Welcome to Grey Gardens . . . as you’ve never seen it.|
Three years before Albert and David Maysles’ landmark documentary introduced the world to Edith and Edie Beale—the unforgettable mother and daughter (and Jackie O. relatives) living in a decaying dream world on Long Island—renowned photographer Peter Beard chronicled life at their crumbling estate during the summer of 1972.
For the first time ever, in That Summer (IFC Films), director Göran Olsson assembles this long-lost footage, featuring glimpses of luminaries like Andy Warhol, Mick Jagger and Truman Capote, into a one-of-a-kind family portrait bursting with the loving squabbles, quotable bon mots and impromptu musical numbers that would make Big and Little Edie beloved cultural icons.
Great, gossip and a bit garish.
To celebrate the Velvet Underground’s 50th anniversary, Verve Records/UMe is releasing The Velvet Underground, a limited-edition career-spanning box that collects all four of the pioneering band’s studio albums, Velvets collaborator Nico’s debut LP, Chelsea Girl, and a reconstruction of the fabled “lost” 1969 album, making it available on vinyl for the first time. The six albums housed in a special black slipcase will be pressed on 180-gram black vinyl and feature stereo mixes and meticulously reproduced original cover art. The box will also include an exclusive 48-page booklet, featuring vintage photos, lyrics and a new foreword penned by founding member Maureen “Moe” Tucker. Limited to 1,000 copies worldwide, the box set, which will be released February 23, is available for pre-order now exclusively at uDiscover: https://UMe.lnk.to/TVULPBox
Assembled by Grammy-winning reissue producer Bill Levenson, The Velvet Underground incorporates six classic records from the band’s vintage heyday including 1967’s The Velvet Underground and Nico, their landmark debut, produced by the band’s mentor Andy Warhol and includes such Velvets classics as “Sunday Morning,” “I’m Waiting for the Man,” “Venus in Furs” and “Heroin;” Nico’s 1967 full-length solo debut Chelsea Girl, featuring songwriting and instrumental contributions from Velvets members Reed, John Cale and Sterling Morrison as well as a young Jackson Browne; 1968’s explosive White Light/White Heat, the group’s final album with co-founder Cale; 1969’s relatively restrained, introspective The Velvet Underground;and 1970’s Loaded, which was the band’s commercial breakthrough as well as its final studio album, with such beloved Reed anthems as “Sweet Jane” and “Rock & Roll.”
To honor the band’s half a century legacy, Levenson has loving recreated the Velvet Underground’s much-mythologized “lost” album, 1969, specially for this set. Nearly 50 years later, much remains unclear about these mysterious recordings. While there’s been reports that the album was intended to be the band’s fourth record only to be rejected by MGM, it’s also possible they were scrapped by the band or possibly shelved by them for being ahead of its time. Whatever the real story is, these songs, recorded just after their lauded self-titled album, which include many gems like “Foggy Notion,” “Ride Into The Sun,” and “I Can’t Stand It,” help to tell the band’s enigmatic story and shine a light on their creative restlessness and rapid evolution.
For this new vinyl recreation, Levenson has assembled the album using 1969 and 2014 mixes. Although these recordings have been previously released, they’ve never been represented on vinyl in this expansive 2LP format. Side four of the second LP is rounded out with bonus tracks recorded in 1968 including “Hey Mr. Rain” and “Stephanie Says.”
The Velvet Underground’s gritty, fearless creative vision remains unique and unmatched. Although the band met with little commercial acceptance during its existence, the seminal New York foursome of Lou Reed, John Cale, Sterling Morrison and Maureen Tucker, along with Doug Yule, is now considered one of most important rock and roll bands of all time, laying the groundwork in the ‘60s for punk, alternative, avant-garde, psychedelic rock, post-punk and shoegaze. The Velvets’ revolutionary body of work stands as a one of rock’s most distinctive catalogs and today their influence looms larger than ever.
On the morning of January 15, 1947, the bisected body of aspiring Hollywood actress Elizabeth Short was discovered on the sidewalk of a vacant L.A. lot, and at first it was mistaken for a mannequin. The gruesome chance sighting ignited one of the most sensational and flawed manhunts in the history of American criminal justice. Seventy years after the most notorious unsolved murder in American history, Black Dahlia, Red Rose: The Crime, Corruption, and Cover-Up of America’s Greatest Unsolved Murder (Liveright, $26.95) uncovers tantalizing evidence to raise fresh theories about the culprit. Pulling from recently unredacted FBI and LAPD files, author Piu Eatwell goes further than any previous investigator, untangling the web of secrets and rampant corruption that clouded the Black Dahlia case for decades. The murder became infamous for the frightful description of Short’s severed body and for the confounding clinical way it seemed to have been carried out, pointing to a killer experienced with a knife. After the corpse was identified as a young beauty with jet-black hair and a rose tattoo, she became instant tabloid fodder. Christened by the press as “The Black Dahlia,” an exotic flower both toxic and intoxicating, Short became a potent symbol of the dark side of Hollywood and a warning to young women about the fatal snares of glamour, adventure, and female sexuality. In an all-too-familiar transformation, Eatwell recounts the swift transition of Elizabeth Short, New England ingénue, to transient temptress violated by a delinquent man (or lustful lesbian lover). This is the best book of the year: What sets Eatwell’s account apart from the many speculative histories, fictional retellings, movies and TV documentaries, is her gripping re-creation of the period through letters, memoirs, newspaper accounts and other evidentiary documents. So who killed Liz? Read and savor!
The second best book of the year: The Way It Was: My Life With Frank Sinatra (Hachette Books, $27). I loved it because I grew up during the years of the Westchester Premier Theater, where I saw all the greats, giving flowers and getting autographs. And we all knew it was run by the Mafia. That’s just part of Eliot Weisman’s candid memoir (he also was thisclose to Liza and Steve and Eydie); the memoir takes an inside look at the final decades of Frank Sinatra’s life. Frankie invited Weisman into his inner circle, an honor that the budding celebrity manager never took for granted. Even when he was caught up in a legal net designed to snare Sinatra, Weisman went to prison rather than being coerced into telling prosecutors what they wanted to hear. With Weisman’s help, Sinatra orchestrated in his final decades some of the most memorable moments of his career. There was the Duets album, which was Sinatra’s top seller, the massive tours, such as Together Again, which featured a short-lived reunion of the Rat Pack—until Dean Martin, having little interest in reliving the glory days, couldn’t handle it anymore—and the Ultimate Event Tour, which brought Liza and Sammy Davis Jr. on board and refreshed the much-needed lining of both their pocketbooks. Ultimately Weisman, who had become the executor of Sinatra’s estate, was left alone to navigate the infighting and hatred between those born to the name and the wife who acquired it, when a mystery woman showed up and threatened to throw the family’s future into jeopardy. Great fearless stuff!
Vanda Krefft’s The Man Who Made the Movies: The Meteoric Rise and Tragic Fall of William Fox (Harper, $40) is the first definitive biography of William Fox: The fascinating, flawed, and brilliant man who risked everything to realize his bold dream of a Hollywood empire. It took her 10 years to research and write this compelling, well-researched massive tome that has it all: Ambition, genius, vision, glamour, greed, fortune and misfortune unfolding at the dawn of modern America. This is a landmark in film history . . . and the photos have never been seen before!
With his bestselling biography Jack Kennedy, Chris Matthews shared a new look of one of America’s most beloved Presidents and the patriotic spirit that defined him. Now, with Bobby Kennedy: The Raging Spirit (Simon & Schuster, $28.99), Matthews returns with a gripping, in-depth, behind-the-scenes portrait of one of the great figures of the American twentieth century. Drawing on extensive research and interviews, Matthews pulls back the curtain on the public and private worlds of Robert Francis Kennedy. He shines a light on all the important moments of his life, from his early years and his start in politics to his crucial role as attorney general in his brother’s administration and his tragic run for president.
If you ask “who?” when we urge Head of Drama: The Memoir of Sydney Newman (ECW Press, $22.95) you will learn that this is the autobiography of the creator of Doctor Who . . . as well as a legend in British and Canadian TV and film. For the first time, his comprehensive memoirs—written in the years before his death in 1997—are being made public. At the BBC, overseeing a staff of 400, Newman developed a science fiction show that flourishes to this day: Doctor Who. Providing further context to Newman’s memoir is an in-depth biographical essay by Graeme Burk, which positions Newman’s legacy in the history of television, and an afterword by one of Sydney’s daughters, Deirdre Newman.
Cher. Liza. Bette. Beyoncé also needs only a one-word introduction. She is a singer, an artist, an activist, a mom and an icon. In the first bio-graphic book of its kind, Beyoncegraphica (Aurum Press, $29.99), her genius is explored like never before, with fun, informative infographics looking at the highlights and successes of her career–from costume changes to record sales, her impressive vocal range to her work off-stage, as well as including the all-important breakdown of some of her most popular dance routines. Beyoncé’s astonishing accomplishments are showcased against fellow legends of the industry in addition to celebrating her achievements in her own right.
Henry Fonda and James Stewart were two of the biggest stars in Hollywood for 40 years. They became friends and then roommates as stage actors in New York, and when they began making films in Hollywood, they roomed together again. What a wonderful life. They got along famously, with a shared interest in elaborate practical jokes and model airplanes, among other things. For Hank and Jim: The Fifty-Year Friendship of Henry Fonda and James Stewart (Simon & Schuster, $29), Scott Eyman spoke with Fonda’s widow and children as well as three of Stewart’s children, plus actors and directors who had worked with the men—in addition to doing extensive archival research to get the full details of their time together. This is not another Hollywood story, but a fascinating portrait of an extraordinary friendship that lasted through war, marriages, children, careers and everything else.
Miss D and Me: Life with the Invincible Bette Davis (Hachette Books, $27) is a story of two powerful women, one at the end of her life and the other at the beginning. As Bette Davis aged she was looking for an assistant, but she found something more than that in Kathryn Sermak: A loyal and loving buddy, a co-conspirator in her jokes and schemes, and a competent assistant whom she trained never to miss a detail. But Miss D had strict rules for Kathryn about everything from how to eat a salad to how to wear her hair . . . even the spelling of Kathryn’s name was changed (adding the “y”) per Miss D’s request. Throughout their time together, the two grew incredibly close, and Kathryn had a front-row seat to the larger-than-life Davis’s career renaissance in her later years, as well as to the humiliating public betrayal that nearly killed Miss D. A fun read.
Rolling Stone writer Anthony DeCurtis, who knew Lou Reed and interviewed him extensively, tells the provocative story of his complex and chameleonic life in Lou Reed: A Life (Little, Brown and Company, $32). With unparalleled access to dozens of Reed’s friends, family and collaborators, DeCurtis tracks Reed’s five-decade career through the accounts of those who knew him and through Reed’s most revealing testimony, his music. We travel deep into his defiantly subterranean world, enter the studio as the Velvet Underground record their groundbreaking work, and revel in Reed’s relationships with such legendary figures as Andy Warhol, David Bowie, and Laurie Anderson. Gritty, intimate, and unflinching, Lou Reed is an illuminating tribute to one of the most incendiary artists of our time.
With his trademark acerbic wit, incisive humor, and infectious paranoia, Dick Gregory, one of our foremost comedians and most politically engaged civil rights activists, looks back at 100 key events from the complicated history of black America. In this collection of thoughtful, provocative essays, he charts the complex and often obscured history of the African American experience. In his unapologetically candid voice, he moves from African ancestry and surviving the Middle Passage to the creation of the Jheri Curl; the enjoyment of bacon and everything pig; the headline-making shootings of black men; and the Black Lives Matter movement. A captivating journey through time, Defining Moments in Black History explores historical movements such as The Great Migration and the Harlem Renaissance, as well as cultural touchstones such as Sidney Poitier winning the Best Actor Oscar for Lilies in the Field and Billie Holiday releasing Strange Fruit. An engaging look at black life that offers insightful commentary on the intricate history of the African American people, Defining Moments in Black History is an essential, no-holds-bar history lesson that will provoke, enlighten, and entertain.
Long unavailable in the U.S., director Toshio Matsumoto’s shattering, kaleidoscopic masterpiece is one of the most subversive and intoxicating films of the late ’60s. It’s a headlong dive into a dazzling, unseen Tokyo night-world of drag queen bars and fabulous divas, fueled by booze, drugs, fuzz guitars, performance art and black mascara. The flick drags into stores November 17.
An unknown club dancer at the time, transgender actor Peter gives an astonishing Edie Sedgwick/Warhol superstar-like performance as hot young thing Eddie, hostess at Bar Genet — where she’s ignited a violent love-triangle with reigning drag queen Leda (played by Osamu Ogasawara) for the attentions of club owner Gonda (Yoshio Tsuchiya).
One of Japan’s leading experimental filmmakers, Matsumoto bends and distorts time, freely mixing documentary interviews; Brechtian film-within-a-film asides; Oedipal premonitions of disaster; his own avant-garde shorts; even on-screen cartoon balloons, into a dizzying whirl of image and sound. Featuring breathtaking black-and-white cinematography by Tatsuo Suzuki that rivals the photographs of Robert Mapplethorpe, the film offers a frank, openly erotic and unapologetic portrait of an underground community of drag queens.
Who must we 感謝 for a key work of the Japanese New Wave and of queer cinema? Cinelicous Pics and The Cinefamily, who have beautifully restored the film in 4k from the original 35mm camera negative and sound elements.