Tag Archives: W.E.B Du Bois

Petrucelli’s Picks: 2018 Gift Guide: The Year’s Best Celebrity (Auto)Biographies, Part Two

We always knew how brilliant she is. Now the 2 people who have never heard of her need to listen up.

Stevie Nicks (as a solo performer) will be inducted in the Rock & Roll Hall of Fame in 2019. Gold Dust Woman: The Biography of Stevie Nicks (St. Martin’s press, $18.99) details her rise into stardom; author Stephen Davis details her her equally sexy work and life, unearthing fresh details from new, intimate interviews and interpreting them to present a rich new portrait of the star.


Rose McCowan’s Brave (HarperOne, $27.99) is her raw, honest and poignant memoir/manifesto—a no-holds-barred, pull-no-punches account of the rise of a millennial icon, fearless activist, and unstoppable force for change who is determined to expose the truth about the entertainment industry, dismantle the concept of fame, shine a light on a multi-billion-dollar business built on systemic misogyny, and empower people everywhere to wake up and be Brave.


Every Day Is Extra is John Kerry’s passionate, insightful, sometimes funny, always moving account of his life. Kerry tells wonderful stories about colleagues Ted Kennedy and John McCain, as well as President Obama and other major figures. He writes movingly of recovering his faith while in the Senate, and deplores the hyper-partisanship that has infected Washington.

Few books convey as convincingly as this one the life of public service like that which John Kerry has lived for fifty years. Every Day Is Extra shows Kerry for the dedicated, witty, and authentic man that he is, and provides forceful testimony for the importance of diplomacy and American leadership to address the increasingly complex challenges of a more globalized world.

If he’d only run for President . . .


When Jackie Kennedy Onassis died in her Fifth Avenue apartment on tk, her younger sister Lee Radziwill wept inconsolably. Then Jackie’s 38-page will was read. Lee discovered that substantial cash bequests were left to family members, friends and employees—but nothing to her. “I have made no provision in this my Will for my sister, Lee B. Radziwill, for whom I have great affection, because I have already done so during my lifetime,” read Jackie’s final testament.

Drawing on the authors Sam Kashner and Nancy Schoenberge’s candid interviews with Radziwill, The Fabulous Bouvier Sisters: The Tragic and Glamorous Lives of Jackie and Lee (Harper, $28.99) explores their complicated relationship, placing them at the center of twentieth-century fashion, design and style. For the first time, here is the complete story of these larger-than-life sisters.

Drawing on new information and extensive interviews with Lee, now 84, this dual biography sheds light on the public and private lives of two extraordinary women who lived through immense tragedy in enormous glamour.


The relationship between Al Smith and Franklin Roosevelt, superbly portrayed in Terry Golway’s Frank and Al: Frank and Al: FDR, Al Smith, and the Unlikely Alliance That Created the Modern Democratic Party, is one of the most dramatic untold stories of early 20th Century American politics. It was Roosevelt who said once that everything he sought to do in the New Deal had been done in New York under Al Smith when he was governor in the 1920s.

It was Smith who persuaded a reluctant Roosevelt to run for governor in 1928, setting the stage for FDR’s dramatic comeback after contracting polio in 1921. They took their party, and American politics, out of the 19th Century and created a place in civic life for the New America of the 20th Century.


John Wayne predicted that Michael Caine would become a star. He was right, and Caine, now 85, has made more than 100 films in his six-decade career.  In Blowing the Bloody Doors Off: And Other Lessons in Life (Hachette Books, $28), Caine shares wisdom and stories from his remarkable career.

We love his take on aging: He bittersweetly acknowledges that many of his pals are dead; truths that keep Caine going. Even the dishy dirt is told with charm, the charm that still can be heard in his accent.


it seems like there’s no place anymore for optimism, integrity and good old-fashioned respect. Enter “America’s Dad”: Tom Hanks. Whether he’s buying espresso machines for the White House Press Corps, rewarding a jovial cab driver with a night out on Broadway or extolling the virtues of using a typewriter, Hanks lives a passionate, joyful life and pays it forward to others.

In The World According to Tom Hanks: The Life, the Obsessions, the Good Deeds of America’s Most Decent Guy (Grand Central Publishing, $26), Gavin Edwards takes readers on a tour behind the scenes of Hanks’s life: from his less-than-idyllic childhood, rocky first marriage, and career wipeouts to the pinnacle of his acting career and domestic bliss with the love of his life, Rita Wilson. Hanks is, indeed, the role model we all crave.


Richard Rodgers and Oscar Hammerstein IIstand at the apex of the great age of songwriting, the creators of the classic Broadway musicals Oklahoma!Carousel, South PacificThe King and I and The Sound of Music, whose songs have never lost their popularity or emotional power. Even before they joined forces, R&O had written dozens of Broadway shows, but together they pioneered a new art form: the serious musical play. Their songs and dance numbers served to advance the drama and reveal character, a sharp break from the past and the template on which all future musicals would be built.

Todd S. Purdum’s portrait of these two men, their creative process, and their groundbreaking innovations will captivate lovers of musical theater, lovers of the classic American songbook, and young lovers wherever they are.


Lorraine Hansberry was a force of nature. Although best-known for her work A Raisin in the Sun, her short life was full of extraordinary experiences and achievements, and she had an unflinching commitment to social justice, which brought her under FBI surveillance when she was barely in her twenties. While her close friends and contemporaries, like James Baldwin and Nina Simone, have been rightly celebrated, her story has been diminished and relegated to one work—until now.

Though she married a man, she identified as lesbian and, risking censure and the prospect of being outed, joined one of the nation’s first lesbian organizations. Hansberry associated with many activists, writers, and musicians, including Malcolm X, Langston Hughes, Duke Ellington, Paul Robeson and W.E.B. Du Bois.

Imani Perry’s Looking for Lorraine: The Radiant and Radical Life of Lorraine Hansberry (Beacon Press, $26.95) is a tad academic, but it’s a powerful insight into Hansberry’s extraordinary life—a life that was tragically cut far too short. (She died at 34.)


In the revelatory Arthur Ashe: A Life (Simon & Schuster, $37.50), Raymond Arsenault chronicles Ashe’s rise to stardom on the tennis court, but much of the book explores his off-court career as a human rights activist, philanthropist, broadcaster, writer, businessman and celebrity. In the ’70s and ’80s, Ashe gained renown as an advocate for sportsmanship, education, racial equality, and the elimination of apartheid in South Africa.

From 1979 on, he was forced to deal with a serious heart condition that led to multiple surgeries and blood transfusions, one of which left him HIV-positive. In 1988, after completing a three-volume history of African-American athletes, he was diagnosed with AIDS, a condition he revealed only four years later. After devoting the last 10 months of his life to AIDS activism, he died in February 1993 at the age of forty-nine, leaving an inspiring legacy of dignity, integrity, and active citizenship.

Based on prodigious research, including more than 100 interviews,  Arsenault’s insightful and compelling biography puts Ashe in the context of both his time and the long struggle of African-American athletes seeking equal opportunity and respect.

For the record: Celebrate Black History Month with these historically important films and records

Black Wings  (PBS Distribution)
For early aviators, conquering the forces of gravity was a daunting challenge. But black aviators had an additional challenge: to conquer the forces of racism.

Image result for PBS BLACK WINGS

Meet the men and women of color who took to the skies throughout the 20th century and helped prove to a segregated nation that skin color didn’t determine skill level. From biplanes to commercial jets, and from barnstormers to war fighters, meet the path-breaking pilots who opened the skies for all.


In the firmament of rock ‘n’ roll’s first-generation creators, no artist looms larger than Chuck Berry. In a consistently innovative recording career that spanned more than 60 years, the iconic singer-songwriter-guitarist, who passed away on March 18, 2017, laid much of the groundwork for modern rock ‘n’ roll, while creating some of rock’s most distinctive and enduring anthems, including “Johnny B. Goode”, “Roll Over Beethoven,”, “Rock and Roll Music” and “Reelin and Rockin”.

Geffen/UMe are paying tribute to the immortal spirit of Chuck Berry with the ultimate vinyl version of his landmark greatest hits compilation, The Great Twenty-Eight, with The Great Twenty-Eight: Super Deluxe Edition.

The five-disc vinyl box set housed in a textured box, complements the original two-LP, 28-song compilation with an additional LP, More Great Chuck Berry, containing 14 more hits, rarities and B-sides missing from the original, as well as a rare live album, Oh Yeah! Live in Detroit, available on vinyl for the first time. The collection also include a newly created bonus ten-inch EP Berry Christmas, featuring four holiday-themed classics on “Rudolph-Red” vinyl, with one song on vinyl for the first time as well. A limited edition version on “Chess Blue” vinyl, limited to 500 copies.

Bob Dylan once called Berry “the Shakespeare of rock ‘n’ roll.” John Lennon stated, “If you tried to give rock ‘n’ roll another name, you might call it ‘Chuck Berry.'” As Keith Richards writes in the booklet intro, “Chuck Berry is the gentleman who started it all.”

And if those testimonials aren’t convincing enough, one listen to The Great Twenty-Eight: Super Deluxe Edition will make the case for Chuck Berry’s singular, timeless rock ‘n’ roll brilliance.


 

Cruel and Unusual, a profound documentary telling the story of three men—Robert King, Herman Wallace and Albert Woodfox, known as the Angola 3. Wrongfully convicted for murdering a prison guard in 1972 at the Louisiana State Penitentiary, these men have spent longer in solitary than any other prisoners in the US.  On his release, Albert Woodfox had spent 43 years in a six foot by nine foot cell for a crime he did not commit.

Cover for the documentary, "Cruel And Unusual"

The film is available for sale and rental on Amazon Video, iTunes, and Vudu, as well as DVD and Blu-ray.

Told in detail by interviews and prison phone calls from King, Wallace and Woodfox, Cruel and Unusual allows viewers to experience these men’s pain and anguish. From the worst of the worst in their cells, these men managed to find the best of the best that the human spirit has to offer. They have fought for justice and never accepted defeat so that no one else will ever suffer the way they did. A call to action, the film aims to support the growing campaign to end the overuse of long term solitary confinement in America’s prisons.


The rich history of America’s Historically Black Colleges and Universities (HBCUs) began before the end of slavery, flourished in the 20th century, and profoundly influenced the course of the nation for over 150 years—yet remains largely unknown. This latest documentary from Stanley Nelson, America’s foremost film chronicler of the African American experience, is the powerful story of the rise, influence, and evolution of HBCUs come to life.

The story is told in Tell Them We Are Rising: The Story of Black Colleges and Universities (PBS Distribution).

A haven for Black intellectuals, artists, and revolutionaries—and a path of promise toward the American dream—HBCUs have educated the architects of freedom movements and cultivated leaders in every field while remaining unapologetically Black for more than 150 years. These institutions have nurtured some of the most influential Americans of our time, from Booker T. Washington to Martin Luther King, Jr., W.E.B. Du Bois to Ralph Ellison, Toni Morrison to Oprah Winfrey, Alice Walker to Spike Lee to Common.

Independent Lens focuses, finally, on D.W. Griffith’s racist “Birth of a Nation”

More than 100 years after the release of D.W. Griffith’s The Birth of a Nation, which depicted the KKK as heroes and African Americans in the most racist caricatures imaginable,  there’s (finally!) a documentary that recounts the little-known story of the battle waged against the film by an early and largely forgotten civil rights activist named William Monroe Trotter. Angered by the film’s unrepentant racism, Trotter led African Americans in a pitched battle against the film’s exhibition that culminated with protests in the streets of Boston, laying the foundation for the civil rights movement to come.

Welcome to  PBS Distribution’s Independent Lens: Birth of a Movement on DVD.  The program will also be available for digital download.

As the first African American Phi Beta Kappa graduate of Harvard University, Trotter decried the film as a flagrantly racist glorification of the Klan, and as a dangerous and powerful new form of propaganda that would lead to the lynching of African Americans. Together with W.E.B Du Bois, Trotter founded the Niagara Movement, a national network of black activists that would grow into the NAACP.

Griffith’s film, originally titled The Clansman, opened in 1915, as America was celebrating the 50th anniversary of the Civil War. Although virulently racist, the film—a powerful retelling of Reconstruction that portrays the Ku Klux Klan as righteous vigilantes restoring America to greatness—was lauded in the press, and became the first film ever to screen in the White House. It was seen by a quarter of America’s population and transformed Hollywood and the history of cinema.

Ironically, it was Trotter who called for censorship of The Birth of a Nation to control “hate speech,” while Griffith advocated for freedom of artistic expression. Ultimately, Trotter would lose the battle as the film went on to become the first financial blockbuster and established racial stereotyping as a bankable trope. His fears that the film would unleash racial violence proved true; the film is credited with inspiring the rebirth of the Klan which, by the ’20s, was bigger than ever before.

Through interviews such sources as with Spike Lee (whose NYU student film The Answer was a response to Griffith’s film), Reginald Hudlin and DJ Spooky, Birth of a Movement explores how Griffith’s epic—long taught in film classes as a groundbreaking work of genius—motivated generations of African American filmmakers and artists as they worked to fight and reclaim their history and their onscreen image.

In the wake of the “#OscarsSoWhite” controversy, the rise of the Black Lives Matter movement, and increasing social and political turmoil, the program traces the line between Griffith’s controversial epic and Hollywood’s continued legacy of misrepresentation and negative racial stereotypes. Based on the book The Birth of a Movement: How Birth of a Nation Ignited the Battle for Civil Rights, by Dick Lehr, the film features interviews with historians, writers and filmmakers and is narrated by Danny Glover.