Tag Archives: Tony Curtis

DVDs, TV

“Rowan & Martin’s Laugh-In: The Complete Fifth Series” still works, all these years later

We still laugh, in and out.

Political correctness met its match with Rowan & Martin’s Laugh-In, NBC’s groundbreaking variety series that became a cultural touchstone and part of the fabric of ’60s-’70s America.Every Monday night at 8 p.m. from 1968-1973, straight man Dan Rowan and wisecracking co-host Dick Martin led a supremely talented comic ensemble through a gut-busting assault of one-liners, skits, bits and non sequiturs that left viewers in hysterics and disbelief.

Rowan & Martin’s Laugh-In: The Complete Fifth Series (Time Life) from features all 24 episodes.  And what fun! After years of shameless name dropping, Dick finally gets his wish when bombshell Raquel Welch kicks off the new season with her first and only appearance on the show. Former Hogan’s Heroes POWs Richard Dawson and Larry Hovis escaped CBS to join the cast. And, along with alumni Judy Carne, Arte Johnson, Henry Gibson, Jo Anne Worley and Teresa Graves, they help to celebrate Laugh-In‘s landmark 100th episode (it aired on September 1, 1971).

Other guest stars:  Steve Allen, Johnny Carson, Johnny Cash, Carol Channing, Charo, Petula Clark, Bing Crosby, Tony Curtis, Henry Gibson, Gene Hackman, Rita Hayworth, Hugh Hefner, Bob Hope, Arte Johnson, Paul Lynde, Liza Minnelli, Agnes Moorehead, Joe Namath, Carroll O’Connor, Vincent Price, Carl Reiner, Debbie Reynolds, Sugar Ray Robinson, Bill Russell, Vin Scully, Doc Severinsen, Jacqueline Susann, Tiny Tim, John Wayne and Henny Youngman.

Books, Celebrity Chatter

Taking a fresh (and often funny) look at “Movie Comedians of the 1950s”

We’ll make it fast. Wes D. Gehring makes it funny.

With his new book Movie Comedians of the 1950s: Defining a New Era of Big Screen Comedy (McFarland, $39.95), Gehring takes a detailed look at just how the ’50s were a transitional period for film comedians; for example, the artistic suppression of the McCarthy era and the advent of television often resulted in a dumbing down of motion pictures. Cartoonist-turned-director Frank Tashlin contributed funny, but cartoonish, effects through his work with Jerry Lewis and Bob Hope. A new vanguard of comedians appeared without the stock comic garb or make-up-fresh faces not easily pigeonholed as merely comedians, such as Tony Randall, Jack Lemmon and Tony Curtis. Some traditional comedians, like Charlie Chaplin, Red Skelton and Danny Kaye, continued their shtick, though with some evident tweaking.

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The book provides insight into a misunderstood decade of film history with an examination of the “personality comedians.” The talents of  Martin and  Hope are reappraised and the “dumb blonde” stereotype, as applied to Judy Holliday and Marilyn Monroe, is deconstructed.

“Beyond a general revisionist look at 1950s film comedy, the goals of the work were to knock down Lewis’ perspective that Martin was just a straight man, to undercut the dumb blonde stereotype, and to examine game-changing TV, often via the neglected Frank Tashlin” says Gehring. “I really think I provided important new insight on Tashlin by reading his films through his children’s books.”

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The underrated Holliday. Begin a new chapter in your film fandom and read about her genius.
Those born yesterday and the some who like it hot will enjoy the the introductions to the funny girls and boys.