My mother used to say that there are three sides to every story: His, hers and the truth. The power that behind the riveting film The American Side (Sony Pictures Home Entertainment) insist that “there are three sides to every story…the truth, the lie and the American Side.”
American side, as opposed to the Canadian side. This gem was filmed at the falls. And then some.
When Charlie Paczynski’s raven-haired partner is caught in the crossfire of a blackmail scheme gone bad, he trails the prime suspect to the brink of Niagara, only to receive a cryptic warning: “what’s happening here you can’t begin to comprehend”… Thrust into a world populated by a whiskey-swilling raconteur (Robert Forster), strangely bonded siblings (Matthew Broderick and Camilla Belle), and a dubious government agent (Janeane Garofalo), Paczynski joins the quest for a long-lost design by enigmatic genius, Nikola Tesla. From the eccentric eavesdropper who gives him his first clue (yes! that’s Robert Vaughn, The Man From U.N.C.L.E.) every door Paczynski forces open raises the stakes.
Reminiscent of the conspiracy thrillers of the ’70s, complete with a score by David Shire and packed with nods to Hitchcock and classic film noir, The American Side is a jigsaw puzzle mystery, climaxing under the roar of the Falls as the final piece snaps into place.The acclaimed neo-noir thriller stars Greg Stuhr as private detective Paczynski, whose investigation into a mysterious suicide leads him to unravel a conspiracy involving a long-lost design by forgotten scientist Nikola Tesla. (Hint: In 1893, Edward Dean Adams headed up the Niagara FallsCataract Construction Company, and he sought Tesla’s opinion on what system would be best to transmit power generated at the falls.)
At the heart of the story is the mysterious nature of science and the scientific mind. The plot revolves around a lost design by the man many consider the greatest inventor of any age–the tragically overlooked Serbian-American scientist, Nikola Tesla.
At the heart of the story is the mysterious nature of science and the scientific mind. The plot revolves around a lost design by the man many consider the greatest inventor of any age–the tragically overlooked Serbian-American scientist, Nikola Tesla.
Released by The Orchard digitally and on demand earlier this year, this entertaining homage to the detective stories of yesteryear is the perfect film for suspense fans of today.
The tastiest cookbook this season? Make that Cook book, as in Barbara Cook’s autobiography Then and Now: A Memoir (Harper, $28.99). The 88-year-old icon shares her life and career, the highs and lows, some of which are quite painful to read. There are warm memories of her golden years as Broadway’s newest ingénue and Broadway’s favorite soprano in the original productions of Plain and Fancy (1955), Candide (1956), The Music Man (1957) and She Loves Me (1963) and later into a sophisticated cabaret and concert artist . . . as well as much sadder, deeply painful memories.
At the lowest point of her career, she was drunk and desperate, sleeping through the day and “I didn’t shower or brush my teeth for days at a time.” She confesses that she was “so broke I was stealing food from the supermarket by slipping sandwich meat into my coat pocket.”
Today, Cook suffers from polymyalgia rheumatica, a disease that forces her to use a wheelchair. She may be slower, her voice much softer, but she refuses to give in. As a recovering alcoholic she still attends her AA meetings. (She quit drinking in 1977.) For that we continue to applaud her. We caught up with Cook one summer afternoon at her Upper West Side apartment and had a lovely conversation, fraught with lots of coughing and short sentences, of the good and bad and both acts—before and after sobriety—of her life. Read her story, and enjoy performances we share.
First things first: You have been asked to write a book for years. Why did you finally write an autobiography?
Yes, people have wanted me to write a book for some time. I kept saying, ‘Why? Who the hell cares?’ Then it occurred to me that I have had this up and down life, and if someone reads my book with an open mind he or she can come back from dark places and have a successful career. I wrote every word, mostly by hand, on white-lined paper.
And what dark places!
They were things I have lived with for so long. They were a huge part of my life. It’s the first time I am talking about them publicly . . . it was time to talk about the things I had held inside for a long time. It had always been easier not to discuss mother, my sister’s death, the shame and blame I had felt. I spent decades often thinking that I didn’t deserve the nice things that have happened for me. I drank and I ate. I found myself mad at my mother since she blamed me for my sister’s death from double pneumonia. I thought I could help people who have gone through or who are going through what I did. [Barbara’s sister died at 18 months; Barbara was three years old]
No wonder we didn’t like your mother after reading the book. She blamed you, as a child, for your sister’s death!
Yes. My sister had pneumonia, and then I got pneumonia and whooping cough. I gave her whooping cough on top of the pneumonia. (Pauses) When I was in therapy, my first therapist said something that was so smart ‘Did it ever occur to you that she caught it and that you didn’t give it to her?’ Wow. That really helped me because I grew up thinking I was responsible for my sister’s death. I started to think, well, if my sister hadn’t died father wouldn’t have left. I was five. (Pauses, quietly) I became responsible for my sister’s death and his leaving as well.
When I interviewed Liza Minnelli, she told me even recovering alcoholics must always refer themselves as alcoholics. Did Liza break rules by talking about AA?
AA does not have rules. It has suggestions. They don’t call them rules. I supposed one can break one’s own anonymity which I don’t do.
What did you think went wrong with Liza?
I know Liza and have sat around talking with her. But I don’t think I know her well enough to talk about that.
It’s sad seeing you in a wheelchair. Do you believe you will get out of that chair one day?
Well I guess if the condition gets good I will. My spirits are mostly okay, but nobody likes to be like this. There are days when I get down, but I don’t seem to stay down for long.
Many of your fans are gay. Your only child, Adam LeGrant, is gay. You and I are talking less than a month after the tragic massacre at a gay nightclub in Orlando. When I say ‘homophobia’ . . . (Interrupts) It affects me like everyone else. Homophobia is a stupid, horrible way of thinking. It’s getting better, but it’s still, oh God! awful.
Were you disappointed when you learned your son Adam was gay?
When Adam told me he had something to tell me, I had no idea he was going to tell me he was gay. I thought he was going to tell me he broke up with his girlfriend and was never going to marry her. When he said he was gay, I knew I would never have grandchildren—that entered my psyche immediately. I thought there’s something wrong. I have a son I don’t know. I was really upset and I screamed and cried like crazy for about five days. It occurred to me that all my life I felt like a little girl with her nose pressed against the glass of a candy shop. I didn’t feel part of real life. But when I bore a son I felt more connected to the world. When Adam told me was gay, I didn’t feel connected anymore. After crying, I thought, ‘Wait a minute. What on earth is going on with you? What the hell is wrong with you? He is your son!’
I asked Liza about why she has such a gay following. She told me her fans relate to her pain, just as they related to her mother’s pain. You are aware you have a large gay following?
Oh sure. I talked about it with friends a couple of times. But I don’t know what it’s about. Could I be they relate to my problems? Who knows? We all have problems.
You made your Broadway debut in the 1951 musical Flahooley; you won a Tony for The Music Man. A far cry from growing up in Atlanta in such poverty you used to eat dinners of white bread and ketchup. You are a legend! A special survivor!
(Long laugh ) Oh God, I don’t think of it as way. We all think we’re special. I know I am very, very grateful of the gift I have given. Singing is a wonderful way to move and touch people. I feel that I must sing because it feels so good to get all that out! I suppose it’s a gift from a higher power.
Where do you keep your Tony?
I have a dining room and it’s kept in a bookcase in there.
After reading your book, I still cannot figure out if you liked Elaine Stritch.
(Laughs) I liked her, but not always what she did. Her behavior sometimes. Somewhere inside her was a very nice person.
I am going to push you in a corner. What’s your favorite song?
(Laughs) Oh my goodness! The answer is no. I have no favorite.
How about a song you never sang?
I don’t think of things that way; I think of shows I wished I had done. I wanted to do The Most Happy Fella. I auditioned again and again for that and I really wanted to do it. But if I had done that, I wouldn’t have been able to do Candide.
You will be 89 on October 25. Ever think how you want to be remembered? What will be on your gravestone?
Oh gee. Wow. No one ever asked me that. (Pauses) SHE DID HER BEST.
It will happen, in a galaxy not so far, far away. It will happen in the Milky Way, right here on Earth. It will first happen on Halloween in Sweden and Holland . . . and happen in the United States and Canada on November 15.
Save the date. This is important. Those are the dates Star Wars devotees will experience—up close and in eye-popping 3D—the highly-anticipated Star Wars: The Force Awakens 3D Collector’s Edition. May the force be with you.
For the first time—and just in time for the holidays (make note!)—viewers can bring home Lucasfilm’s “Star Wars: The Force Awakens” in 3D, encased in stunning, collectible packaging. The exclusive four-disc 3D Collector’s Edition contains the original theatrical release on Blu-ray 3D, Blu-ray, Digital HD and DVD, along with originally released bonus features and brand-new bonus material, including additional deleted scenes, behind-the-scenes conversations with cast and crew and revealing, never-before released audio commentary by director J.J. Abrams.
Yes, this is important news. Upon its debut last December, Star Wars: The Force Awakens received rave reviews from both critics and audiences, and shattered box office records with over $936 million domestic and $2 billion worldwide. The film has since been nominated for five Academy Awards and took home the BAFTA Award for Special Visual Effects. The Force Awakens re-ignited the Star Wars franchise and fans eagerly await the next installment, arriving in theaters December 2017, as well as the first in a series of standalone films, Rogue One: A Star Wars Story, premiering this December 16.
Star Wars: The Force Awakens saw the eagerly anticipated reteaming of original Star Wars stars Harrison Ford, Carrie Fisher and Mark Hamill, along with Anthony Daniels (the only actor to have been in all seven Star Wars films) and Peter Mayhew. The returning cast was joined by newcomer Daisy Ridley, who beat out fierce competition to take the principal role of Rey; BAFTA Rising Star Award winner John Boyega as reluctant stormtrooper Finn; Emmy nominee Adam Driver as the villainous Kylo Ren, and Golden Globe winner Oscar Isaac as Resistance pilot Poe Dameron.
Having established a musical legacy with his iconic scores for the previous six films in the Star Wars saga, acclaimed composer John Williams returned to score“Star Wars: The Force Awakens, ultimately garnering his 50th Oscar nomination for it. Nothing but music to our ears!
3D COLLECTOR’S EDITION BONUS FEATURES:
Audio Commentary with J.J. AbramsEnter the mind of visionary director J.J. Abrams as he reveals the creative and complex choices made while developing the first film in the new Star Wars
Foley: A Sonic TaleFoley artists, consisting of old pros and new talent, unite to bring the world of Star Wars: The Force Awakens alive through the matching of sound to action.
Sounds of the ResistanceHear how the epic sound design of Star Wars: The Force Awakens moves the Star Wars legacy forward.
Deleted ScenesView never-before-shared scenes that didn’t make the film’s final cut.
Dressing the GalaxyCostume Designer Michael Kaplan reveals how the costumes of the original Star Wars movies were re-envisioned for a new generation.
The Scavenger and the Stormtrooper: A Conversation with Daisy Ridley and John BoyegaThe two new stars share the thrill of working together on the adventure of a lifetime and becoming part of the Star Wars
Inside the ArmoryTake a fascinating tour through the design and creation of the weaponry in Star Wars: The Force Awakens.
Classic Bonus Features These offerings from the April release of Star Wars: The Force Awakens, include the complete story behind the making of the film, an unforgettable cast table read, insights from legendary composer John Williams and deleted scenes, as well as features that dig deeper into the creation of new characters such as BB-8, the design of the climactic lightsaber battle between Rey and Kylo Ren, the film’s remarkable digital artistry and the Star Wars: Force for Change global aid initiative.
Some say Ethan Hawke was Born to Be Blue. Of sorts. Hawke portrays (quite wonderfully) jazz legend Chet Baker in Born to Be Blue (IFC Films). In the ’50s, Baker was one of the most famous trumpeters in the world, renowned as both a pioneer of the West Coast jazz scene and an icon of cool. By the ’60s, he was all but washed up, his life in shambles due to years of heroin addiction. In his innovative anti-biopic, director Robert Budreau zeroes in on Baker’s life at a key moment in the ’60s as the musician attempts a hard-fought comeback, spurred by a passionate romance with a new flame (portrayed by Carmen Ejogo).
“I didn’t want some pretend jazz movie in a black turtleneck,” says Hawke. “To me, it’s about the music, the person, the period, the place. Look at the nineteen fifties–they have their own charisma and feel, from the cars to the music to the energy. I find it all tying together to create this special time.”
Time was not Baker’s friend. Hooked on heroin in 1957, his career died after Baker was involved in a drug deal gone so wrong a brutal beating knocked his teeth out. He couldn’t play anymore,” adds Hawke, “until he learned to play with dentures.”
When Prince tragically passed away in April, he left behind a legacy as a singer, songwriter, multi-instrumentalist, record producer and actor. To commemorate the wildly talented icon, musical innovator and seven-time Grammy-winner behind such chart-topping hits as “When Doves Cry,” “Let’s Go Crazy,” “Raspberry Beret,” “Purple Rain” and “Little Red Corvette,” Time Life has released a special, limited-edition of the recently released vinyl album, Rock & Roll Hall of Fame Live – Volume 1.
The initial pressing of the album, released on April 29, immediately sold out and rose to #13 on Billboard‘s Vinyl Album chart. The new pressing, which features Prince’s blistering and unforgettable guitar solo on “While My Guitar Gently Weeps” from his 2004 Rock & Roll Hall of Fame induction, will be highlighted by purple vinyl in honor of the influential star. It went on sale today at a suggested retail price of $25.98 wherever vinyl albums are sold.
“Following Prince’s passing, we recognized that we needed to do something truly special to commemorate his incredible musical legacy,” says Jeff Peisch, SVP of New Product Development & Marketing for Time Life. “When the first run of Rock & Roll Hall of Fame Live sold out immediately, the opportunity presented itself to do a purple vinyl pressing that perfectly captures the ‘Purple One,’ and is sure to resonate with those who loved his music and style.”
Time Life and the Rock and Roll Hall of Fame have digitally released the filmed performance of “While My Guitar Gently Weeps,” from an evening featuring Prince’s own induction by a 23 year-old Alicia Keys. Prince’s three-minute-long blistering solo went viral following his death, and has now entered into legend. Prince fans and music lovers searching to own the filmed performance can now go to iTunes to download the music video for just $1.99.
Rock & Roll Hall of Fame Live – Volume 1 is a selection of the most memorable moments from induction ceremony history, featuring the biggest names in rock performing in combinations not seen anywhere else. This 180 gram vinyl “ticket” is a front-row seat to the very best the Rock & Roll Hall of Fame induction ceremonies have to offer.
Aside from “While My Guitar Gently Weeps,” which also features Tom Petty, Jeff Lynne, Steve Winwood and Dhani Harrison, the release includes performances from legendary talents like Bruce Springsteen & the E Street Band, Cream, Steve Winwood, Metallica, Jeff Beck, Jimmy Page, Ron Wood, Joe Perry, Green Day, James Taylor, Al Green, Chuck Berry and more.
Jam-filled performances of chart-busters like “Johnny Be Goode,” “Tenth Avenue Freeze Out,” “A Change is Gonna Come,” “Train Kept a Rollin,'” “Ironman,” “Woodstock,” “Blitzkrieg Bop” and “Can’t Get No Satisfaction” make this volume a must-have for any LP library.
Everyone knows vinyl is making a 180-gram comeback, but for the record, there’s a new collectible music mavens and vinyl devotees must own: Rock & Roll hall of Fame Live – Volume 1. For over a quarter century, rock and roll’s biggest stars have gathered on one special evening for an exclusive party: The Rock and Roll Hall of Fame induction ceremonies. Honoring music’s most influential figures with the most prestigious of awards, it’s also an evening where both artists and fans celebrate rock and roll with once-in-a-lifetime performances. For the first time on vinyl, Time Life has pressed a selection of the most memorable moments in the history of the induction ceremony, previously only available in digital and physical formats.
This release includes performances from legendary talents like Bruce Springsteen & the E Street Band, Cream, Jeff Lynne, Steve Winwood, Metallica, Jeff Beck, Jimmy Page, Ron Wood, Joe Perry, Tom Petty, Green Day, James Taylor, Al Green and Chuck Berry. Unforgettable collaborations occur on this volume, such as Tom Petty paired with Prince, and Mick Jagger paired with Bruce Springsteen. Jam-filled performances of chart-busters like “Johnny Be Goode,” “Tenth Avenue Freeze Out,” “A Change is Gonna Come,” “Train Kept a Rollin,'” “Ironman,” “Woodstock,” “Blitzkrieg Bop,” “Can’t Get No Satisfaction,” and a show-stopping performance of “While My Guitar Gently Weeps,” make this volume a must-have for any LP library. Volumes 2 and 3 will roll out though this the year, allowing fans to collect even more of these beloved performances on vinyl. Additionally, the net proceeds go to The Rock and Roll Hall of Fame Foundation, which supports the exhibits and educational programs of The Rock and Roll Hall of Fame and Museum.
There’s something funny about Justin Bieber. We’ll star with this bon mot: He has no talent. On the other hand, Andy Samberg is funny. In Popstar: Never Stop Never Stopping , a mockumentary about a former boy-band member trying desperately to salvage his failing solo career (think Bieber), he is fucking funny. If you miss the flick in your local theatre, the film comes to Digital HD on August 16, On Demand on August 30, and Blu-ray and DVD on September 13. You can thank Universal Pictures Home Entertainment for this side-splitting comedy.
We won’t give away too much, but Popstar: Never Stop Never Stopping goes behind the scenes as music sensation Conner4Real (Samberg), the breakout star of a popular but disbanded hip-hop group, finds his popularity plummeting after a disastrous album release, leaving his fans, sycophants and rivals all wondering what to do when he’s no longer the dopest star of all . . just as he launches a highly publicized solo tour.
It’s funny because SNL alums Andy Samberg, Akiva Schaffer and Jorma Taccone (the comedy collective known as The Lonely Island) wrote the screenplay, a razor-sharp, music-filled send-up of pop celebrity chronicles the exploits of the lovably egotistical singer-rapper (and his 32-person entourage) as he attempts to win back the hearts of his once-adoring fans. The trio also produced the film, along with comedy mastermind Judd Apatow.
And oh! Popstar co-stars a who’s who of comedy superstars, including Sarah Silverman, Tim Meadows, Maya Rudolph, Joan Cusack, Imogen Poots, Chris Redd, Bill Hader, Kevin Nealon and Will Arnett. And there are laugh-out-loud cameos from such music-world VIPs as Justin Timberlake, Adam Levine, Pharrell Williams, Carrie Underwood, DJ Khaleed, Seal, P!nk, Nas, , Usher, Snoop Dogg, 50 Cent, Ringo Starr, , Simon Cowell, Questlove, Mariah Carey, RZA, T.I., and “Weird Al” Yankovic.
Could this be the life story of Bieber? Never say never.
He may still be looking for love in all the wrong places, but Lee Greenwood is in love with his latest job: The 73-year-old country crooner has become an Ambassador for the DAV (Disabled American Veterans), a non-profit charity that provides support for America’s ill and injured veterans.
Greenwood, who was recently named one of Billboard’s 100 Greatest Country Artists of All Time, performed his most recognizable patriotic song, “God Bless the USA,” for 4,000 DAV members at the closing ceremonies of the DAV National Convention in Atlanta on August 3. The event marked the start of Greenwood’s official partnership with DAV.
“It was an exciting night at the DAV National Convention in Atlanta,” says Greenwood. “These proud men and women are dedicating their lives after military service to help those who are struggling to fit back into civilian life. They address the challenges of all wounded veterans head on and give hope to each soldier who otherwise might not survive.”
A known champion of military and veteran causes, Greenwood will work with DAV to bring much-needed attention and support to the needs of the country’s 22 million veterans, their families and survivors. His ambassadorship will include support of many DAV campaigns, including Keep the Promise and Thank a Vet.
Coos said DAV National Adjutant Marc Burgess: “Mr. Greenwood has shown a deep and abiding respect for our nation’s service members and veterans, and we could not be more thankful for his support. Our members were absolutely thrilled to hear him perform, and appreciate his patriotism and genuine gratitude for those who served. He is greatly admired within the veteran community and we look forward to working closely with him as advocates for our nation’s heroes.”
Want to thank Greenwood yourself? Catch him at one of his gigs; we share his concerts dates across below.
Aug. 7 NFL Pro Football Hall of Fame Game – Canton, Ohio Aug. 26 Pentagon Auditorium – Washington, D.C. Aug. 27 Donna Dean’s Old Dominion Barn Dance – Highland Springs, Va. Aug. 31 Chuckwagon Races – Clinton, Ark. Sep. 2 The Sweet Corn Festival – Millersport, Ohio Sep. 3 Freedom Hall – Louisville, Ky. Sep. 9 SCI Kiwanis Balloon Fest – Bloomington, Ind. Sep. 10 Bristol Racetrack – Bristol, Tenn. Sep. 11 Frederick Brown Jr Amphitheatre – Peachtree City, Ga. Sep. 15 Mass Comm Bldg – Clarksville, Tenn. Sep. 16 Plaza Theater – Glasgow, Ky. Nov. 1 Wagner Noel Performing Arts Center with Crystal Gayle – Midland, Tex. Dec. 1 FireKeepers Casino Hotel Event Center – Battle Creek, Mich. Jan. 21, 2017 Meadow View Conference Resort & Convention Center – Kingsport, Tenn. Jan. 27 Country Music Cruise – Tampa, Fl. Feb. 25 Orange Blossom Opry – Weirsdale, Fl.
Eric Clapton devotees have reason to clap . . . wildly applaud actually . . . now that we’re spilling the beans: EC’s latest CD, Live in San Diego With Special Guest JJ Cale, will be offered as a 2-CD set or 3-LP vinyl set and digital album, will be released September 30 on Reprise/Bushbranch Records.
Fans who pre-order the album from Ericclapton.com will receive the track “Anyway the Wind Blows” instantly and two additional songs in advance of the release date. The 180-gram version of the vinyl is exclusively available at the website, as well as a T-shirt and album bundle.
A live video of Clapton and Cale performing “Anyway The Wind Blows” from San Diego is available now at YouTube.com/EricClapton.
Recorded at Clapton’s March 15, 2007 performance at the iPayOne Center in San Diego, CA, this concert was part of a world tour that was much loved by Clapton fans and featured a stellar band that included guitarists Derek Trucks (now of the Tedeschi Trucks band) and Doyle Bramhall II. The two-hour San Diego concert was a highlight of the tour as it featured JJ Cale as a special guest on five tracks (including “After Midnight” and “Cocaine”), as well as Robert Cray on the final song of the record, “Crossroads.”
After successfully covering several JJ Cale songs over his career, Clapton finally collaborated with Cale in 2006 on the original album Road to Escondido. At the time, Clapton said: “This is the realization of what may have been my last ambition, to work with the man whose music has inspired me for as long as I can remember.”
So it is fitting that one year later, Cale joined Clapton on stage for this special concert where they performed five songs together – underlining the mutual respect the two musicians had for each other.
The concert features a set list from across Eric’s career. Notably, it includes songs from Eric’s classic Derek and the Dominos album Layla, with Derek Trucks playing many of Duane Allman’s original guitar parts.
A rolling stone gathers no moss, but The Rolling Stones gathers honors and hosannas, awards and accolades. But did you know there’s a “secret” chapter in their long history? Let us roll out the news about New Barbarians: Outlaws, Gunslingers and Guitars, the first-ever history of a band that has attained cult status among Stones fans. In 1979, Rolling Stones lead guitarist Ron Wood founded the New Barbarians to tour behind his solo album Gimme Some Neck. The group’s all-star lineup included Keith Richards, jazz bassist Stanley Clarke, former Faces keyboardist Ian McLagan, Stones confederate and saxophonist Bobby Keys, and drummer Joseph “Zigaboo” Modeliste from the Meters. The band’s life was short-lived: It was formed in 1979, toured only 20 dates and played its final concert in 1980 . . . gone, but not to be forgotten.
Fans will finally learn the untold story of this legendary cult band and how it helped Keith get through his heroin addiction following his infamous drug bust in Toronto, but they have to wait until Rob Chapman’s opus is released by Voyageur Press in October 1. The inside scoop is all recounted through never-before-seen photography and in-depth, behind-the-scenes interviews. The book offers an intimate look at the brief history of a band that built a cult following in record time. In addition, included with the book is a 10-track New Barbarians CD, featuring tracks from their 1979 tour.
Though Wood put together the band in 1979, in a roundabout way, the Barbarians’ story begins with Keith Richard’s infamous drug bust in Toronto in February 1977. Unlike Keith’s other brushes with the law due to drugs, this time it looked highly likely that Canadian authorities were going to put him in prison for a very long time–possibly for life. In the end, after nearly two years of limbo, hand-wringing and legal battles, Keith was allowed to serve his sentence by enlisting both the Barbarians and the Stone into playing two charity shows in Oshawa, Canada, on April 22, 1978.
Ultimately, the Barbarians helped pay Keith’s debt to society, but the band and tour did more than that, according to author Chapman. “The Barbarians were more than a band for Ronnie to tour with–they were a sanctuary for Keith,” he says. “In addition to the legal limbo he was also in the midst of kicking heroin.” Indeed, as Keith once said, “the Barbarians saved my life.” From the tour rehearsals in Los Angeles to each of the tour dates, Ronnie and the Barbarians provided the perfect vehicle for Keith to recover and revive himself.
The band became known for it’s members and music, but it also gained notoriety for events such as the riot at the New Barbarians’ first concert in Milwaukee-when the “special guests” did not appear during the show—to craziness at their last show. This and more wild, rollicking stories are detailed with behind-the-scenes anecdotes, interviews with band members and crew members, as well as dirt about its famous tour, plus background on how the group influenced future Stones music.
In addition, there are more than 300 amazing photos by over a dozen noted rock photographers. Included are behind-the-scenes and candid shots of the rehearsals, the shows and backstage babble.
Petrucelli Picks the best in books, music and film . . . and then some