Indiepix has made is easy (and cost-efficient)to celebrate Black History Month. They have released a value-priced three film DVD box set, featuring three powerful, thought-provoking documentaries, each focusing on a different part of the African American experience. The must-see gems include The Nine Lives of Marion Barry, The Vanishing Black Male and In His Own Home.
With unprecedented access, The Nine Lives of Marion Barry, from filmmakers Dana Flor and Toby Oppenheimer, tells the continuing saga of this despised, beloved and resilient politician. It’s a potent story of race, power, sex and drugs; the tale of a complex and contradictory man who is the star of one of the most fascinating and bizarre chapters of American politics.
Many people remember Barry as the philandering drug-addled mayor, the one who famously uttered the phrase “bitch set me up” as he was arrested during an FBI sting in 1990. He’s the poster boy for corruption, a pariah who will never be forgiven for bringing shame on the nation’s capital. Yet to others, Marion Barry is a folk hero. Hailed as a civil rights champion and defender of the poor, he’s the man who transformed Washington, D.C. from a sleepy southern town into a political stronghold of Black America.
In 2005, director Hisani DuBose looked around and realized that with over one million black men incarcerated, and high homicide and death rates, the African American male just may be becoming an endangered species. So, she set out explore whether or not black men are in danger of becoming extinct in The Vanishing Black Male. In a provocative and probing documentary, actor Melvin Jackson, Jr. speaks with African American men of all walks- doctors, politicians, college students, teachers, law enforcement personnel and others–to determine the state of the black man in America. Edited by award-winner Alfred Santana, the compelling and incredibly timely exploration is interwoven with music, art and a series of monologues.
Before Michael Brown and Ferguson, Missouri, the headline-making killing of Trayvon Martin and the death of Eric Garner at the hands of New York City police officers, there was the shocking 2010 shooting of Kofi Adu Brempong, a disabled Ghanaian graduate student attacked by University of Florida campus police responding to a 911 call. And though few media outlets outside of Gainseville reported the story, the powerful, hot-button documentary featurette, In His Own Home, recounts the events of that fateful March day and their aftermath: we watch live video of the police attack on Kofi’s apartment; we hear accounts of those who marveled at the number of snipers “ready to shoot at any time” as they surrounded the apartment of a lone student, as well as from fellow students who attest to Kofi’s peaceful demeanor; and, we hear from police officers who explain how they felt threatened and had to shoot.
And, in the aftermath, we bear witness to the administration’s shortcomings and the students and community activists who demand justice. Underlining a pattern of racism and police brutality, as well as the frightening “militiarization” of campuses nationwide, In His Own Home speaks to widespread and pervasive issues in our country that will, for the time being, remain among our most controversial and disconcerting.
Black Wings (PBS Distribution) For early aviators, conquering the forces of gravity was a daunting challenge. But black aviators had an additional challenge: to conquer the forces of racism.
Meet the men and women of color who took to the skies throughout the 20th century and helped prove to a segregated nation that skin color didn’t determine skill level. From biplanes to commercial jets, and from barnstormers to war fighters, meet the path-breaking pilots who opened the skies for all.
In the firmament of rock ‘n’ roll’s first-generation creators, no artist looms larger than Chuck Berry. In a consistently innovative recording career that spanned more than 60 years, the iconic singer-songwriter-guitarist, who passed away on March 18, 2017, laid much of the groundwork for modern rock ‘n’ roll, while creating some of rock’s most distinctive and enduring anthems, including “Johnny B. Goode”, “Roll Over Beethoven,”, “Rock and Roll Music” and “Reelin and Rockin”.
Geffen/UMe are paying tribute to the immortal spirit of Chuck Berry with the ultimate vinyl version of his landmark greatest hits compilation, The Great Twenty-Eight,with The Great Twenty-Eight: Super Deluxe Edition.
The five-disc vinyl box set housed in a textured box, complements the original two-LP, 28-song compilation with an additional LP, More Great Chuck Berry, containing 14 more hits, rarities and B-sides missing from the original, as well as a rare live album, Oh Yeah! Live in Detroit, available on vinyl for the first time. The collection also include a newly created bonus ten-inch EP Berry Christmas, featuring four holiday-themed classics on “Rudolph-Red” vinyl, with one song on vinyl for the first time as well. A limited edition version on “Chess Blue” vinyl, limited to 500 copies.
Bob Dylan once called Berry “the Shakespeare of rock ‘n’ roll.” John Lennon stated, “If you tried to give rock ‘n’ roll another name, you might call it ‘Chuck Berry.'” As Keith Richards writes in the booklet intro, “Chuck Berry is the gentleman who started it all.”
And if those testimonials aren’t convincing enough, one listen to The Great Twenty-Eight: Super Deluxe Edition will make the case for Chuck Berry’s singular, timeless rock ‘n’ roll brilliance.
Cruel and Unusual,a profound documentarytelling the story of three men—Robert King, Herman Wallace and Albert Woodfox, known as the Angola 3. Wrongfully convicted for murdering a prison guard in 1972 at the Louisiana State Penitentiary, these men have spent longer in solitary than any other prisoners in the US. On his release, Albert Woodfox had spent 43 years in a six foot by nine foot cell for a crime he did not commit.
The film is available for sale and rental on Amazon Video, iTunes, and Vudu, as well as DVD and Blu-ray.
Told in detail by interviews and prison phone calls from King, Wallace and Woodfox, Cruel and Unusual allows viewers to experience these men’s pain and anguish. From the worst of the worst in their cells, these men managed to find the best of the best that the human spirit has to offer. They have fought for justice and never accepted defeat so that no one else will ever suffer the way they did. A call to action, the film aims to support the growing campaign to end the overuse of long term solitary confinement in America’s prisons.
The rich history of America’s Historically Black Colleges and Universities (HBCUs) began before the end of slavery, flourished in the 20th century, and profoundly influenced the course of the nation for over 150 years—yet remains largely unknown. This latest documentary from Stanley Nelson, America’s foremost film chronicler of the African American experience, is the powerful story of the rise, influence, and evolution of HBCUs come to life.
The story is told in Tell Them We Are Rising: The Story of Black Colleges and Universities (PBS Distribution).
A haven for Black intellectuals, artists, and revolutionaries—and a path of promise toward the American dream—HBCUs have educated the architects of freedom movements and cultivated leaders in every field while remaining unapologetically Black for more than 150 years. These institutions have nurtured some of the most influential Americans of our time, from Booker T. Washington to Martin Luther King, Jr., W.E.B. Du Bois to Ralph Ellison, Toni Morrison to Oprah Winfrey, Alice Walker to Spike Lee to Common.
After filmmaker Robert Mugge produced Black Wax with Gil Scott-Heron for Britain’s Channel 4 Television in 1982, he and Channel 4’s Commissioning Editor for Music Andy Park wanted to collaborate again. Park suggested Mugge create a portrait of African American gospel star Andraé Crouch. But Mugge, a longtime fan of soul and pop singer Al Green, countered that suggestion. Mugge figured that Green’s rejection of soul music to become a Memphis-based preacher and gospel singer perhaps made him a richer potential subject. (Interestingly, Green was kicked out of the family home while in his teens, after his religiously devout father caught him listening to Jackie Wilson).
Park agreed. Mugge needed 13 months to secure Green’s approval, getting his approval only days before the planned Seventh Anniversary Celebration of Green’s Full Gospel Tabernacle. That Sunday afternoon church service featured not only Green’s usual church choir and musicians, but also a second choir from Ellington, South Carolina and most of Green’s touring musicians and backup singers. Mugge arranged to document that December 18, 1983 service with three 16mm cameras and a 24-track audio recording truck, making it the first (and reportedly still the only) Al Green church service to be committed to film, Gospel According to Al Green.
While in Memphis, Mugge and his crew went on to film an interview with legendary Hi Records producer Willie Mitchell (who had produced and co-written Green’s commercial hits of the ‘70s), a studio rehearsal featuring Green and his musicians and an extended interview with Green himself. In Green’s interview, he explored his early days in the music business, his creation of such popular hits as “Tired of Being Alone” and “I Can’t Get Next to You”, the traumatic events that led to his abandoning of his successful soul and pop career, the purchase of the Memphis church building which he transformed into a church of his own, and the ways in which his soul and gospel backgrounds had each informed the other.
Perhaps the most emotional part of Green’s interview was his discussion of the so-called “hot grits incident,” wherein spurned girlfriend Mary Woodson White assaulted him in the shower of his Memphis home with a pot of boiling hot grits, then ran to another room of his house where she shot and killed herself. (Although she was already married, White reportedly became upset when Green refused to marry her). This interview, conducted two days after his church service, was the first occasion on which he discussed this experience publicly, and he included facts that even his own band members had never heard.
In February of 1984, Mugge also filmed Green and his band in concert at the Officers Club of Bolling Air Force Base in Washington, D.C., this time utilizing four 16mm cameras and the same Nashville-based 24-track recording truck he had hired to record the Memphis church service. It should be noted that, at that point in Rev. Green’s career, he had embraced the Southern fundamentalist notion that blues, rhythm ‘n’ blues, and rock n’ roll were “music of the Devil,” and that, therefore, he should now perform only gospel music.
However, among the numbers Green performed at the D.C. concert was Curtis Mayfield’s “People Get Ready,” which exists somewhere between soul and gospel. In addition, during the staged rehearsal in Memphis, Green agreed to perform “Let’s Stay Together,” which had been one of his biggest commercial successes and now represented a recurring theme in the film. Along with fragments of a few more hits he performed during his interview, these songs helped to depict “Al Green the pop star” who had preceded “Al Green the pastor.”
Among the top Memphis musicians who appear in this film are, number one, Lawrence H. “Larry” Lee, Jr., who was best known for touring with Green and for performing at Woodstock and elsewhere with Jimi Hendrix’s Gypsy Sun and Rainbows; and number two, Mabon Lewis “Teenie” Hodges, who co-wrote Green’s hits “Take Me to the River” and “Love and Happiness” and toured and recorded widely as a guitarist with the Hi Records Rhythm Section. Lee can be seen performing in the church service and rehearsal sequences of the film, and Hodges can be heard, and briefly seen, playing incidental guitar behind Green during much of his interview. Sadly, both men are now deceased.
The resulting 96-minute film, Gospel According to Al Green, had its world premiere presentation in the summer of 1984 at Filmfest Munchen (a film festival in Munich, Germany), its television premiere over Britain’s Channel 4 later that fall, and its U.S. theatrical premiere at Coolidge Corner outside Boston a year later. After each of the two opening night screenings on October 25, 1985, Green sat on the Coolidge Corner stage and, accompanying himself on acoustic guitar, freely offered the commercial hits that he had mostly refused to perform during the making of Mugge’s film, thereby demonstrating his storied unpredictability. Naturally, audience members at both shows were enchanted by his presentation, and since these and other premiere screenings, the film has been in constant release around the world.
As to Rev. Green—now Bishop Green—this past December, he and his congregation celebrated the fortieth anniversary of his Full Gospel Tabernacle church. For MVD Visual’s new worldwide Blu-ray and DVD releases, director Mugge has overseen 4K remastering of the film and created a new 17-minute video titled Soul and Spirit: Robert Mugge on the Making of Gospel According to Al Green. Other bonus features include audio of Green’s entire 1983 interview, audio of the climactic final hour of Green’s seventh anniversary church service, an extended film version of a key song from the church service, and the personal telephone answering machine message Green recorded for Mugge in the mid-’80s.
For more than 50 years, he has had one main goal: To continue an unwavering fight for justice. The life and career of John Lewis will be documented in the fascinating documentary John Lewis–Get in the Way. This is the first documentary biography of Lewis, the son of sharecroppers, who grew up in rural isolation, seemingly destined for a bleak future in the Jim Crow South.
But Lewis took a different path, rising from Alabama’s Black Belt to the corridors of power on Capitol Hill, his humble origins forever linking him to those whose voices often go unheard.PBS Distribution releases John Lewis–Get in the Way on April 18.The program will also be available for digital download.
The programcovers more than half a century, tracing Lewis’ journey of courage, confrontation and hard-won triumphs. At the age of 15, his life changed forever when he heard Dr. Martin Luther King, Jr. on the radio. It was 1955, during the Montgomery Bus Boycott, and Lewis listened with rapt attention as the young preacher called for nonviolent resistance to the harsh injustice of segregation. Lewis embraced Dr. King’s spiritual call with a fervor that would transform the course of his life.
As a student activist in the vanguard of the civil rights movement, Lewis was arrested and jailed for the first time during the Nashville lunch counter sit-ins in 1960. During the 1961 Freedom Rides, he was repeatedly assaulted by angry mobs. He was the youngest speaker at the historic 1963 March on Washington, and in March 1965, Lewis led the Bloody Sunday march in Selma, Alabama, where state troopers attacked peaceful protesters with billy clubs, bullwhips and tear gas. Their horrific actions were broadcast on news reports into living rooms across America; eight months later, the Voting Rights Act was signed into law.
Following a film festival run and featuring never-before-seen interviews shot over 20 years, the programfeatures Lewis, a masterful storyteller, relating the gripping tale of his role in these history-making events. Other key interviewees include civil rights activists Andrew Young, C.T. Vivian, Juanita Abernathy and Bernard Lafayette, as well as Lewis’ congressional colleagues Eleanor Holmes Norton, Nancy Pelosi, Harry Reid, Emanuel Cleaver and Amory Houghton.
Once an activist pushing from the outside, Lewis, now 77 years old, has become a determined legislator creating change from the inside. Considered by many to be the conscience of Congress, with equal measures of modesty and forcefulness, Lewis strives to persuade D.C. power brokers to hear the voices of the unheard. He fights for those suffering from discrimination, poverty, poor education, police brutality, inaccessible healthcare and limitations on voting rights. Despite setbacks—and there have been many—John Lewis’ eyes remain on the prize.
Henry Louis Gates, Jr. travels the length and breadth of Africa to chronicle the continent’s history from a firmly African perspective. Viewers can join him as Professor Gates’ journey takes him from the city of Great Zimbabwe to the pyramids of the Kingdom of Kush in Sudan, from the spectacular rock-hewn churches of Lalibela in Ethiopia to the continent’s oldest university in Fez, from the Blombos Caves in South Africa to Ancient Mali, the empire of King Mansa Musa, still thought to be the wealthiest person ever to have lived.
No passport needed, just a copy ofAfrica’s Great Civilizations, available on DVD and Blu-ray on May 16; the program will also be available for digital download.
In the program, Gates chronicles a sweeping 200,000-year journey of discovery, showing the complexity, grandeur and diversity of many millennia of undiscussed and unknown details about Africa’s compelling and dramatic history. Gates presents—for the first time for a popular audience—a new vision not only of Africa’s pivotal place in world history, but also the world’s relation to Africa.
Africa’s contributions to the human community’s development of art and language, writing and religion, agriculture and government, the arts and sciences are commonly misunderstood, or even ignored. This landmark series presents a new and comprehensive narrative about Africa and the history of the extraordinary diverse peoples of its continent, from the Mediterranean Sea to the Cape of Good Hope, from the Red Sea and down the Nile River, and from the Indian Ocean to the Atlantic. The series sizzles with exciting interviews with leading historians, creative writers, art historians, paleoanthropologists, geneticists and museum curators.
“Africa is the ancestral home to the human community and to many of the pivotal breakthroughs in the history of civilization, yet the continent continues to be stereotyped as an isolated and underdeveloped region in the mind of outsiders, devoid of any profound historical achievements,” says Gates. “This series will dispel these myths and other inaccuracies about Africa through a detailed and riveting examination of significant historical events, such as the rise of its powerful kingdoms, the growth of extensive trade networks with the Middle East, Europe and China, seminal technological and artistic discoveries, and its peoples’ resilience in the face of harrowing past traumas. We made this series to end this ignorance about the African past, to reveal how Africans not only shaped the history of their continent, but also how profoundly and how extensively Africa has shaped the contours of our modern world.”
Beginning deep in the continent’s past with the origins of Homo sapiens and the “Out of Africa” migration of all of our human ancestors from east Africa, Gates vividly paints a picture of the earliest African civilizations—from Ancient Egypt and the Kingdom of Kush to the end of the 19th century as Africans faced Europe’s infamous “Scramble for Africa”—through their artistic and cultural achievements, their religious practices and political and social structures. Viewers examine the origins of the first human beings in Africa and the art and writing they created, and are introduced to unique environmental marvels such as the Gilf Kebir plateau, Jebal Barkal, the major climatic transformation of the Sahara Desert, and the emergence of cities in Egypt, the Sudan, Ethiopia, Zanzibar, South Africa, Great Zimbabwe, Angola, Benin, Ghana, Morocco and beyond. In terms of cultural and artistic innovation, the program looks at how the sculptors of West Africa exhibited craftsmanship rivaling that of European masters, and how the early Christian church—both through its theology and Christianity’s most architecturally stunning foundations—was nurtured in African cities like Alexandria, in Nubia along the banks of the Nile River and in Ethiopia. The crucial role of Africa in the evolution of Islam, and Islam’s major shaping role throughout North and West Africa, are subjects addressed with vigor throughout the series.
Africa’s history and its rich culture did not develop in isolation—it is and was greatly influenced by complex interactions with the rest of the world, since the most ancient of times. Gates shows how Africa’s interactions with foreign civilizations and ideas transformed these trading partners, and how African societies and cultures themselves were shaped through these extended contacts, including the arrival of Islam in medieval North Africa and Western Sudan and the rise of a maritime civilization on the East African coast, which regularly traded with Persian and Chinese visitors. Trade in salt and gold across the Sahara placed Africa in contact with Europe and the Middle East for millennia. Further, Africa was an epicenter of Christian theology and philosophy, reflected in the influential thinking of early Christian theologians like St. Augustine of Hippo in the 4th century, and in travel accounts of such Islamic scholars as Leo Africans and Ibn Battuta.
The series also examines the ancient African kingdoms’ increasingly complex relationships with the political economies of Europe and the burgeoning trans-Atlantic slave trade, and how these interactions began to change the internal dynamics of the continent. Finally, the series draws to a close at the end of the 19th century, when the infamous “Scramble for Africa” witnesses the industrial nations of Europe fighting for control of the vast riches of Africa’s natural resources, and when on the Plains of Adwa, Ethiopia makes a heroic stand against an invading colonial power.
She has been distinctly referred to as “a redwood tree, with deep roots in American culture.” She is a woman who has gone out on many limbs to make the world a better, safer and more living place.
Dr. Maya Angelou led a prolific life. As a singer, dancer, activist, poet and writer, she inspired generations with lyrical modern African-American thought that pushed boundaries. Best known for her autobiography I Know Why the Caged Bird Sings, she gave people the freedom to think about their history in a way they never had before.
Her story is told in the marvelous American Masters: Maya Angelou: And Still I Rise, making its national broadcast premiere on Tuesday, February 21 at 8 p.m. on PBS as a continuing celebration of part of Black History. The DVD of the documentary will also be available (from PBS Distribution) that same done, and will include bonus features. The program will also be available for digital download.
With unprecedented access, filmmakers Bob Hercules and Rita Coburn Whack trace Dr. Angelou’s incredible journey, shedding light on the untold aspects of her life through never-before-seen footage, rare archival photographs and videos and her own words. From her upbringing in the Depression-era South and her early performing career (1957’s Miss Calypso album and Calypso Heat Wave film, Jean Genet’s 1961 play The Blacks) to her work with Malcolm X in Ghana and her many writing successes, including her inaugural poem for President Bill Clinton, American Masters: Maya Angelou: And Still I Rise reveals hidden facets of her life during some of America’s most defining moments.
The film also features exclusive interviews with Dr. Angelou, her friends and family, including Clinton, Oprah Winfrey, Common, Alfre Woodard, Cicely Tyson, Quincy Jones, Hillary Clinton, Louis Gossett, Jr., John Singleton, Diahann Carroll, Valerie Simpson, Random House editor Bob Loomis and Dr. Angelou’s son, Guy Johnson.
American Masters: Maya Angelou: And Still I Risepremiered to critical acclaim at the 2016 Sundance Film Festival. It won the Audience Award at AFI Docs and was featured at notable film festivals worldwide, including Full Frame, Sheffield, IDFA and Seattle, winning 17 awards on three continents, and has been nominated for an NAACP Image Award.
The show’s title comes from an Angelou poem:
“Out of the huts of history’s shame / I rise / Up from a past that’s rooted in pain / I rise / I’m a black ocean, leaping and wide, / Welling and swelling I bear in the tide. / Leaving behind nights of terror and fear / I rise / Into a daybreak that’s wondrously clear / I rise.”
We have praised the DVDs releases from PBS Distribution, Lionsgate and Public Media Distribution for years, and this time we offer a wide selection of some of their best releases from 2016 that make super gift choices. Educate and entertain yourself with specials, documentaries and specials that r\demand a place in your library and a place close to the “play again” button! In no particular order we offer. . .
Spillover-Zika, Ebola & Beyond takes us around the globe, where viruses are on the march: Zika, Ebola, Nipah, Chikungunya, Dengue and West Nile. All of these viruses reside in animals and have the potential to “spillover” and infect humans. What’s behind the rise in spillover viruses? Are the United States and the world prepared to anticipate, contain and prevent the next outbreak? The program traces the spread of viruses and reveals strategies to prevent devastating outbreaks. The program features scientists across Africa, Asia, North America and South America who are searching for ways to combat these dangerous diseases.
The program mixes stunning graphics and compelling personal stories to provide much-needed scientific context for the current Zika crisis, the devastating Ebola pandemic and recent Nipah outbreaks. Viewers encounter the new frontiers of disease detection, prevention and containment as they travel the world with virus hunters, whose mission is to identify, track and ultimately control dangerous pathogens. Interspersed throughout the documentary are in-depth interviews with a range of leading researchers, epidemiologists, doctors and public healthcare experts, who shed light on how human behaviors increase spillover events, how science is learning to anticipate and tame spillover events and how the global community must pull together to face the public health threat.
Public Media Distribution’sBlack America Since MLK: And I Still Rise, the series hosted, executive produced and written by Harvard professor Henry Louis Gates, Jr. In the program Gates looks at the last 50 years of African American history—from Dr. King to Barack Obama, from James Brown’s “I’m Black and I’m Proud” to Beyoncé’s “Formation”—charting the remarkable progress black people have made and raising hard questions about the obstacles that remain. The series begins at a point in history when the story we tell about ourselves as Americans becomes complicated. Almost every schoolchild today learns about the civil rights movement—about how our nation moved itself forward, against the will of many, out of a shameful past. Yet what has happened since? From here, the series steps out of the sanctified past and into the complex, raw, conflicted present. Today, Barack Obama sits in the White House and African Americans wield influence in every domain, from business to academia to the arts.
At the same time, black people are incarcerated at six times the rate of white people, and due to financial inequality white people now have 13 times the wealth of black people. Many of our schools and neighborhoods are more segregated than they were in 1965, and police killings of unarmed black men in places like Ferguson, Baltimore and Baton Rouge recur with tragic frequency—inspiring radically different responses within black and white communities. How did we end up here, when half a century ago racial equality seemed imminent—even inevitable?
The program begins in 1965, in the wake of Malcolm X’s assassination and the passage of the Voting Rights Act, which was followed five days later by an incendiary explosion of black rage: the Watts riots. It moves on to explore the burgeoning Black Power movement which took much of America (including many old-school black leaders) by surprise, telling stories of Stokely Carmichael, the Black Panthers and cultural icons like James Brown alongside an exploration of the cultural trends that expressed black pride—from Afros and dashikis to Soul Train. The series continues, charting a wave of new opportunities and new consciousness that would lift African Americans to undreamed-of heights—in Ivy League schools, major corporations, the Supreme Court and even the White House.
Cook’s Country Explores: All-American Recipes: Season 9 features the best regional home cooking in the country and relies on a practical, no-nonsense food approach where family-friendly recipes are scientifically re-imagined for the modern home cook. Join the experts from America’s Test Kitchen as they uncover blue-ribbon regional specialties from across the country, and classic fare in need of a makeover. And as always, find out which cookware, kitchen tools, and supermarket foods are worth the dough, and learn more about the history of American food. Cook’s Country: Season 9 also includes tips and techniques, food tastings, equipment tests and printable versions of all 31 recipes.
Our ancient human ancestors once lived as tiny bands of hunter-gatherers scattered across the vast continent of Africa. Numbering no more than a few thousand, small groups of these intrepid humans began to move out of Africa—eventually reaching every corner of the earth. How did these early humans overcome the world’s most difficult terrain and ultimately dominate the planet? How did our prehistoric forebears acquire the skills, technology and talent to thrive in every environment on earth? How did they cross the furnace of the Sahara survive frigid ice ages or manage to sail to the remotest Pacific islands? The program takes viewers on a spectacular global journey through the past, following our ancestors’ footsteps out of Africa along a trail of fresh scientific clues to help unravel the mystery of how we got where we are. Profound answers are to be found NOVA: GREAT HUMAN ODYSSEY.
Our species has the unique ability to live almost anywhere, in any climate and any terrain. NOVA crisscrosses the world to examine why and how Homo sapiens has spread everywhere—from the far corners of Africa to the Siberian Arctic to the Pacific Islands and the Americas and beyond. The program features interviews with leading historians, anthropologists, archaeologists and geneticists, opening a door to a world of fascinating new discoveries about the origins of us. With unique glimpses of today’s Kalahari hunters, Siberian reindeer herders and Polynesian navigators, NOVA unveils the amazing skills in these traditional hunter-gatherer communities that hint at how our ancestors may have survived and prospered long ago.
Throughout the program, NOVA follows anthropologist Dr. Niobe Thompson as he travels the globe, searching for echoes of the past in the skills of people living in remote and demanding environments—conditions that may be similar to the ones our ancestors had to surmount on their global journey. For decades, anthropologists have been observing such societies trying to understand their social, cultural and spiritual beliefs, and how they live their day-to-day lives—from the food they eat to the natural medicines they use.
Charlie Hebdo. Paris. Brussels. Since January of 2015, a wave of attacks by terrorists linked to Al Qaeda and ISIS has overwhelmed Europe, killing nearly 200 people and injuring hundreds more. Could those attacks have been prevented? And why does Europe remain so vulnerable to the terrorism threat? The program tells the inside story of the missteps and systemic breakdowns that allowed known terrorists to strike in the heart of Europe, the problems that persist today, and the unprecedented threat the continent now faces.
In unusually candid interviews, counter-terrorsim veterans tell ProPublica senior reporter Sebastian Rotella how the attackers escaped detection, and how European countries have failed to put in place effective intelligence sharing and border enforcement — such as procedures for tracking air travelers that became standard in the United States after the 9/11 attacks.
The program reveals stunning details of many missed chances in the run-up to the attacks. It tells the story of how previously convicted terrorists who attacked Charlie Hebdo were able to hatch the plot with al Qaeda in Yemen—and of the decision to end surveillance on them. It details how more than a dozen Paris and Brussels attackers shuttled across Europe and back and forth to Syria, crossing borders and fending off police repeatedly—even though most of them were wanted or on watch lists.
Neither pestilence, starvation, nor betrayal can stop Ross Poldark from fighting for justice in his native Cornwall. Aidan Turner returns as the ex-officer, class warrior, lover and mining entrepreneur, called by The New York Times “the noblest, hottest, most down-to-earth hero.”
Also back is co-star Eleanor Tomlinson, playing Demelza, the miner’s daughter who is Ross’ equal in passion, wit, and daring—which is, of course, why they marry. Catch up with the adventures in Poldark Season 2.
New this season—or thrust into prominence from last—are Gabriella Wilde as Caroline Penvenen, a flirtatious young heiress under the watchful eye of her rich uncle, Ray, played by John Nettles; Luke Norrisas earnest young doctor Dwight Enys, who only has time for his patients nd for Caroline; and Henry Garrett as Captain McNeil, Ross’ old comrade from the war, now hunting smugglers and an opportunity to woo a certain married lady.
Viewers of the first season will recall that Ross shocks his relatives and neighbors when he shows up from America, since all had presumed him dead. Then he sets about upending their lives—threatening the copper mining interests of his uncle and cousin, Charles and Francis Poldark, and the rival operation of upstart George Warleggan. He is also ensnared in a romantic web that connects him, Francis, and George to the beautiful Elizabeth. Nevertheless, Ross happily marries Demelza and they have a daughter. But in the final episode of Season 1, an epidemic takes the child away, and a shipwreck and drowning are blamed on Ross.
So at the start of Poldark Season 2, Ross stands accused of murder and “wrecking”—luring a cargo ship to the rocks for plunder. It’s a capital offense, the judge is unsympathetic, hostile witnesses have been bribed and Ross appears headed for the gallows. It’s just the first in a string of suspenseful episodes every bit as precipitous as the steep cliffs of Cornwall.
Cats are one of the most diverse and studied mammals in the world, yet only now is their real identity being understood. Evolutionary tricks and adaptations have contributed to their successful survival. In fact, all 37 species of the cat family behave similarly in the way they hunt, utilizing flexible spines and sharp teeth to catch their prey. No surprise, then, that they are one of the greatest predators since the dinosaurs and are still evolving.
NATURE: The Story of Catschronicles the 11 million year history of how the most widespread carnivore on the planet evolved, from their roots in ancient rainforests to today’s popular house cat. The latest discoveries by scientists studying their physiology and behaviors are also incorporated into the series.
The first episode, Asia to Africa, shows how the first cats arose in the rainforests of Southeast Asia and moved throughout the continent adjusting to other environments such as high altitudes (snow leopard, Pallas’s cat) and frozen forests (Siberian tigers). The film introduces the most ancient type of cat existing today, the rare clouded leopard, whose genetic blueprint is shared by all cats. Learning how to become ambush predators through play is one of the crucial traits that all young members of the cat family must develop in order to survive in the wild. Cubs of species like the clouded leopard don’t have much time to master these skills before their mother forces them out to find their own territories as solitary predators. It is one of the reasons that around nine million years ago, the ancient tree climbing felines began to fan out all over Asia.
The program explains that a drop in sea level about eight million years ago made Africa accessible via the Red Sea land bridges to the adaptable cats. On the African plains, a keen sense of hearing and an ability to jump high were often necessary attributes for these solo hunters to catch prey. The lion however is the only cat who transitioned from being solitary to living in prides with shared responsibilities and defined roles. Experts theorize that early lions figured out they could hold the best hunting grounds if they worked together. The second episode, Into the Americas, traces how the first cats crossed the Bering Strait land bridge from Asia into North America around nine million years ago, competing for food and territory with the early canida ancestors of wolves and foxes.
But the origins of the most successful cat of all, the domestic house cat, lay in the wildcat’s ability to catch mice attracted by grain stored in villages. They made their way from the Mideast to Europe to America serving the same mouser role on trading ships. The program states that a genetic mutation created the first distinct feline breed, the Siamese cat, in Southeast Asia. People then bred domestic cats for the features they wanted, resulting in more than 40 different types of felines. But although cats are still wild at heart, they may evolve yet again if owners want to reduce the time their pets spend hunting.
“Until justice is blind to color, until education is unaware of race, until opportunity is unconcerned with the color of men’s skins, emancipation will be a proclamation, but not a fact.” – Lyndon B. Johnson
Yes, Hillary will win, but put aside that lovely thought . . . just for a moment. As race relations and presidential politics continue to be top-of-mind, hot-button issues, HBO will be bring the Emmy-nominated All the Way to Blu-ray and DVD on September 6. Recently nominated for eight Emmy Awards, including Outstanding Television Movie and Outstanding Lead Actor in a Limited Series or Movie (Bryan Cranston, who reprises his Tony-winning role), the powerful film underscores the fact that as much as things change, they remain the same.
All the Way is a riveting behind-the-scenes look at President Lyndon B. Johnson’s tumultuous first year in office in the wake of President Kennedy’s assassination. Witness LBJ during his early administration, as he stakes his presidency on what would be an historic, unprecedented Civil Rights Act. Johnson finds himself caught between the moral imperative of Dr. Martin Luther King, Jr. and the expectations of the southern Democratic Party leaders who brought Johnson to power. As King battles to press Johnson while controlling more radical elements of the Civil Rights movement, Johnson navigates the bill through Congress, winning a landslide victory against Barry Goldwater, but causing the South to defect from the Democratic Party.
Bryan Cranston is brilliant; joining him in pivotal roles are Anthony Mackie as Martin Luther King, Jr., Melissa Leo as Lady Bird Johnson, Bradley Whitford as Hubert Humphrey, Stephen Root as J. Edgar Hoover and Frank Langella as Sen. Richard Russell.
You may now return your thoughts to Hillary.
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