Category Archives: DVDs

Vin Diesel is back in the explosive “xXx: Return of Xander Cage”

When a group of lethal mercenaries steal a hi-tech weapon that poses a global threat, the world needs superspy Xander Cage. Remember him? Recruited back into action, Xander leads a team of death-defying adrenaline junkies on a mission to kick some ass, save the day and look dope while doing it. Who better to return than Vin Diesel?

https://youtu.be/Stb7iIn1CDA

Welcome to  xXx: Return of Xander Cage. Packed with some of the most mind-blowing stunts ever caught on film, the film features a powerhouse international cast including Donnie Yen, Deepika Padukone, Kris Wu, Ruby Rose, Tony Jaa, Nina Dobrev, and Samuel L. Jackson.

The flick x-plodes on 4K Ultra HD Combo Pack, Blu-ray Combo Pack, DVD and On Demand May 16, 2017 from Paramount Home Media Distribution.  X-cited fans can be the first to get it two weeks early on Digital HD May 2. The 4K Ultra HD and Blu-ray Combo Packs are loaded with more thanr an hour of action-packed special features, including in-depth  interviews with the all-star cast, plus a behind-the-scenes look at the film’s incredible stunts, locations and much more.  The film also boasts a Dolby Atmos soundtrack remixed specifically for the home theater environment to place and move audio anywhere in the room, including overhead.

Ready for blast-off?

“Frontline: Exodus” explores first-hand stories of refugees and migrants seeking better lives

The horrors continue. They are not dreams, but real-life nightmares that remain embedded on our minds with profound grief. Since 2011, millions of people have fled their homes in Syria and other countries besieged by violence, helping to fuel Europe’s largest migration crisis since the end of World War II.

Frontline: Exodus (PBS Distribution) explores the epic, first-hand stories of refugees and migrants as they make dangerous journeys across 26 countries seeking safety and better lives. The program draws on camera and smartphone footage filmed by refugees and migrants themselves–from inside a sinking dinghy on a route across the Mediterranean Sea where thousands have died, to the tents and fires inside Calais’s notorious “Jungle” camp. The riveting documentary is available on DVD; the program will also be available for digital download.

Through its harrowing access and intimacy, the program vividly exposes a shadow-world of human traffickers exploiting the crisis for profit, how countries are handling the influx of people, and the challenges and choices these refugees and migrants face every day.

“Anyone can become a refugee,” says Hassan, a former English teacher who fled his home in Damascus, after he says he was beaten by government forces. “It’s not something which you choose, it’s something that happens to you.”

Hassan’s journey is one of several at the heart of the program. Viewers will also hear the stories of:

  • Isra’a, a young Syrian girl who fled Aleppo with her family, including her disabled sister, after a missile destroyed their home.
  • Ahmad, who fled Syria when his village was invaded by Islamist extremists, and who is trying to reunite with his wife and young daughter.
  • Alaigie, a young Gambian man whose father recently died, and who dreams of reaching Italy and lifting his brothers and sisters out of poverty.
  • Sadiq, who fled Afghanistan to escape the Taliban, and now wants to start a new life in Finland.

Together, their stories paint an indelible portrait of this global crisis, and what it means to be a refugee.

“I am a refugee, I am just like you, I have a family, I have dreams, I’ve got hopes,” says Ahmad. “I just want a peaceful life away from violence.”

 

Independent Lens focuses, finally, on D.W. Griffith’s racist “Birth of a Nation”

More than 100 years after the release of D.W. Griffith’s The Birth of a Nation, which depicted the KKK as heroes and African Americans in the most racist caricatures imaginable,  there’s (finally!) a documentary that recounts the little-known story of the battle waged against the film by an early and largely forgotten civil rights activist named William Monroe Trotter. Angered by the film’s unrepentant racism, Trotter led African Americans in a pitched battle against the film’s exhibition that culminated with protests in the streets of Boston, laying the foundation for the civil rights movement to come.

Welcome to  PBS Distribution’s Independent Lens: Birth of a Movement on DVD.  The program will also be available for digital download.

As the first African American Phi Beta Kappa graduate of Harvard University, Trotter decried the film as a flagrantly racist glorification of the Klan, and as a dangerous and powerful new form of propaganda that would lead to the lynching of African Americans. Together with W.E.B Du Bois, Trotter founded the Niagara Movement, a national network of black activists that would grow into the NAACP.

Griffith’s film, originally titled The Clansman, opened in 1915, as America was celebrating the 50th anniversary of the Civil War. Although virulently racist, the film—a powerful retelling of Reconstruction that portrays the Ku Klux Klan as righteous vigilantes restoring America to greatness—was lauded in the press, and became the first film ever to screen in the White House. It was seen by a quarter of America’s population and transformed Hollywood and the history of cinema.

Ironically, it was Trotter who called for censorship of The Birth of a Nation to control “hate speech,” while Griffith advocated for freedom of artistic expression. Ultimately, Trotter would lose the battle as the film went on to become the first financial blockbuster and established racial stereotyping as a bankable trope. His fears that the film would unleash racial violence proved true; the film is credited with inspiring the rebirth of the Klan which, by the ’20s, was bigger than ever before.

Through interviews such sources as with Spike Lee (whose NYU student film The Answer was a response to Griffith’s film), Reginald Hudlin and DJ Spooky, Birth of a Movement explores how Griffith’s epic—long taught in film classes as a groundbreaking work of genius—motivated generations of African American filmmakers and artists as they worked to fight and reclaim their history and their onscreen image.

In the wake of the “#OscarsSoWhite” controversy, the rise of the Black Lives Matter movement, and increasing social and political turmoil, the program traces the line between Griffith’s controversial epic and Hollywood’s continued legacy of misrepresentation and negative racial stereotypes. Based on the book The Birth of a Movement: How Birth of a Nation Ignited the Battle for Civil Rights, by Dick Lehr, the film features interviews with historians, writers and filmmakers and is narrated by Danny Glover.

John Lewis continues an unwavering fight for justice. His motto: “Get in the Way”

For more than 50 years, he has had one main goal: To continue an unwavering fight for justice. The life and career of John Lewis will be documented in the fascinating documentary John LewisGet in the Way. This is the first documentary biography of Lewis, the son of sharecroppers, who grew up in rural isolation, seemingly destined for a bleak future in the Jim Crow South.

But Lewis took a different path, rising from Alabama’s Black Belt to the corridors of power on Capitol Hill, his humble origins forever linking him to those whose voices often go unheard.PBS Distribution releases John Lewis–Get in the Way on April 18.The program will also be available for digital download.

The program covers more than half a century, tracing Lewis’ journey of courage, confrontation and hard-won triumphs. At the age of 15, his life changed forever when he heard Dr. Martin Luther King, Jr. on the radio. It was 1955, during the Montgomery Bus Boycott, and Lewis listened with rapt attention as the young preacher called for nonviolent resistance to the harsh injustice of segregation. Lewis embraced Dr. King’s spiritual call with a fervor that would transform the course of his life.

As a student activist in the vanguard of the civil rights movement, Lewis was arrested and jailed for the first time during the Nashville lunch counter sit-ins in 1960. During the 1961 Freedom Rides, he was repeatedly assaulted by angry mobs. He was the youngest speaker at the historic 1963 March on Washington, and in March 1965, Lewis led the Bloody Sunday march in Selma, Alabama, where state troopers attacked peaceful protesters with billy clubs, bullwhips and tear gas. Their horrific actions were broadcast on news reports into living rooms across America; eight months later, the Voting Rights Act was signed into law.

Following a film festival run and featuring never-before-seen interviews shot over 20 years, the program features Lewis, a masterful storyteller, relating the gripping tale of his role in these history-making events. Other key interviewees include civil rights activists Andrew Young, C.T. Vivian, Juanita Abernathy and Bernard Lafayette, as well as Lewis’ congressional colleagues Eleanor Holmes Norton, Nancy Pelosi, Harry Reid, Emanuel Cleaver and Amory Houghton.

Once an activist pushing from the outside, Lewis, now 77 years old, has become a determined legislator creating change from the inside. Considered by many to be the conscience of Congress, with equal measures of modesty and forcefulness, Lewis strives to persuade D.C. power brokers to hear the voices of the unheard. He fights for those suffering from discrimination, poverty, poor education, police brutality, inaccessible healthcare and limitations on voting rights. Despite setbacks—and there have been many—John Lewis’ eyes remain on the prize.

 

Masterpiece indeed! “To Walk Invisible: The Bronte Sisters” comes to Blu-ray and DVD

Ever since they were revealed to the world as quaint country-women and not the notorious Bell brothers of their pseudonyms, the Brontë sisters have fascinated legions of devoted readers. PBS Distribution goes a few steps further with the release Masterpiece: To Walk Invisible: The Bronte Sisters on DVD and Blu-ray. The program, will be available on Blu-ray and DVD and Blu-ray April 11; the program will also be available for digital download.

Written and directed by Sally Wainwright, the program makes a perfect companion to Masterpiece’s past adaptations of Brontë novels: The Tenant of Wildfell Hall (1997), Wuthering Heights (1998 and 2009), and Jane Eyre (2007).

Depicting the evolution of secluded, dutiful clergyman’s daughters into authors of the most controversial fiction of the 1840s, the drama stars Finn Atkins as Charlotte, who shocked society with her edgy epic, Jane Eyre; Chloe Pirrie as Emily, author of the darkly gothic and disturbing Wuthering Heights; and Charlie Murphy as Anne, whose true-to-life love story The Tenant of Wildfell Hall was deemed “coarse and disgusting” by Victorian critics.

Also starring are Jonathan Pryce as their distracted father, Reverend Patrick Brontë; and Adam Nagaitis as the sisters’ only brother, Branwell, whose wild and dissipated life contributed to vivid characters in each of their novels.

To Walk Invisible was filmed in and around Haworth, the picturesque Yorkshire village where the Brontë sisters lived and which is now a mecca for Brontëphiles from all over the world. Scenes at their parsonage home were shot in an exact replica that recreates the feel of a lived-in mid-19th-century provincial dwelling, with the sisters congregating around the dining table to pen their stories and plot their editorial strategy.

“The Bronte Sisters”, also known as the “Pillar Portrait,” was painted by their brother Branwell in the 1830s. Left to right is Anne, Emily and Charlotte. This is the only surviving group portrait of the sisters. Most contemporary comments on Branwell’s portrait paintings agreed that they were “poorly executed” but there was no criticism of the resemblances, which were considered “good.”

Based largely on Charlotte’s voluminous letters, the film follows the Brontë sisters in the eventful three-year period that saw them rise from ordinary, unmarried women, taking care of the household and their widowed father, to the secret authors of the world’s most sensational literature.

Although he never suspected it, Branwell was the inspiration. A would-be poet and artist, he was a complete failure due to alcoholism and opium addiction. As Reverend Brontë slowly went blind, Branwell was on an even more precipitous downward slide, inciting the sisters to do something to keep the family out of the poor house.

They had already tried being governesses—a thankless job except it provided good material for novels. So they set about turning personal experiences, keen observations, and unflinching honesty into fiction. Worried that female writers wouldn’t be taken seriously, they adopted male-sounding pseudonyms: Currer Bell for Charlotte, Ellis Bell for Emily and Acton Bell for Anne, retaining their own initials.

The last name, Bell, may have been inspired by the arrival of a new set of bells for their father’s church, a momentous event in Haworth. Another possible source is the middle name of Reverend Brontë’s assistant priest, Arthur Bell Nicholls (Rory Fleck Byrne), who later married Charlotte after the tragically early deaths of her siblings.

But Charlotte gave her publisher a deeper reason for anonymity—and provided the title for this film: “I think if a good fairy were to offer me the choice of a gift, I would say—grant me the power to walk invisible.”

“Dig If You Will the Picture: Funk, Sex, God and Genius in the Music of Prince” is a “cornflake and ham hock” winner

Ben Greeman’s book on Prince is a hot thing. Dig If You Will the Picture: Funk, Sex, God and Genius in the Music of Prince (Henry Holt and Co., $28) is a farewell to the mercurial funk-rock star. It’s also a love letter, a critical study, a personal essay. Yet readers will undoubtedly find it as compelling for what it is not as for what it is.

Dig If You Will the Picture is not is a traditional biography or a conventional critical consideration. It is not filled with gossip and “gotcha” moments. It is not simply a survey of Prince’s greatest hits. Rather, it’s a singular attempt to investigate the whole of Prince’s work and thought, to isolate the meaningful moments in his music, to think about the ways in which he provided the soundtrack for a generation, to define what genius means in pop music.

Greenman brings his encyclopedic knowledge of Prince and his music to the man and the time in which he lived—moving from his own suburban upbringing in Miami to Prince’s history in Minneapolis, from brash early albums like Dirty Mind through breakout classics like Purple Rain to mature complex works like Art Official Age.

In these pages, Prince is considered as a musician, certainly, but also as a gender theorist, an activist, and an independent businessman. Greenman illuminates the hidden corners of Prince’s vast discography: Do you know the mid-’90s manifesto “Style”? Do you know the mid-’80s B side “Shockadelica”? Do you know the outtake “2020”?

You should.

And you will.

As George Clinton raves: “When it comes to funk and words, lyrics and language, there couldn’t be a better pairing than Ben Greenman and Prince. From my experience with both of them, this is the perfect match, like ham hocks and cornflakes.”

Dig If You Will the Picture answers countless questions about one of our most mysterious and misunderstood pop icons, including:

  • What were Prince’s thematic preoccupations?
  • How did he change pop music forever?
  • How did he make so much fantastic work?
  • Did he really do it all himself?
  • Why did he go to war with his record label?
  • What did he think about sex, God, and the difference between them?
  • What were his politics?
  • How big was his Afro when he was young?
  • And what was with that symbol, anyway?

Dig If You Will the Picture meets Prince at his own level, as a pop-culture provocateur, a brilliant manufacturer of meaning, a complex and philosophical man, brooding introvert, singular talent—and a hell of a good time.

Cannot get a ticket to catch Eric Clapton in concert? Now ready: The Blu-ray and DVD “Live In San Diego”

Anyway the wind blows you, you will end up watching Eric Clapton’s highly-anticipated Live In San Diego With Special Guest JJ Cale. The DVD and Blu-Ray follows the release of the 2-disc CD set, 3 LP vinyl set and digital album of the concert, that were released on September 30, 2016 on Reprise/Bushbranch Records. In addition to the main DVD and Blu-Ray program, fans will enjoy extra footage of Clapton and Cale rehearsing “Anyway The Wind Blows” and “Who Am I Telling You?” for the concert.

Recorded at Clapton’s March 15, 2007 performance at the iPayOne Center in San Diego, CA, Live In San Diego With Special Guest JJ Cale concert was part of a world tour that was much loved by Clapton fans and featured a stellar band that included guitarists Derek Trucks (now of the Tedeschi Trucks band) and Doyle Bramhall II. The two-hour San Diego concert was a highlight of the tour as it featured JJ Cale as a special guest on five tracks (including “After Midnight” and “Cocaine”), as well as Robert Cray on the final song of the record, “Crossroads.”

After successfully covering several Cale songs throughout his career, Clapton finally collaborated with Cale in 2006 on the original album Road to Escondido.  Says Clapton: “This is the realization of what may have been my last ambition, to work with the man whose music has inspired me for as long as I can remember.”

So it’s fitting that one year later, Cale joined Clapton on stage for this special concert where they performed together, underlining the mutual respect the two musicians had for each other.

The concert features a superb set list from across Eric’s career. Notably, it includes songs from Eric’s classic Derek and the Dominos album Layla, with Derek Trucks playing many of Duane Allman’s original guitar parts.

Clapton is currently preparing to play North American shows for 2017, a series of concert dates at two famed venues: New York’s Madison Square Garden and Los Angeles’ Forum.  The shows will be a celebration of 50 years in music and just as many decades performing at these two venues.  Legendary guitar players Gary Clark, Jr. and Jimmie Vaughan will be special guests at the shows.

The remaining dates for Clapton ion concert:

Thursday, September 7 New York Madison Square Garden
Friday, September 8 New York Madison Square Garden
Friday, September 15 Los Angeles The Forum
Saturday, September 16 Los Angeles The Forum

 

The conversation continues in the must-see documentary “The Talk: Race in America”

There’s an increasingly common conversation taking place in homes and communities across the country between parents of color and their children, especially sons, about how to behave if they are ever stopped by the police. In many homes, “the talk,” as it is called, usually contains phrases like this:

If you are stopped by the police: Always answer “yes sir, no sir”; never talk back; don’t make any sudden movements; don’t put your hands in your pockets; obey all commands; if you think you are falsely accused, save it for the police station. I would rather pick you up at the station than the morgue . . .

This important and essential (and shamefully needed) conversation is highlighted in PBS Distribution’s The Talk: Race in America.  The two-hour documentary will be available on DVD April 4; the program will also be available for digital download.

The film will present six personal stories to illustrate the issue from multiple points of view: Parent, child, the police and the community. Filmed across the country, in communities including Long Beach, California; Oakland, California; St. Louis, Missouri; Richland County, South Carolina; Memphis, Tennessee; and Cleveland, Ohio, the stories will include interviews with academics, police force members, community activists and family members.

Among those profiled are activist and founder of The Ethics Project, Dr. Christi Griffin, who, after living through the traumatic events of Ferguson, created “Parent 2 Parent,” a series of conversations with black parents talking with white parents about “the talk” with their black sons; Samaria Rice, mother of Tamir Rice, who was a 12-year-old boy killed by the Cleveland police while playing with a toy gun in a local park; Reverend Catherine Brown, who was assaulted by Chicago Police in front of her children in her own car; Trevena Garel, retired sergeant, New York City Police Department (NYPD), who has investigated allegations of misconduct involving both uniformed and/or civilian members of the NYPD; Eric Adams, Brooklyn Borough President and retired officer, New York City Police Department (NYPD); the Ramirez family, whose 28-year-old son, Oscar, was shot and killed by a Los Angeles County sheriff in Paramount, California, a community southeast of Los Angeles; and members of the South Carolina Criminal Justice Academy, who share the protocols for using lethal force and describe the danger from a police officer’s point of view.

In addition, sharing their own stories are Kenya Barris, creator/executive producer of Peabody Award-winning ABC series black-ish; Nas, musician/activist; Rosie Perez, actor/director, activist; John Singleton, director/screenwriter/producer; and New York Times columnist Charles Blow.

Each story is produced by a different filmmaker to ensure that diverse perspectives are presented. The project’s director and supervising producer, filmmaker Sam Pollard, an Academy Award nominee and multiple Emmy winner; and Oscar nominee Julie Anderson, closely oversaw the producers and managed the overall creative look, storytelling and structure.

 The Talk: Race in America will also be accompanied by an engagement campaign. Social media conversations will explore the topics of community policing, the power of representation in media and how to talk to children about race. Online audience members will also be invited to share their experiences of having or giving “the talk.” Visit PBS.org/thetalk for exclusive video content, special features and more.

Meghan O’Hara’s “The C Word” is mandatory viewing for everyone . . . do not whisper!

The film begins with a simple black screen, the backdrop for a sound that was immediately jarring: whispered, staccato words, clearly the words of someone who needed to deliver one final message, no matter how much effort it took.
Welcome to The C Word, an extraordinary documentary that will forever change the way we think and view cancer.  The film, narrated by its co-producer Morgan Freeman,  is fueled by the words of French neuroscientist and cancer revolutionary Dr. David Servan-Schreiber. The doctor, author of Anticancer: A New Way of Life, developed a method for reducing the risk of getting cancer. The movie’s other source: its director Meghan O’Hara.
This fascinating documentary arrives on Digital HD and DVD from Virgil Films on March 7.

O’Hara says the making of the The C Word was “therapeutic and inspirational”; her personal battle with the C word was the catalyst for its creation. She has survived Stage 3 breast cancer, a diagnosis she received about nine years ago at the age of 38.”I would like people to know that it’s unexpected, that there are revelations in here that people should be talking about but nobody seems to know,” she says, “and that there’s a great, powerful, powerful narrative at the heart of this film that really pulls you in. We tried really hard to make a rock ‘n’ roll documentary,” she said.

Indeed. The film uses  animation by saying “those cancer cells were so important for us to visualize.” It also features snatches of Family Guy and South Park to get certain points across.


One out of two people will get cancer in their lifetime. The latest research findings clearly show that up to 70% of cancer deaths are linked to our daily behaviors: smoking, a diet of processed foods, a sedentary lifestyle, excessive stress, and a continued exposure to daily contaminants.

 

“American Experience: The Great War” offers promises made that have been long forgotten

It was a war whose participants were to “make the safe for democracy”. That has been largely forgotten.

Drawing on the latest scholarship, including unpublished diaries, memoirs and letters, American Experience: The Great War (PBS Distribution) tells the rich and complex story of World War I through the voices of nurses, journalists, aviators and the American troops who came to be known as “doughboys.”

The three-disc set, featuring the voices of Campbell Scott, Blythe Danne and Courtney Vance, will be available on DVD May 16; the program will also be available for digital download.

Can’t wait? The Great War premieres Monday, April 10, through Wednesday, April 12, 9:00-11:00 p.m. ET (check local listings) on PBS.

The series explores the experiences of African-American and Latino soldiers, suffragists, Native-American “code talkers” and others whose participation in the war to “make the world safe for democracy” has been largely forgotten. The program also explores how a brilliant PR man bolstered support for the war in a country hesitant to put lives on the line for a foreign conflict; how President Woodrow Wilson steered the nation through three-and-a-half years of neutrality, only to reluctantly lead America into the bloodiest conflict the world had ever seen, thereby transforming the United States into a dominant player on the international stage; and how the ardent patriotism and determination to support America’s crusade for liberty abroad led to one of the most oppressive crackdowns on civil liberties at home in American history.

It is also a story of little known heroism and sacrifice (including the deadliest battle in American history) that would leave more than 53,000 men dead on the battlefield and more than 60,000 dead from disease. American fatalities would come at a critical time in the war, but they would be dwarfed by a cataclysm of violence that would ultimately claim 15 million lives.