The Beatles and Duke Ellington’s Orchestra stand as the two greatest examples of collaboration in music history. Now, Duke University musicologist Thomas Brothers delivers music to our ears (and eyes): HELP!: The Beatles, Duke Ellington, and the Magic of Collaboration (W. W. Norton & Company, $27.95), the fascinating story of how creative cooperation inspired two of the world’s most celebrated musical acts. It’s a portrait of the creative process at work, demonstrating that the cooperative method at the foundation of these two artist-groups was the primary reason for their unmatched musical success.
While clarifying the historical record of who wrote what, with whom, and how, Brothers brings the past to life with photos, anecdotes, and more than thirty years of musical knowledge that reverberates through every page, and analysis of songs from Lennon and McCartney’s “Strawberry Fields Forever” to Billy Strayhorn’s “Chelsea Bridge.” HELP! describes in rich detail the music and master of two cultural leaders whose popularity has never dimmed, and the process of collaboration that allowed them to achieve an artistic vision greater than the sum of their parts.
In the heavens of rock ‘n’ roll’s first-generation creators, no artist looms larger than Chuck Berry. Bob Dylan once called Berry “the Shakespeare of rock ‘n’ roll.” John Lennon stated, “If you tried to give rock ‘n’ roll another name, you might call it ‘Chuck Berry.'” Keith Richards: “Chuck Berry is the gentleman who started it all.”
In a consistently innovative recording career that spanned more than 60 years, the iconic singer-songwriter-guitarist, who passed away on March 18, 2017, laid much of the groundwork for modern rock ‘n roll, while creating some of rock’s most distinctive and enduring anthems, from “Johnny B. Goode” to “Roll Over Beethoven,” “Rock and Roll Music” to “Reelin and Rockin’,”.
Geffen/UMe pays tribute to the immortal spirit of Berry with the ultimate vinyl version of his landmark greatest hits compilation, The Great Twenty-Eight, as it celebrates its 35th anniversary, with The Great Twenty-Eight: Super Deluxe Edition. The album will be released as a limited edition five-disc box set on Chess Blue vinyl, limited to only 500 copies worldwide and available exclusively via UDiscoverMusic.com. A wide release standard black vinyl edition will be available next year onJanuary 26, 2018.
Housed in a textured box, the Super Deluxe Edition will complement the original two-LP, 28-song compilation with an additional LP, More Great Chuck Berry, containing 14 more hits, rarities and B-sides missing from the original, as well as a rare live album, Oh Yeah! Live in Detroit, available on vinyl for the first time. The collection will also include a newly created bonus ten-inch EP Berry Christmas, featuring four holiday-themed classics on “Rudolph-Red” vinyl, with one song on vinyl for the first time as well. Pre-order The Great Twenty-Eight: Super Deluxe Edition now: https://lnk.to/Great28SDE
Berry’s classic recordings for Chicago’s seminal Chess label have been extensively anthologized in the CD era. But for many Berry devotees, the two-LP vinyl collection The Great Twenty-Eight remains both a sentimental favorite and a definitive document of Berry’s musical genius. It’s no wonder that The Great Twenty-Eight was ranked number 21 on Rolling Stone‘s “500 Greatest Albums of All Time,” the highest-ranking hits compilation on that list. For those interested in the original 28-track edition of The Great Twenty-Eight, it is now back in print in its original two-LP format for the first time since its initial release in 1982. Order The Great Twenty-Eight here: https://UMe.lnk.to/Great282LP
The Great Twenty-Eight: Super Deluxe Edition also includes a handsome 12″ x 12″ book featuring a special introductory essay by Keith Richards, a new essay by best-selling author and SiriusXM host Alan Light, complementing Michael Lydon’s liner notes from the original version of The Great Twenty-Eight, and reminiscences from DJ Lee Alan, plus complete U.S. single, album and EP discographies. The text is enhanced by reproductions of Berry’s original LP cover art and rarely-seen photographs.
A survey of Berry’s first decade of recording on Chess, the original The Great Twenty-Eight contains 21 singles along with six of their b-sides and one album track from Chuck Berry in London. Of those singles, eleven were top ten hits on the Billboard R&B singles chart and ten were Top 40 hits on the Billboard Hot 100. During his Chess years, Berry created a massive—and massively influential—body of work that includes countless beloved classics, from “Maybellene” to “Roll Over Beethoven” to “Johnny B. Goode” to “Memphis, Tennessee” and beyond. Indeed, Berry’s music is so deeply ingrained into our culture that NASA launched “Johnny B. Goode” into outer space on the Voyager spacecraft as a representation of the sounds of the human race for the benefit of our cosmic neighbors. All of these songs are included on The Great Twenty-Eight, which also includes the ubiquitous hits “Rock and Roll Music,” “Sweet Little Sixteen” and “No Particular Place To Go” and many others that have become part of the collective consciousness.
More Great Chuck Berry comprises 14 classic Berry tunes not included on The Great Twenty-Eight, including the sultry, simmering number “Wee Wee Hours,” the original flip side of “Maybellene”; “My Ding-A-Ling,” Berry’s only No. 1 pop single; “Too Pooped To Pop (Casey),” the top 20 R&B A-side of “Let It Rock”; the Top 10 R&B hit “No Money Down”; the celebratory “Promised Land”; and the rollicking “You Never Can Tell,” which earned cinematic immortality as the accompaniment to John Travolta and Uma Thurman’s twist in the film Pulp Fiction.
Oh Yeah!: Live In Detroit is a thrilling, rare concert performance from October 1963, celebrating Berry’s return to the stage after a break from performing. With support from local DJ and TV host Lee Alan, Berry, backed by Motown’s Funk Brothers rhythm section and horn players, recorded the live album during a series of performances at Detroit’s Walled Lake Casino.
Returning to the spotlight after a year-and-a-half brought out an energy and intensity in Berry that can be heard clearly in this historic 12-song set, which launches with “Guitar Boogie”and includes “Let It Rock, “Too Much Monkey Business (available for the first time in the U.S.),” “Johnny B. Goode,” Sweet Little Sixteen” and a lengthy, edge-of-chaos medley, as Berry feeds off an audience that sings along with nearly every track. Throughout the show, Berry tells jokes that slyly address racial tensions. But the record was scrapped at the time and has been previously only available as part of a limited-edition CD set; this marks its first time on vinyl, and as any kind of standalone release.
The bonus EP Berry Christmas collects together four Christmas classics on “Rudolph-Red” vinyl. The 10-inch disc features Berry’s chestnuts, “Run Rudolph Run” and “Merry Christmas Baby” along with “Christmas” and “Spending Christmas,” the latter making its vinyl debut as it was previously available only in a limited-edition CD box set.
And if those testimonials aren’t convincing enough, one listen to The Great Twenty-Eight: Super Deluxe Edition will make the case for Chuck Berry’s singular, timeless rock ‘n’ roll brilliance.
After he died in the backseat of a Cadillac at the age of 29, Hank Williams, a frail, flawed man who had become country music’s first real star, instantly morphed into its first tragic martyr. Having hit the heights with simple songs of despair, depression, and tainted love, he would, with that outlaw swagger, become in death a template for the rock generation to follow. Mark Ribowsky’s Hank: The Short Life and Long Country Road of Hank Williams (Liveright, $35) examines Williams’ music while also re-creating days and nights choked in booze and desperation. Ribowsky traces the miraculous rise of this music legend from the dirt roads of rural Alabama to the now-immortal stage of the Grand Ole Opry, and finally to a sad, lonely end on New Year s Day, 1953. But unlike those other musical giants who never made 30, no legacy endures quite like that of the “Hillbilly King.”
Bram Stoker, despite having a name nearly as famous as his legendary undead Count Dracula, has remained a puzzling enigma. Now, in Something in the Blood: The Untold Story of Bram Stoker, the Man Who Wrote Dracula(Liveright, $35), David J. Skal exhumes the inner world and strange genius of the writer who conjured an undying cultural icon. Stoker was inexplicably paralyzed as a boy, and his story unfolds against a backdrop of Victorian medical mysteries and horrors: Cholera and famine fever, childhood opium abuse, frantic bloodletting, mesmeric quack cures, and the gnawing obsession with “bad blood” that informs every page of Dracula.
From his time as a session guitarist in the ’60s, working with legendary rock groups like The Kinks and The Who, to his time with the Yardbirds and his eventual founding on Led Zeppelin and his post-Zeppelin career, No Quarter(Overlook, $35) is a rich, insightful telling of Jimmy Page’s story. It has all the sex and drugs you’d expect from a rock icon, but Page is widely considered to be a mysterious figure and Martin Power’s biography will shed light on the man who made music.
Historian Betty Boyd Caroli spent seven years exploring the archives of the LBJ Library, interviewing dozens of people, and mining never-before-released letters between Lady Bird and Lyndon Johnson. The result?Lady Bird and Lyndon: The Hidden Story of a Marriage that Made a President (Simon & Schuster, $18) They married with a tacit agreement: This highly gifted politician would take her away, and she would save him from his weaknesses. The conventional story goes that Lyndon married Lady Bird for her money and demeaned her by flaunting his many affairs, and that her legacy was protecting the nation’s wildflowers.
But Caroli shows that she was also the one who swooped in to make the key call to a donor, to keep the team united, to campaign in hostile territory, and to jump-start Lyndon out of his paralyzing dark moods.
Described by his friend Richard Burton as “the most original actor to come out of Britain since the war,” Peter O’Toole was also unpredictable with a dangerous edge he brought to his roles and to his real life. With the help of exclusive interviews with colleagues and close friends, Peter O’Toole: The Definitive Biography (Thomas Dunne Books, $28.99), paints the first complete picture of this complex and much-loved man. The book reveals what drove him to extremes, why he drank to excess for many years and hated authority, but it also describes a man who was fiercely intelligent with a great sense of humor and huge energy. Giving full weight to his extraordinary career, this is an insightful, funny and moving tribute to an iconic actor who made a monumental contribution to theatre and cinema.
On August 16, 1952, Ian Fleming wrote to his wife, Ann, “My love, This is only a tiny letter to try out my new typewriter and to see if it will write golden words since it is made of gold.” He had bought the golden typewriter as a present to himself for finishing his first novel, Casino Royale. “It marked in glamorous style the arrival of James Bond, agent 007, and the start of a career that saw Fleming become one the world’s most celebrated thriller-writers. And he did write golden words. Before his death in 1964 he produced 14 best-selling Bond books, two works of non-fiction and the famous children’s story Chitty-Chitty-Bang-Bang. Fleming’s output was matched by an equally energetic flow of letters. He wrote constantly, to his wife, publisher, editors, fans, friends and critics; his letters also reflect his friendship with such contemporaries as Raymond Chandler, Noel Coward and Somerset Maugham. Enjoy The Man with the Golden Typewriter: Ian Fleming’s James Bond Letters(Bloomsbury, $30).
Arnold Palmer is considered the most important golfer in history. As a follow-up to his 1999 autobiography, Palmer takes stock of the many experiences of his life in A Life Well Played (St. martin’s Press, $22.99), bringing new details and insights to some familiar stories and sharing new ones. He offers advice and guidance, sharing stories of his career on the course, success in business and the great relationships that give meaning to his life. This book is Palmer’s gift to the world–a treasure trove of entertaining anecdotes and timeless wisdom that readers will celebrate and cherish.
Breaking bad, reading well. In his riveting memoir A Life in Parts (Scribner, $27), Bryan Cranston traces his zigzag journey from his chaotic childhood to his dramatic epiphany, and beyond, to mega-stardom and a cult-like following, by vividly revisiting the many parts he’s played. With great humor, and much humility, Cranston chronicles his unlikely rise from a soap opera regular, trying to learn the ropes and the politics of show business on the fly. Discussing his failures as few men do, describing his work as few actors can, Cranston has much to say about innate talent, its benefits, challenges, and proper maintenance, but ultimately the book is about the necessity and transformative power of hard work.
Derailed in the ’70s by mental illness, drug use and the shifting fortunes of the band, Brian Wilson came back again and again over the next few decades, surviving and thriving. In I am Brian Wilson (Da Capo Press, $26.99), he weighs in on the sources of his creative inspiration and on his struggles, the exhilarating highs and the debilitating lows.Whether he’s talking about his childhood, his band mates or his own inner demons, Wilson’s story, told in his own voice and in his own way, unforgettably illuminates the man behind the music, working through the turbulence and discord to achieve, at last, a new harmony.
This is the story of the Beatles’ harrowing rise to fame: Focusing on that seven-year stretch from the time the boys met as teenagers to early 1964, when the Fab Four made their momentous first appearance on The Ed Sullivan Show. From the boys’ humble beginnings in Liverpool, to the cellars of Hamburg, When They Were Boys: The True Story of the Beatles’ Rise to the Top (Running Press, $24.95) includes stories never before told, including the heartbreaks and the lucky breaks. Included are an eyewitness account of that first meeting between Lennon and McCartney, the inside story of how Ringo replaced Pete Best, an exploration of the brilliant but troubled soul of manager Brian Epstein, and the real scoop on their disastrous first visit to Germany and the death of Stu Sutcliffe.
Amy Winehouse died at 27. With a worldwide fanbase and millions of record sales to her name, she should have had the world at her feet. Instead, in the years prior to her passing, she battled addictions and was often the subject of tabloid headlines. Amy’s mother, Janis, knew the real Amy as no one else did. InLoving Amy: A Mother’s Story (Thomas Dunne Books, $26.99) Janis reveals the full story of the daughter she loved. As the world watched the rise of a superstar, then the freefall of an addict to her untimely death, Janis simply saw her Amy, the girl she’d given birth to in 1983; the girl she’d raised and stood by despite her unruly behavior; the girl whose body she was forced to identify two days after her death-and the girl she’s grieved for every day since.
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