Books about film and film stars—important books about film and film stars—are published by the University Press of Kentucky. Here is a handful of new and forthcoming film titles.
Legendary actress and two-time Academy Award winner Olivia de Havilland ($34.95) is renowned for her role as Melanie Wilkes in Gone with the Wind (1939). She often inhabited characters who were delicate, ladylike, elegant and refined. At the same time, she was a survivor with a fierce desire to direct her own destiny on and off the screen. She fought and won a lawsuit against Warner Bros. over a contract dispute that changed the studio contract system forever. She is also renowned for her long feud with her fellow actress and sister Joan Fontaine—a feud that lasted from 1975 until Fontaine’s death in 2013.
Author Victoria Amador utilizes extensive interviews and forty years of personal correspondence with de Havilland to present an in-depth look at the life and career of this celebrated actress .Amador begins with Havilland’s early life ( born in Japan in 1916 to a single mother and controlling stepfather) and her theatrical ambitions at a young age. The book then follows her career as she skyrocketed to star status, becoming one of the most well-known starlets in Tinseltown.
Readers are given an inside look at her love affairs with iconic cinema figures such as James Stewart, and John Huston, and her onscreen partnership with Errol Flynn, with whom she starred in The Adventures of Robin Hood (1938) and Dodge City (1939 ). After she moved to Europe in the mid-’50s, de Havilland became the first woman to serve as the president of the Cannes Film Festival in 1965, and remained active but selective in film and television until 1988.
Olivia de Havilland: Lady Triumphant is a tribute to one of Hollywood’s greatest legends, who has evolved from a gentle heroine to a strong-willed, respected and admired artist
With celebrated works such as Alien, Blade Runner, Thelma & Louise, and Gladiator, Ridley Scott has secured his place in Hollywood. This legendary director and filmmaker has had an undeniable influence on art and the culture of filmmaking, but is also a respected media businessman.
In Ridley Scott: A Biography ($40), Vincent LoBrutto delves into Ridley Scott’s oeuvre in a way that allows readers to understand the yin and yang of his exceptional career. Presented is a unique crosscut between the biographical facts of Scott’s personal life—his birth and early days in northeast England, his life in New York City— and his career in Hollywood as a director and producer of television commercials, TV series, miniseries and feature films.
Every film is presented, analyzed, and probed for a greater understanding of the visionary, his personality, and his thought process, for a deeper perception of his astounding work and accomplishments. The voices of cast and crew who have worked with Scott, as well as the words of the man himself, are woven throughout this book for a fully realized, critical biography, revealing the depth of the artist and his achievements.
The many con men, gangsters and drug lords portrayed in popular culture are examples of the dark side of the American dream. Viewers are fascinated by these twisted versions of heroic American archetypes, like the self-made man and the entrepreneur. Applying the critical skills he developed as a Shakespeare scholar, Paul A. Cantor finds new depth in familiar landmarks of popular culture in Pop Culture and the Dark Side of the American Dream:
Con Men, Gangsters, Drug Lords and Zombies ($40). He invokes Shakespearean models to show that the concept of the tragic hero can help us understand why we are both repelled by and drawn to figures such as Vito and Michael Corleone or Walter White.
Beginning with Huckleberry Finn and ending with The Walking Dead, Cantor also uncovers the link between the American dream and frontier life. In imaginative variants of a Wild West setting, popular culture has served up disturbing—and yet strangely compelling—images of what happens when people move beyond the borders of law and order. Cantor demonstrates that, at its best, popular culture raises thoughtful questions about the validity and viability of the American dream, thus deepening our understanding of America itself.
Throughout his career, Alfred Hitchcock had to deal with a wide variety of censors attuned to the slightest suggestion of sexual innuendo, undue violence, toilet humor, religious disrespect and all forms of indecency, real or imagined. From 1934 to 1968, the Motion Picture Production Code Office controlled the content and final cut on all films made and distributed in the United States. Code officials protected sensitive ears from standard four-letter words, as well as a few five-letter words like tramp and six-letter words like cripes. They also scrubbed “excessively lustful” kissing from the screen and ensured that no criminal went unpunished.
During their review of Hitchcock’s films, the censors demanded an average of 22.5 changes, ranging from the mundane to the mind-boggling, on each of his American films. Code reviewers dictated the ending of Rebecca (1940), absolved Cary Grant of guilt in Suspicion (1941), edited Cole Porter’s lyrics in Stage Fright (1950), decided which shades should be drawn in Rear Window (1954), and shortened the shower scene in Psycho (1960).
In Hitchcock and the Censors ($50), author John Billheimer traces the forces that led to the Production Code and describes Hitchcock’s interactions with code officials on a film-by-film basis as he fought to protect his creations, bargaining with code reviewers and sidestepping censorship to produce a lifetime of memorable films. Despite the often-arbitrary decisions of the code board, Hitchcock still managed to push the boundaries of sex and violence permitted in films by charming—and occasionally tricking—the censors and by swapping off bits of dialogue, plot points, and individual shots (some of which had been deliberately inserted as trading chips) to protect cherished scenes and images.
By examining Hitchcock’s priorities in dealing with the censors, this work highlights the director’s theories of suspense as well as his magician-like touch when negotiating with code officials.
Langdon parlayed his pantomime talents, expressive eyes and childlike innocence into silent-era stardom. This in-depth biography, which features behind-the-scenes accounts and personal recollections compiled by Langdon’s late wife, Mabel, provides a full and thoughtful picture of this multifaceted entertainer and his meteoric rise and fall. Featuring never-before-published stories and photos from his immediate family, this biography is a fascinating and revealing look at an unsung silent film giant.
Not only do they examine his contributions to the world of entertainment in depth, but they also consider his political activities―including his opposition to the Hollywood blacklist. The authors even confront Kelly’s darker side and explore his notorious competitive streak, his tendency to be a taskmaster on set and his multiple marriages.
Daniel reveals how, from a young age, Bancroft was committed to challenging herself and strengthening her craft. The book offers new insights into the life and career of a determined actress who left an indelible mark on the film industry while remaining true to her art.
When she was diagnosed with a fatal lung condition, she continued to work, undeterred, until she collapsed on set. She died at the age of 29. Drawing on never-before-released diary entries, correspondence, and creative works, Sherri Snyder’s biography offers a valuable perspective on her contributions to silent-era Hollywood and the cinematic arts.
Bette Davis reflects that she and Katharine Hepburn were both considered for the role of Scarlett O’Hara but neither was “gorgeous enough” for the part; Janet Leigh analyzes the famous shower scene in Psycho, which was shot in seven days and gave the actress nightmares for years; and Jimmy Stewart describes Alfred Hitchcock as a “strange, roly-poly man, interested only in blondes and murder.”
Though Paul was an accomplished photographer (his work is in the collection of the Museum of Modern Art), his photographs remained out of the public eye until the publication of Julia’s memoir, My Life in France, in which several of his images were included. Now, with these photos and personal stories recounted by his great-nephew Alex Prud’homme, France is a Feast not only captures this magical period in Paul and Julia’s lives, but also brings to light Paul Child’s own remarkable photographic achievement. Merveilleux!
Here are the inside stories of Vanity Fair scoops and covers that sold millions―the Reagan kiss, the meltdown of Princess Diana’s marriage to Prince Charles, the sensational Annie Leibovitz cover of a gloriously pregnant, naked Demi Moore. They are as acerbic as they are astute, even mean-spirited. Who else can recall mega-agent Swifty Lazar as “tiny and bald and hairy in the wrong places”? Or socialite Betsy Bloomingdale as someone who “has the wind-tunnel look of a recent face-lift”? Diss-light!
These remarkable athletes found a passion for the game and a heartfelt loyalty to one another and their coach. And they began to win. 
Chicago review Press, $30), he proves he has no filter when it comes to talking about women: Judy’s mother is “fat and dumpy”; Judy’s sisters are “ugly”; and Judy was a “helium head” since her face was so fat. because her face was so fat. Yet he produced A Star is Born and fought to keep her sober and drug-free. We enjoyed the book, even if he doesn’t get into their marriage until half-way through the pages. There are nice touches (she didn’t use nail polish) and Judy fans will relish the book. Maybe.
became the face of the recreational drug movement with the film Up in Smoke, forged a successful solo career with roles in The Lion King and, more recently, Jane the Virgin, and became the owner of the most renowned collection of Chicano art in the world. Written in Cheech’s uniquely hilarious voice, this memoir (do we dare?) will take you to new highs
Moving from his early days in Indiana to his retirement, Zinoman goes behind the scenes of Letterman’s television career to illuminate the origins of his revolutionary comedy, its overlooked influences, and how his work intersects with and reveals his famously eccentric personality.![We're Going to Need More Wine: Stories That Are Funny, Complicated, and True by [Union, Gabrielle]](https://images-na.ssl-images-amazon.com/images/I/51SM2a8-miL.jpg)
In return, Trump repeatedly singled Tur out. He tried to charm her, intimidate her and shame her. At one point, he got a crowd so riled up against Tur, Secret Service agents had to walk her to her car. None of it worked. Facts are stubborn. So was Tur. She was part of the first women-led politics team in the history of network news. 
Marilyn begins to live a life of the mind in New York; she dates Arthur Miller, dances with Truman Capote and drinks with Carson McCullers. Even though she had never lived there before, in New York, Marilyn is home. A true love letter to Marilyn, and a joyous portrait of a city bursting with life and art, 
Whoever knew the life story of a style icon and American aristocrat who designed the White House Rose Garden for her friend JFK and served as a living witness to 20th Century American history could be so riveting?
Good Things Happen Slowly: A Life in and Out of Jazz (Crown Archetype , $28) is his memoir. It’s the story of the first openly gay, HIV-positive jazz player; a deep look into the cloistered jazz culture that made such a status both transgressive and groundbreaking; and a profound exploration of how Hersch’s two-month-long coma in 2007 led to his creating some of the finest, most direct, and most emotionally compelling music of his career.
Wilder’s biography. Revealing the grown-up story behind the most influential childhood epic of pioneer life, she also chronicles Wilder’s tumultuous relationship with her journalist daughter, Rose Wilder Lane, setting the record straight regarding charges of ghostwriting that have swirled around the books.
Caroline Ingalls, “Ma” in Laura Ingalls Wilder’s beloved Little House books. For more than eighty years, generations of readers have been enchanted by the adventures of the American frontier’s most famous child, Laura Ingalls Wilder, in the Little House books. Now, that familiar story is retold in this captivating tale of family, fidelity, hardship, love, and survival that vividly reimagines our past.