It’s hardly strange.
But definitely true.
Based on the acclaimed novel by John Searles, Strange but True had just arrived on Blu-ray (plus Digital), DVD and Digital October 22 from Lionsgate. This film is currently available On Demand.
Produced by Academy Award nominee Fred Berger and Brian Kavanaugh-Jones, the film stars Oscar and Golden Globe nominee Amy Ryan, as well as Nick Robinson, Margaret Qualley, Mena Massoud, Golden Globe nominee and Primetime Emmy winner Blythe Danner, Golden Globe nominee and Primetime Emmy winner Brian Cox, and Daytime Emmy winner, Academy Award, Golden Globe and Primetime Emmy nominee Greg Kinnear in a riveting tale of a family facing an unlikely truth that unravels a web of lies and deception.
A family is caught in a web of lies, fears, and suspense after the ex-girlfriend of their deceased son appears five years after his death—and tells them she is carrying his child.
The truth is always louder than mere words. Witness Louder Than Bombs (Sony Pictures Home Entertainment), a riveting film in which a war photographer’s mysterious death is revealed.
Academy Award nominee Jesse Eisenberg, Gabriel Byrne and newcomer Devin Druid star as family members coming to terms with conflicting memories and new revelations about the life and passing of their mother and wife, a renowned photographer played by Isabelle Huppert.
Directed by acclaimed Norwegian filmmaker Joachim Trier and co-starring Oscar nominees Amy Ryan and David Strathairn, Louder Than Bombs was an Official Selection at the Cannes Film Festival (2015), where it was nominated for the prestigious Palme d’Or. Released theatrically by The Orchard earlier this year, the film arrives on DVD with director’s commentary, a behind-the-scenes featurette and photo gallery.
What does Jesse Eisenberg think of his role? “There’s an enigmatic quality to the character I play,” he says. “His mother has killed herself, but he’s not reacting to his grief in a way that’s immediately obvious. And yet his reaction is emotionally correct. An actor will always take that kind of emotional logic and run with it, will make the character as eccentric as they can, because it’s rare to find a script, like this one, that allows an actor to behave ambivalently or to live out ambiguity. My character abandons his wife and child in a way that’s seems innocuous at first but then seems increasingly immoral. When I read the script, I couldn’t get his moral compass. It seemed vague. But then, when you’re acting it, it seems exactly right—this is what somebody would do in this particular situation.”