document of Berry’s musical genius. It’s no wonder that The Great Twenty-Eight was ranked number 21 on Rolling Stone‘s “500 Greatest Albums of All Time,” the highest-ranking hits compilation on that list. For those interested in the original 28-track edition of The Great Twenty-Eight, it is now back in print in its original two-LP format for the first time since its initial release in 1982. Order The Great Twenty-Eight here: https://UMe.lnk.to/Great282LP
The Great Twenty-Eight: Super Deluxe Edition also includes a handsome 12″ x 12″ book featuring a special introductory essay by Keith Richards, a new essay by best-selling author and SiriusXM host Alan Light, complementing Michael Lydon’s liner notes from the original version of The Great Twenty-Eight, and reminiscences from DJ Lee Alan, plus complete U.S. single, album and EP discographies. The text is enhanced by reproductions of Berry’s original LP cover art and rarely-seen photographs.
A survey of Berry’s first decade of recording on Chess, the original The Great Twenty-Eight contains 21 singles along with six of their b-sides and one album track from Chuck Berry in London. Of those singles, eleven were top ten hits on the Billboard R&B singles chart and ten were Top 40 hits on the Billboard Hot 100. During his Chess years, Berry created a massive—and massively influential—body of work that includes countless beloved classics, from “Maybellene” to “Roll Over Beethoven” to “Johnny B. Goode” to “Memphis, Tennessee” and beyond. Indeed, Berry’s music is so deeply ingrained into our culture that NASA launched “Johnny B. Goode” into outer space on the Voyager spacecraft as a representation of the sounds of the human race for the benefit of our cosmic neighbors. All of these songs are included on The Great Twenty-Eight, which also includes the ubiquitous hits “Rock and Roll Music,” “Sweet Little Sixteen” and “No Particular Place To Go” and many others that have become part of the collective consciousness.
More Great Chuck Berry comprises 14 classic Berry tunes not included on The Great Twenty-Eight, including the sultry, simmering number “Wee Wee Hours,” the original flip side of “Maybellene”; “My Ding-A-Ling,” Berry’s only No. 1 pop single; “Too Pooped To Pop (Casey),” the top 20 R&B A-side of “Let It Rock”; the Top 10 R&B hit “No Money Down”; the celebratory “Promised Land”; and the rollicking “You Never Can Tell,” which earned cinematic immortality as the accompaniment to John Travolta and Uma Thurman’s twist in the film Pulp Fiction.
Oh Yeah!: Live In Detroit is a thrilling, rare concert performance from October 1963, celebrating Berry’s return to the stage after a break from performing. With support from local DJ and TV host Lee Alan, Berry, backed by Motown’s Funk Brothers rhythm section and horn players, recorded the live album during a series of performances at Detroit’s Walled Lake Casino.
Returning to the spotlight after a year-and-a-half brought out an energy and intensity in Berry that can be heard clearly in this historic 12-song set, which launches with “Guitar Boogie”and includes “Let It Rock, “Too Much Monkey Business (available for the first time in the U.S.),” “Johnny B. Goode,” Sweet Little Sixteen” and a lengthy, edge-of-chaos medley, as Berry feeds off an audience that sings along with nearly every track. Throughout the show, Berry tells jokes that slyly address racial tensions. But the record was scrapped at the time and has been previously only available as part of a limited-edition CD set; this marks its first time on vinyl, and as any kind of standalone release.
The bonus EP Berry Christmas collects together four Christmas classics on “Rudolph-Red” vinyl. The 10-inch disc features Berry’s chestnuts, “Run Rudolph Run” and “Merry Christmas Baby” along with “Christmas” and “Spending Christmas,” the latter making its vinyl debut as it was previously available only in a limited-edition CD box set.
And if those testimonials aren’t convincing enough, one listen to The Great Twenty-Eight: Super Deluxe Edition will make the case for Chuck Berry’s singular, timeless rock ‘n’ roll brilliance.
To celebrate the Velvet Underground’s 50th anniversary, Verve Records/UMe is releasing The Velvet Underground, a limited-edition career-spanning box that collects all four of the pioneering band’s studio albums, Velvets collaborator Nico’s debut LP, Chelsea Girl, and a reconstruction of the fabled “lost” 1969 album, making it available on vinyl for the first time. The six albums housed in a special black slipcase will be pressed on 180-gram black vinyl and feature stereo mixes and meticulously reproduced original cover art. The box will also include an exclusive 48-page booklet, featuring vintage photos, lyrics and a new foreword penned by founding member Maureen “Moe” Tucker. Limited to 1,000 copies worldwide, the box set, which will be released February 23, is available for pre-order now exclusively at uDiscover: https://UMe.lnk.to/TVULPBox
Assembled by Grammy-winning reissue producer Bill Levenson, The Velvet Underground incorporates six classic records from the band’s vintage heyday including 1967’s The Velvet Underground and Nico, their landmark debut, produced by the band’s mentor Andy Warhol and includes such Velvets classics as “Sunday Morning,” “I’m Waiting for the Man,” “Venus in Furs” and “Heroin;” Nico’s 1967 full-length solo debut Chelsea Girl, featuring songwriting and instrumental contributions from Velvets members Reed, John Cale and Sterling Morrison as well as a young Jackson Browne; 1968’s explosive White Light/White Heat, the group’s final album with co-founder Cale; 1969’s relatively restrained, introspective The Velvet Underground;and 1970’s Loaded, which was the band’s commercial breakthrough as well as its final studio album, with such beloved Reed anthems as “Sweet Jane” and “Rock & Roll.”
To honor the band’s half a century legacy, Levenson has loving recreated the Velvet Underground’s much-mythologized “lost” album, 1969, specially for this set. Nearly 50 years later, much remains unclear about these mysterious recordings. While there’s been reports that the album was intended to be the band’s fourth record only to be rejected by MGM, it’s also possible they were scrapped by the band or possibly shelved by them for being ahead of its time. Whatever the real story is, these songs, recorded just after their lauded self-titled album, which include many gems like “Foggy Notion,” “Ride Into The Sun,” and “I Can’t Stand It,” help to tell the band’s enigmatic story and shine a light on their creative restlessness and rapid evolution.
For this new vinyl recreation, Levenson has assembled the album using 1969 and 2014 mixes. Although these recordings have been previously released, they’ve never been represented on vinyl in this expansive 2LP format. Side four of the second LP is rounded out with bonus tracks recorded in 1968 including “Hey Mr. Rain” and “Stephanie Says.”
The Velvet Underground’s gritty, fearless creative vision remains unique and unmatched. Although the band met with little commercial acceptance during its existence, the seminal New York foursome of Lou Reed, John Cale, Sterling Morrison and Maureen Tucker, along with Doug Yule, is now considered one of most important rock and roll bands of all time, laying the groundwork in the ‘60s for punk, alternative, avant-garde, psychedelic rock, post-punk and shoegaze. The Velvets’ revolutionary body of work stands as a one of rock’s most distinctive catalogs and today their influence looms larger than ever.
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