This is a Sting we welcome this summer. A&M/Interscope Records/Deutsche Grammophon are releasing The Complete Studio Collection on June 9, a massive set that compasses the entirety of Sting’s illustrious solo studio album catalog on 180 gram heavyweight vinyl. It’s all here, from his 1985 debut album The Dream Of The Blue Turtles through to the latest 57th & 9th. Indeed, The Complete Studio Collection is the first ever complete anthology of Sting’s unparalleled solo career.
Following the release of the now sold-out The Studio Collection box set via A&M/Interscope Records, The Complete Studio Collection includes all of the A&M/Interscope Records catalog plus his Deutsche Grammophon discography–Songs From The Labyrinth (2006), If On A Winter’s Night… (2009) and Symphonicities (2010)–in addition to his new album 57th & 9th; bringing together all 12 solo studio albums for the first time.
For fans who purchased the original The Studio Collection box set, a separate bundle has been specially created entitled The Studio Collection: Volume IIthat contains the 4 newly added albums–Songs From The Labyrinth, If On A Winter’s Night…, Symphonicities and 57th & 9th–with space within the set for all of the remaining albums to create The Complete Studio Collection.
All of the included catalog LPs are presented in meticulous reproductions of their original artwork with new vinyl masters cut at the world-renowned Abbey Road Studios to ensure the highest possible audio quality throughout.
The Complete Studio Collection highlights the incredible full range of Sting’s seminal songwriting, inimitable storytelling, and awe-inspiring arrangements through a myriad of musical styles. From the jazz-infused politically-charged The Dream Of The Blue Turtles to the deft pop song-craft of …Nothing Like The Sun, the globetrotting Brand New Day to the evocative electronica of Sacred Love, through to the exploration of complex classical forms in Songs From The Labyrinth, expanding in magnitude and concept on If On A Winter’s Night…, and further developing into the genre-melding orchestral expanse Symphonicities, before finally culminating in the triumphant return to pop/rock on 57th & 9th; The Complete Studio Collection showcases all facets of the ever-evolving and truly inspirational artistry of Sting.
Sting will also be awarded the 2017 Polar Music Prize, which celebrates the power and importance of music and is given to individuals, groups or institutions for international recognition of excellence in the world of music. The Polar Music Prize ceremony is on June 15 in Stockholm, Sweden in the presence of the Swedish Royal Family.
For the record, Rock Beat Records in about to unleash a handful of lost, must-have classic vinyl. May we offer a sampling?
Arthur Lee & Love: Complete Forever Changes Live
One of the most famous, cherished LPs of all time, performed live, in it’s entirety!
As mercurial as Arthur Lee could be, he showed no concern in playing before 65,000+ Glastonbury concert-goers who all came to see if Arthur Lee & Love could pull off Forever Changes in a festival setting. Love’s musical director was the link between the ensemble of Swedish string and horn players and this loud, kick ass, take-no-prisoners rock-and-roll outfit. Think Mozart meets Thin Lizzy. Love came to Glastonbury with the hopes of just playing well and having a good time, but they left with so much more than that.
Phil Ochs: Live In Montreal 10/22/66
The Montreal gig was smack dab between his final Elektra album and his first release for A&M Records in November ’67. On the former he’s still the lone troubadour, armed only with a guitar that kills fascists (to paraphrase Woody Guthrie), while on the latter he utilizes ornate orchestration and piano accompaniment ranging from classical to ragtime. In many of the renditions heard on this live set, one can hear Ochs toying with the arrangements, adjusting the tempo mid-song and applying dissonance for effect. In some instances, his ideas outrun his technical capabilities.
Doc Watson: Live From Chicago, March, 1964: Vol. 1
Arthel Lane “Doc” Watson was an American guitarist, songwriter, and singer of bluegrass, folk, country, blues, and gospel music. His flat-picking skills and knowledge of traditional American music were highly regarded and often performed with his son, guitarist Merle Watson, until Merle’s death in 1985, the result of a tractor accident on the family farm. His guitar playing skills, combined with his authenticity as a mountain musician, made him a highly influential figure during the folk music revival of the mid 60’s. Watson pioneered a fast and flashy bluegrass lead guitar style including fiddle tunes and cross picking techniques which were adopted by many others.
Freddy Fender: Lovin’ Tex-Mex Style
In 1974, record producer Huey P. Meaux approached Fender about overdubbing vocals for an instrumental track. Fender agreed, performing the song bilingual style, singing the first verse in English, then repeating the verse in Spanish, something he repeated over the course of his career. That track was the No. 1 crossover hit “Before the Next Teardrop Falls”. While notable for his genre-crossing appeal, several of Fender’s hits featured verses or choruses in Spanish. Bilingual songs rarely hit the pop charts, often perceived as novelty hits, but Fender developed a track record of bi-lingual hits, expanding the rich culture of Tex-Mex music.
Big Joe Williams: Southside Blues Big Joe Williams has been a major influence throughout his long career on most of today’s blues artists and is especially known for his unique development and playing of the nine-string guitar style, something no other artist has successfully attempted. This LP was recorded by famed blues producer Norman Dayron in Chicago and presents Big Joe in an intimate setting, performing many of the traditional and original blues for which he is most widely known.
Del Shannon: The Dublin Sessions
This is the holy grail for Del fans. Shannon was a consistent hit maker in the early 1960s, beginning with a No. 1 smash in “Runaway.” Del recorded this previously unreleased album in 1977 with his UK touring band, “Smackee”, at Ireland’s Dublin Sound Studios. Del originally mixed and re-mixed the tracks at Cherokee Studios in California but was never satisfied with the results. For decades cassette tapes of these recordings have changed hands with Shannon fans worldwide.
Mississippi John Hurt: Live At Oberlin College
This excellent performance at Oberlin College in 1965 came at a time when Mississippi John Hurt was coming back into the blues spotlight and being discovered by a new generation of fans. Hurt’s rich, gentle voice and flowing guitar lines are showcased as he performs a mix of hymns, traditional songs and Hurt’s folk/blues staples. While not showcasing the raw emotion of his earlier work, the blues patriarch’s warmth and intimacy shine through here, especially during his exchanges with his audience. This performance offered Hurt’s fine balance of child-like and mature, his voice mellow and his skill in the technically difficult art of finger-picking never diminished.
Mighty Joe Young: Live From The North Side Of Chicago
Willie Dixon said it best: “Frankly, I feel Mighty Joe Young is one of the most talented guitar players in the country. I used Joe on many sessions because of his ability to interpret the particular feeling of a song. He has a traditional sound which is he able to mix with a very modern style and he uses this combination to emphasize a mood.”
How did an ordinary, middle-aged couple become a symbol of defiance against Nazi brutality?
Alone in Berlin, a true-life tale of courage from award-winning actor-director Vincent Perez, unfolds against the tumultuous backdrop of Berlin in 1940. Otto and Anna Quangel (portrayed by Brendan Gleeson and Emma Thompson) are a working-class husband and wife doing their best to ride out the war.
Everything changes, however, when their son is killed fighting on the front lines. They begin pouring their rage and grief into postcards emblazoned with anti-Nazi slogans, risking everything to disseminate their messages of protest across the city. But this seemingly small act of subversion rattles the regime, including a police inspector (Daniel Brühl) who will not rest until the culprits have been caught.
Based on the bestselling novel Every Man Dies Alone by Hans Fallada, Alone in Berlin is both a gripping thriller and a stirring ode to resistance.
Whenever I heard the name “Iggy Pop” I smile. Broadly. Karz-Cohl published his book (I Need More!) in 1982, followed by mine (Liza! Liza!, named on of the Best Books of the Year by The New York Times). Now I learn that Cleopatra Entertainment LLC, the movie division of famed indie record label Cleopatra Records, has acquired all domestic rights to Starlight, a feature film by French film maker Sophie Blondy that has found a home on Blu-ray and VOD.
Set in the dunes near the North Sea, a small circus company is suffering from a serious lack of audience for their shows. Spectators are rare but the magic of the circus still thrives.
Each performer rehearses and performs new numbers, but this fragile balance will quickly shatter to unveil their real nature and their most obscure feelings. The circus will then become a place of romantic lust where each will use their powers to satisfy their desires.
Angele, the diaphanous ballerina, her clown lover Elliot and the circus ringmaster, full of cruelty and disturbed by fits of schizophrenia on one side. Zohra in love with Elliot, haunted by an uncanny conscience on the other side. Secrets, jealousy, envy will progressively take hold of them and trigger some irreversible acts. The life of the circus will then take a whole new turn. What does all this have to do with Mr. Pop? Iggy appears throughout the film as an “angel” type character.
Starlight was selected and screened at Tallinn-Black Nights Film Festival (Estonia, 2013); Montreal World Film Festival (Canada, 2013); Moscow-International Film Festival (Russia, 2013); Rendez-vous with New French Cinema in Rome (2013); and Rotterdam International Film Festival (Netherlands, 2013).
Food, glorious, food. What better way to celebrate incredible edibles than on July 4, the holiday that offers the independence to choose among so much delish dishes? PBS Distrubtion comes into action with the DVD being released that day.
“What fish should I eat that’s good for me and good for the planet?” That’s the question bestselling author and lifelong fisherman Paul Greenberg sets out to answer. As part of his quest to investigate the health of the ocean—and his own—Greenberg spends a year eating seafood for breakfast, lunch and dinner. It’s a journey that’s brought to life in Frontline: The Fish on My Plate produced by Neil Docherty, David Fanning and Sarah Spinks. The documentary will be available on DVD July 4; the program will also be available for digital download.
The program chronicles Greenberg as he works on his upcoming book, The Omega Principle—and consumes more than 700 fish meals in hopes of improving his health through a dramatic increase in his Omega-3 levels.
With people worldwide consuming more seafood than ever, Greenberg also explores questions of sustainability and overfishing, traveling to Norway, where modern fish farming was invented; Peru to witness the world’s largest wild fishery; Alaska, where 200 million salmon can be caught each year; and Connecticut to visit a sustainable ocean farming pioneer who is trying to transform the fishing industry.
On the wild side, Greenberg finds that not everything is as it seems: At America’s largest seafood trade show, American wild salmon is labeled as a product of China. Why? Alaskan salmon is shipped frozen to China, thawed there to be deboned and filleted, and then refrozen to be shipped back to American supermarkets.
When it comes to farmed fish, things aren’t much more clear-cut: In Norway, the world center for farming America’s favorite fish, the Atlantic salmon, Greenberg finds a “salmon war.” The country’s fjords are festooned with farms, profits are huge, and growth expectations are high—but there is fierce criticism from environmentalists who complain the farms create more sewage than the entire human population of the country, that they spread disease, and that escaped farmed salmon are polluting the genetics of dwindling wild stocks.
Plus, a parasite, the sea louse—which feeds off the blood of the salmon—multiplies exponentially in the farms, and then infects entire fjords. This has led the government to halt the industry’s growth until the louse can be restrained.
In the program, Greenberg charts the industry’s efforts to accommodate its critics and search for solutions—visiting a “green” fish farm just south of the Arctic Circle, and discussing proposals for a genetically modified salmon that will be grown in tanks out of the ocean.
The Fish on My Plateisn’t just the story of one man’s journey. It’s a must-watch documentary for any consumer who cares about both his or her own health, and the health of the planet.
The three-part program Hungry for Food delves into the physics , chemistry and biology that creates each bite of food we take. Dr. Michael Mosley (below) and botanist James Wong celebrate the physics, chemistry, and biology hidden inside every bite.
Together Mosley and Wong travel the world and take over the UK’s leading food lab as they deconstruct favorite meals, taking viewers inside the food, right down to the molecular level.
The documentary will also be available on DVD July 4; the program will also be available for digital download.
Descriptions of each of the episodes included on the DVD are listed below:
We Are What We Eat Michael and James explore how the chemicals in our food feed and build our bodies. The world is full of different cuisines and thousands of different meals. Yet when they’re reduced to their essence, there are actually just a handful of ingredients that our bodies absolutely need from our food to survive. These essential molecules come in a series of familiar sounding groups–carbohydrates, fat, protein, vitamins and minerals–but Michael and James discover plenty of surprises as they seek to understand exactly why each class of molecule is so important for the way our bodies work.
This is food taken to its fundamentals. By using the latest imaging techniques and incredibly detailed specialist photography, Michael and James offer a whole new way of thinking about the relationship we have with our modern diet.
A Matter of Taste Michael and James explore how the marriage between chemistry and biology is the root of all the sensations, tastes, and flavors that we enjoy in our food. Michael begins by deconstructing a Thai meal. Its effect on the tongue can be reduced down to just five tastes: sweet, sour, salty, bitter and the less well-known umami. Umami is the most recently discovered of all the tastes. It’s a Japanese word that translates as ‘pleasant savory taste.’ By the end of their journey through flavor, they reveal that taste if far more than just being delicious–it’s a matter of survival.
Food on the Brain Michael and James explore the effect of Food on the Brain. The brain is one of the greediest organs in the body in terms of the energy it needs to run. It influences our diet by generating the cravings we all experience. The food we put in our mouths has a very direct effect on all the grey matter lurking above. And the brain does something rather ingenious with all this sensory input. We all have a series of interconnections in our brains called the reward pathway. This allows us to make pleasant associations between the food we eat, who we eat it with, and where we eat it–and these feelings keep us coming back for more.
Glen Campbell is saying goodbye with Adiós, the poignant title track from country legend’s farewell album. The song brings Campbell’s career full circle by reuniting him one last time with his lifelong collaborator Jimmy Webb, who penned Campbell’s stratospheric crossover hits “Wichita Lineman,” “Galveston,” and “By The Time I Get To Phoenix.” Popularized in 1989 by Linda Ronstadt, who made it a Top Ten Adult Contemporary hit, “Adiόs” is a song that Campbell always loved but never recorded.
“Glen and I used to play that song all the time,” Webb, who wrote four of the 12 tracks on the album, says. “We played it in dressing rooms, hotels, we played it over at his house, we played it at my house. He always loved that song. I heard ‘Adiós’ this morning and my wife and I both broke down and cried all over this hotel room. It’s the first time we ever heard it. This album is just kind of a gift from the gods. This album is just kind of a gift from the gods.”
Adiós will be released June 9 on UMe and is available now for pre-order. All digital pre-orders receive an instant download of “Adiós” along with the recently released “Everybody’s Talkin’,” Campbell’s take on the Fred Neil-penned hit made famous by Harry Nilsson in the film “Midnight Cowboy.” Pre-order @ UMe.lnk.to/AdiosPR
Campbell’s massive 1977 hit, “Southern Nights,” which was #1 on three separate charts including the Billboard Hot 100 pop chart, is featured prominently in the summer blockbuster Guardians of the Galaxy Vol. 2 and on the official soundtrack, Guardians of the Galaxy Vol. 2: Awesome Mix Vol. 2.
Adiós was recorded at Station West in Nashville following Campbell’s “Goodbye Tour” which he launched after revealing he had been diagnosed with Alzheimer’s disease. As Campbell’s wife of 34 years, Kim Campbell, explains in the album’s touching liner notes, “Glen’s abilities to play, sing and remember songs began to rapidly decline after his diagnosis in 2011. A feeling of urgency grew to get him into the studio once again to capture what magic was left. It was now or never.”
She concludes, “What you’re hearing when listening to Adiós is the beautiful and loving culmination of friends and family doing their very best for the man who inspired, raised, and entertained them for decades–giving him the chance to say goodbye to his fans, and put an amazing collection of songs onto the record store shelves.”
For the Adiós recording session, the Campbell’s turned to Glen’s longtime banjo player and family friend Carl Jackson to helm the production, play guitar and help his old friend. In preparation for the recording, Jackson, who joined Campbell’s band in the early ’70s as an 18-year-old banjo player, laid down some basic tracks and vocals for Campbell to study and practice. Jackson encouraged him every step of the way and although Campbell struggled at times because of his progressing dementia, he was clearly ecstatic about being in the studio.
The 12-track collection features songs that Campbell always loved but never got a chance to record, including several of Webb’s. In addition to the bittersweet title track, “Adiós,” Campbell also sings Webb’s longing love song “Just Like Always”and country weeper “It Won’t Bring Her Back.” He revisits “Postcard From Paris” with his sons Cal and Shannon and daughter Ashley singing the line, “I wish you were here,” resulting in a powerful and heartfelt message of a family singing together one last time.
Adiós sees Campbell putting his spin on several classic songs including “Don’t Think Twice It’s All Right,” inspired by Jerry Reed’s version of Bob Dylan’s timeless tune and “Everybody’s Talkin’,” a banjo-filled take on the song that Campbell never recorded but famously performed on the “Sonny & Cher Show” in 1973 with a 19-year-old Carl Jackson. Campbell’s daughter Ashley plays banjo on the song and joins her dad on several tracks on the album. Other songwriters featured include Roger Miller with “Am I All Alone (Or Is It Only Me),” which begins with a home recording of Miller singing the tune at a guitar pull before going into Campbell’s rendition with Vince Gill on harmonies, Dickey Lee’s honky tonk heartbreaker “She Thinks I Still Care” and Jerry Reed’s Johnny Cash hit “A Thing Called Love.” Willie Nelson joins his old pal for a moving duet of Nelson’s 1968 “Funny How Time Slips Away” while Jackson tells Campbell’s life story in “Arkansas Farmboy.”
“I wrote ‘Arkansas Farmboy’ sometime in the mid- to late-‘70s on a plane bound for one of the many overseas destinations I played with Glen between 1972 and 1984,” reveals Jackson. “The song was inspired by a story that Glen told me about his grandpa teaching him ‘In The Pines’ on a five-dollar Sears & Roebuck guitar when he was only a boy. That guitar led to worldwide fame and fortune, far beyond what even some in his family could comprehend.”
Adiós was a labor of love and a way for Glen Campbell to have one more chance to do what he loves to do and leave a musical gift for fans. Campbell, who turned 81 on April 22, is in the final stages of Alzheimer’s disease. He lives in Nashville where he is surrounded by his loving family and getting the very best of care.
Drawing on deep access to key people on all sides of the battle, Frontline: American Patriot (PBS Distribution)investigates the standoffs that propelled the Bundy family into the national spotlight and the crosshairs of the federal government. With “Patriot” groups that rallied to the Bundys’ cause surging to levels not seen in decades, the film also reports on what’s next for the family and the wider movement around them. The riveting documentary will be available on DVD June 13; the program will also be available for digital download.
The effort traces the Bundy family’s story as ranchers in the high deserts of Nevada, grazing cattle for generations on federal land and ultimately going to war against the government.
Now, their fight has become a lot bigger.
What began as one family’s dispute with the government over grazing fees has reinvigorated a national movement of self-styled militias and “Patriots.” They believe the federal government has overstepped its authority, strayed from its founding principles, and is filled with agents they are duty-bound to oppose. They call themselves Oath Keepers, Constitutional Sheriffs, sovereign citizens, Three Percenters. And while each group has its own cause, they rally under the same banner: opposition to federal overreach.
Over the past several years, many of these “Patriots” have answered the Bundys’ call, taking up arms to defend against what they see as government infringement of their rights as American citizens. In 2014, armed men faced down the federal government at the Bundy ranch when agents came to impound their cattle. In the end, the federal agents backed down. Then, last year, armed “Patriots” again joined Ammon and Ryan when they occupied a federal wildlife preserve in Oregon to protest the imprisonment of fellow ranchers, the Hammonds, who were convicted of starting fires on federal lands. Last October, Ammon, Ryan and five other supporters were acquitted of federal charges relating to the occupation. A trial for the remaining defendants is scheduled to begin next month.
American Patriot and the accompanying written and audio story helps audiences to understand the Bundys, their fight and the people who have rallied to their cause.
The Apollo 8 mission was equal parts fearless and reckless, ingenious and impulsive. The risks were substantial: The astronauts were flying a spacecraft that had killed a three-man crew in a launchpad fire just a year earlier; their rocket was unproven and had failed its most recent test flight; and they were facing an abbreviated training period for the unprecedented journey. . Meanwhile, the Russians were winning the space race, the Cold War was getting hotter by the month, and President Kennedy’s promise to put a man on the moon by the end of the decade seemed sure to be broken. In August 1968, NASA made a bold decision: In just 16 weeks, the United States would launch humankind’s first flight to the moon and astronauts Frank Borman, Jim Lovell, and Bill Anders signed on immediately.
Apollo 8 was the groundbreaking mission that produced the iconic earthrise photo that is credited with jump-starting the climate change movement; the mission that made all of the other moon missions possible, including the Apollo 11 moon landing; and the mission that climaxed most poignantly on Christmas Eve, when the astronauts pointed their camera out the small window of their spacecraft and beamed images of the lunar horizon crawling below and the Earth hanging in the distance to 3.5 billion people, forever changing the way we view our planet.
Blast off into a world of wonders that demands to be rediscovered. With the help of extensive interviews with the three astronauts and many other principals involved in the mission, as well as oral histories, NASA documents, and the mission audio archive, Jeffrey Kluger, co-author of Apollo 13 and veteran science reporter, re-creates the drama suspense and triumph of this historic event in the must-read Apollo 8: The Thrilling Story of the First Mission to the Moon (Henry Holt and Co., $30).
The full story of Apollo 8 has never been told, and only Kluger—Jim Lovell’s co-author on their bestselling book about Apollo 13—can do it justice. Here is the tale of a mission that was both a calculated risk and a wild crapshoot, a stirring account of how three American heroes forever changed our view of the home planet.
We will be flooded with books as we near the 100th anniversary of the United States’ entry into the first modern war. Yet one book stands by itself, as tall and proud and solidly integral as a solider: America and the Great War (Bloomsbury, $45).
Written by Margaret E. Wagner, senior writer and editor of the Library of Congress, the tome colorfully documents with more than 250 illustrations from the unmatched Library of Congress collections, many rarely seen and previously published, the days leading up to President Woodrow Wilson’s declaration of war against Germany; the fight of the American people to survive the war; and the heartbreaking uncertainty that came in its aftermath.
When the Great War engulfed Europe, America was witnessing an unprecedented surge in industrial and financial growth, the revolution that erupted in Mexico in 1910 that was still unfolding south of the border, and the fight for equal rights from Suffragettes and African Americans. America and the Great Warchronicles the events and arguments, the calculations and tragedies that brought the United States into the first modern war on April 6, 1917.
Filled with the voices of individuals both well-known and previously unsung, it reveals the explosion of patriotic fervor as the country entered the fray, the near-miraculous expansion of its Army, its military engagements abroad, and its struggles against the suppression of civil liberties at home.
Beneath the turquoise waves of the Bay of Naples lies an extraordinary underwater archeology site, the ancient Roman city of Baiae. From the first century to the third century AD, Baiae was the exclusive playground for the rich and powerful among Rome’s elite. What made Baiae such a special place? What really went on there? And why did it disappear?
For the first time, an international team of scientists, archaeologists and historians is meticulously mapping the underwater ruins and piecing together evidence that could provide answers to these questions in the riveting documentary Secrets of the Dead: Nero’s Sunken City. The DVD will be available on May 9; the program will also be available for digital download.
While some of Baiae’s ruins remain intact on land, more than half of this coastal city is submerged under water. These underwater ruins are three times the size of those in Pompeii. Archaeologists have found a network of roads, miles of brick walls and villas with rich marble floors, and splendid mosaics. But what they haven’t found are any identifiable public buildings, no forum, temple or market place.
The remains consist of one vast luxury villa after another–a Roman Beverly Hills–with elaborate spas and water features, marble statues inspired by Greek art, ponds for farming fish and more. The villas were like mini-cities. No expense was spared to create these seaside vacation homes where barges floating in the bay were the site of raucous parties.
More than any other emperor, Nero was infamous for his hedonism and Baiae was his escape. Here, he could indulge in his sadistic fantasies. But Baiae was more than a place of opulence, the Las Vegas of its day. It was also the site of some of the most treacherous political dealings of ancient Rome with Emperor Nero and his enemies hatching deadly plots against each other.
What lengths was Nero willing to take to gain his Aunt Domitia’s villa? What plans did Gaius Calpurnius Piso, a wealthy nobleman, have for the emperor as he vacationed at his villa? What scheme did Nero devise in Baiae to end the power struggle with his mother?
In the fourth century AD, seismic activity caused half of Baiae to sink into the bay. Located 150 miles south of Rome, Baiae remains one of the least explored places in the Roman Empire. Until now.
