Category Archives: DVDs
“The Mahoning Drive-In” steers film fans to saving a piece of Hollywood history
Located in Lehighton, Pennsylvania, the drive-in is open May through on weekends. It features the second largest screen (measuring 120 feet) in the country, FM listening devices and room for 900 cars. The Mahoning Drive-In also offers camping on the grounds for an extra $10 per car load.
From sleeping in the concession stand to working entirely for free, the film fanatics at the struggling drive-in face uncertainty when Hollywood announces it will switch to digital projection for all new movies. Unable to purchase a $50,000 digital projector, a group of quirky film fanatics inrural Pennsylvania fight to keep the dying drive-in theater alive by screening only vintage 35mm film prints on their original 1949 projectors, and working for free. Relive their underdog story to save film, the Mahoning Drive-in, and drive-in theaters everywhere.
- Over 17 Minutes of Deleted Scenes
- Three Separate Feature Length Commentary Tracks (two with cast and one with director)
- 30-minute Q&A from Alamo Drafthouse Screening
- Trailer
Arrow Films unleash a slew of must-have Blu-rays . . . shoot that arrow!
Close to completing your spring cleaning? Sit and savor these nifty Blu-rays from Arrow Films.
Not to bug you out: We have Takashi Miike’s Terra Formars, a sci-fi adventure sees a team of space explorers take battle against a horde of oversized anthropomorphic cockroaches.
Cohen media Group celebrates the brilliance of Buster Keaton in a trio of true marvels
He could, of course, be honestly called a great fan of The Great Stone Face. (Those would don;t know who we are chatting about need to open a new window and Google.)
This month he has released (on Blu-ray, DVD and digital platforms) director and movie historian Peter Bogdanovich’s acclaimed new film The Great Buster: A Celebration. It is as brilliant as the tribute it pays to one of silent cinema’s greatest artists, Buster Keaton.
On May 14, Cohen Media Group releases the Keaton masterpieces The General and Steamboat Bill, Jr. together on single-disc Blu-ray and DVD packages, as well as digital platforms.
Jean-Claude Van Damme stars in the gritty crime thriller “We Die Young”
Dane Cook is not only for laughs: Check out his powerful role in the crime thriller “American Exit”
“Hot to Trot” celebrates the joyous world of same-sex competitive ballroom dance
Mad Hot Ballroom meets Paris is Burning? Or is it RuPaul’s Drag Race meets Dancing with the Stars? Whatever your reference, the award-winning and crowd-pleasing documentary Hot to Trot offers a deep-dive look inside the fascinating but little-known world of same-sex competitive ballroom dance.
Gail Freedman’s lively, poignant film follows an international cast of four magnetic men and women over several years, on and off the dance floor, as they journey to the quadrennial Gay Games. Along the way, dancing is revealed to be both a means of overcoming personal hardships—from drug addiction to familial rifts—and a joyous opportunity to merge passionate artistic expression with proud sexual identity.
Ready to enjoy something sweet? Order “Peppermint Soda”, new from Cohen Film Collection
“The Sunday Sessions” offers a disturbing but riveting look into conversion therapy
The Sunday Sessions (First Run Features) offers an intimate portrait of a deeply conflicted young man named Nathan, who is struggling to reconcile his religious conviction and sexual identity.
In this observational documentary, the filmmakers are given unfettered access as Nathan willingly attends clandestine conversion therapy sessions, family sessions,and weekend camps with an alluring therapist. The result is a sensitively crafted emotional and psychological thriller, which chronicles two years of his journey from acceptance to skepticism, all leading to a profound epiphany.
Let us share director Richard Yeagley’s statement about the documentary
“The filming and production of this documentary proved time and time again to be an emotionally taxing process. I knew from the outset that access was going to be the most important element to producing this story. I didn’t want to make a film that was a presentation of facts (something that relied on talking head interviews and an authoritative voice-over narration); I wanted to tell a personal story of an individual’s journey through this therapy.
Instead of an exposé or advocacy-based documentary, I preferred to tackle the story with an observational, fly-on-the-wall approach. I wanted access to the therapy sessions and to the personal life of the protagonist. In order to garner such access, I knew I had to strip myself, as best I could, of bias and approach the film as objectively and curiously as possible.
With all this said, biting my tongue was difficult at times. In many situations, and specifically when things started to get emotionally dark for Nathan, I just wanted to give him a hug and tell him that everything was going to be alright. I wanted to recommend that he move out of rural Virginia, and into a city like New York or Washington D.C., where there is more diversity and a bigger support system for the LGBTQ community. But as a documentary filmmaker employing the observational technique, this was not my role. So I remained observant, and strictly so, in hopes that it would result in the creation of a powerful, thought-provoking film.”