Category Archives: Music

Need to feel good? Meet Wilko Johnson, one of the founding influences of the English punk movement

In a jam because you are too embarrassed to admit you;ve never heard of Wilko Johnson? Don’t feel good?

Here’s what Peter Weller has said of Johnson: “Wilko may not be as famous as some other guitarists, but he’s right up there. And there are a lot of people who’ll say the same. I can hear Wilko in lots of places. It’s some legacy.”

Never heard of Weller? Get the hell out of here.

Continuing his association with the reactivated Chess imprint, the label that issued so many of the tunes that inspired him in his youth, I Keep It To Myself-The Best of Wilko Johnson draws together 25 tracks recorded between 2008 and 2012 by the legendary guitarist and songwriter. The tracks are backed mostly by Blockheads Norman Watt-Roy (bass) and Dylan Howe (drums), the same rhythm section that performed on Wilko’s enormously successful Going Back Home album with Roger Daltrey. The two-disc CD releases on February 24.

Including re-workings of Wilko penned Dr Feelgood favorites “She Does It Right”; “Twenty Yards Behind’”; “Sneaking Suspicion” and “Roxette’” alongside further dynamic numbers such as “Turned 21”; “Some Kind Of Hero”; “Out in the Traffic”; “I Really Love Your Rock ‘n Roll”– I Keep It To Myself-The Best of Wilko Johnson is a splendid collection of high octane rhythm and blues with that unmistakable Johnson Fender greatness stamped all over it. Songs that are sung from the heart and played from the soul.

The video is a bit shaky . . . perhaps the person filming it was simply too excited.

He sings of many things; of water, of lust, of despair. He sings about fortune tellers and drug dealers. He sings of lovers, crazy lovers, wonderful lovers, and love gone bad.

And then he writes a song such as “Turned 21”, which has little to do with the blues or this genre or that genre, but is just a great song, raw, rough and affecting.

And you think to yourself: So that’s Wilko Johnson!

2CELLOS make the “Score” with their new CD, a tribute to great film scores

We’ve always thought things that come in pairs are doubly delightful. Abbott and Costello, Rodgers and Hammerstein, Dolly Parton.

Witness the genius of 2Cellos, music’s most electric and dynamic instrumental duo. They  go to the movies on their new Portrait/Sony Music Masterworks album Score, available March 17. Bringing 2Cellos’ game-changing sound and style to the most popular melodies written for classic and contemporary movies and television, Score will be supported by a world tour, kicking off with its U.S. leg this summer. The new video for Game of Thrones is out now–enjoy.

An international sensation since their unique video version of Michael Jackson’s “Smooth Criminal” rocked YouTube with millions of hits in 2011, the Croatian cellists Luka Sulic and Stjepan Hauser have created three albums for Sony Music Masterworks. Score finds them exploring a more traditional sound-world. Joining them here–to provide the ideal aural backdrop to their virtuosity–is the London Symphony Orchestra, with conductor/arranger Robin Smith at the helm.

“We love movie music,” says Stjepan. “This album represents some of our favorite pieces of music by our favorite film composers. Having the opportunity to arrange them for cello whilst working with the world class London Symphony Orchestra has been a dream come true.” The duo say that they choose songs that could be adapted into covers playable on only two cellos.  

Score opens with an arrangement of Ramin Djawadi’s melodies that score Game of Thrones, culminating in the bold Main Title theme, in which the stirring sound of cellos announces each of what may be the most eagerly awaited episodes in contemporary television.

Themes that drove some of the biggest epics in movie history are also featured in fresh new treatments–favorite Oscar-winning themes from James Horner’s score for Titanic (“My Heart Will Go On”); John Williams’ score for Schindler’s List; Vangelis’s score for Chariots of Fire; as well as “For the Love of a Princess” from Braveheart; “May It Be” from The Lord of the Rings: The Fellowship of the Ring”; and the inspiring “Now We Are Free” from Gladiator.

The vocal beauty of the cello’s sound is a perfect match for a brace of romantic themes. They include the Henry Mancini/Johnny Mercer song “Moon River” from Breakfast at Tiffany’s; Ennio Morricone’s beautiful themes for Cinema Paradiso and Malena; Nino Rota’s love theme for The Godfather; Francis Lai’s Oscar-winning theme from Love Story; Hans Zimmer’s theme from Rain Man; and Stanley Myers’ haunting “Cavatina” heard in The Deer Hunter.

2Cellos have forged a signature style that breaks down the boundaries between genres of music, from classical and film music to pop and rock. As impressive when playing Bach and Vivaldi as they are when rocking out, Sulic and Hauser know no limits when it comes to performing live. They have sold out shows around the globe and also performed with Sir Elton John as part of his band, as well as opening his shows to rapturous acclaim.

2Celloswere the first instrumentalists to be featured on Glee. They have also appeared multiple times on The Today Show and The Ellen DeGeneres Show in addition to The Tonight Show, The Bachelor Live Wedding Special among others.  Their self-titled debut album, In2ition and Celloverse are available on Sony Music Masterworks.

 

Idina Menzel and Nia Long star in a Lifetime remake of the sob story “Beaches”

You gotta have friends. Sometimes you gotta have remakes. It will be interesting if Idina Menzel and Nia Long can stir up more (read = better) memories and deeper sobs when they star as lifelong best friends in the remake of the Bette Midler-Barbara Hershey flick Beaches. The new flick, an Original Lifetime movie, premiers on Saturday, January 21 at 8 p.m. (ET/PT).

https://youtu.be/NuKOIHqPuWM

Want an earlier taste? Warner Bros. Records.  has already released a five-song soundtrack EP performed by Menzel. The disc features new takes on the classic songs “Wind Beneath My Wings” and “The Glory of Love,” as well as “I Can Hear the Music,” “I’ll Stand by You,” and “Last Time” recorded specifically for the movie. 

In this contemporary remake, Beaches follows the serendipitous meeting of two young girls on the Venice Boardwalk, who, though worlds apart in lifestyle, embark on an unexpected and lifelong friendship. CC (Menzel) is an aspiring singer trying to make it in Los Angeles until she is discovered by a director who gives her her first big shot. Hillary (Long) is the daughter of a prominent civil rights lawyer who struggles to find her own destiny. Their friendship—even with its ups and downs—sustains them for decades.

What does Bette think? She’s too busy preparing for the Broadway run of Hello, Dolly!,  revival opening in March and long sold-out.

Judy Collins offers the perfect Valentine’s treat: “A Love Letter to Stephen Sondheim”

We cannot think of a better Valentine’s Day gift, even if it won’t be released until February 24. Judy Collins takes the audience through Stephen Sondheim’s remarkable treasure trove of music, interweaving stories of Broadway with her personal anecdotes in A Love Letter to Stephen Sondheim (MVD Entertainment Group). The musical treat was filmed in May 2016 at the Boettcher Concert Hall in Denver, Colorado.https://youtu.be/jpG5FDAE7ow

“I have loved the songs and the shows of Stephen since recording ‘Send in the Clowns’ on my album Judith in 1974,” says Collins. (Her take on the tune earned Sondheim his only chart-topping song.)

“My version of the great Sondheim ballad garnered a Grammy, the top ten slot in Billboard twice in a decade, and is still played on the radio all over the world. Ever since the success, I have longed to sing the rest of Sondheim’s greatest songs. Now, I have the opportunity do to that. These songs glow with familiarity and inhabit the rooms and vistas of all our lives, scenes and melodies from A Little Night Music, Sweeney Todd, Sunday in the Park with George, Company, Merrily We Roll Along and Into the Woods. I pray to do justice to these great songs, and to their composer, one of our national treasures: Stephen Sondheim.”

All orchestrations are by Jonathan Tunick, who has been orchestrating Stephen Sondheim’s musicals for decades. Tunick’s genius orchestration were used by Collins for her “Send in the Clowns.”

“Leonard Cohen: I’m Your Man” celebrates the legacy of the singer and cultural icon

Celebrate singer-songwriter, poet and cultural icon Leonard Cohen, when the fascinating and critically acclaimed documentary, Leonard Cohen: I’m Your Man, arrives for the first time on Blu-ray (plus Digital HD) from Lionsgate. The 2015 film, narrated by Cohen himself, is based on Came So Far for Beauty, the January 2005 tribute that was held at the Sydney Opera House.

The documentary features performances of Cohen songs by such luminary artists as U2, Rufus Wainwright, Nick Cave, Jarvis Cocker, Antony, Martha Wainwright and Beth Orton. Bonus: Cohen’s former back-up singers Perla Batalla and Julie Christensen appear as special guests. Yet another bonus: The end of the film includes a performance by Leonard Cohen and U2, which was not recorded live, but filmed specifically for the film at Manhattan’s Slipper Room in May 2005. Think of this as a free concert, at which you can sit thisclose.

What did you say? You want more bonuses? The Blu-ray include exclusive performances not seen in the theatrical release: Tunes by Martha Wainwright,  Batalla, The Handsome Family and Teddy Thompson. There’s also a conversation with Cohen and audio commentary with director Lian Lunson. And what timing: Nab the flick on February 7, just before the 2017 Grammys are handed out. Music to our ears . . . and eyes! Want even more? A soundtrack CD is available from Verve.

Morphine remains addictive. Join them for a “Journey of Dreams”

Morphine can be addictive. It’s a drug of choice. When it comes to “low rock,” the Boston-born band Morphine blazed like a comet across the international music scene in the ’90s, rising from local small clubs to indie and major label record deals, high and wide critical acclaim, and packed shows until their untimely demise.

The trio’s unique and mesmeric sound continues to resonate with its fans and music lovers as the group ascends to legendary if not iconic status. The documentary Morphine: Journey of Dreams  (MVD Entertainment Group) is the definitive, in-depth tale of this unique musical act’s compelling career and life together and their resonant musical creativity.

Journey of Dreams  doesn’t just get behind the music, but inside the band as its story is primarily told by the trio’s surviving members, saxophonist Dana Colley and drummers Billy Conway and Jerome Dupree, plus the close-knit familial coterie that worked with them as well as Sandman’s girlfriend Sabine Hrechdakian.

It’s punctuated by incisive commentary and observations from such friends and admirers of the group as Henry Rollins, Joe Strummer and Steve Berlin of Los Lobos. A wealth of live performance footage gathered from across Morphine’s career recalls and amplifies the band’s innovative yet at the same time classic, timeless and “beautifully bottom-heavy” sound, as Rolling Stone (the mag, not the Mick) praised it.

Viewers ride and fly along with the hard- touring band’s road experiences, vibrantly brought to life as Colley reads from his tour diaries at key points in the film as well as through his accompanying Polaroid pictures and Super 8 films.

Journey of Dreams is not just a tale of music business struggle, triumph and tragedy, but also a love story (among its members and team as well as Sandman and Hrechdakian) as well as an adventure, drama, travelogue, and something of a roller coaster ride. When all is told, an evocative and loving tribute to a rock band that was like no other.

Addictive.

Don’t think twice, it’s all right: “50 Years with Peter Paul and Mary” is essential

The answer, my friend, is blowin’ in the wind.

I have such cherished memories of spending time with Mary Travers throughout the years. Then, on September 16, 2009, one day before my birthday, something happened to Mary: She died.

Now Peter and Paul, apostles of folk music, continue the legacy.

50 Years with Peter Paul and Mary  (MVD Entertainment Group) is a new documentary by four-time Emmy-winning producer/director Jim Brown that focuses on portions of the trio’s career not included in previously aired PBS specials. This program features rare and previously unseen television footage including a BBC program from the early ’60s that embodies many of the trio’s best performances and most popular songs.
This is Peter Paul and Mary at the peak of their artistry, a time when this popular and influential trio dominated the Billboard music charts.  From the group’s emergence in Greenwich Village, to the Civil Rights and Antiwar era of the 1960s, through the decades of their later advocacy and music, to Mary’s moving memorial, and finally to the present, where their legacy continues to inform and inspire successive generations, this far deeper and more intimate exploration of the trio reveals the impact of their artistry and activism on their generation and the world. Celebrate the trio whose anthems provided America’s soundtrack for generations. And still do.

Bazillion Points offers two hardcore books that appeal to punks, morbid angels and misfits

And we thought we knew all the publishing companies.

A random house that offers “the most authentic, detailed and sought-after books about Nirvana, Metallica, AC/DC, Black Flag, NYHC, California punk, Norwegian black metal, Swedish death metal, and much, much more”: Bazillion Points Books. The company, that calls itself “America’s smallest but heaviest book publisher”,  has expanded its comprehensive library with two essential new offerings from the world of horror punk/hardcore and death metal/grindcore.

No, George Michael and Madonna won’t be here. The books are no minor threats, simply improved editions of two cult books that deal authoritatively with matters near and dear to all dark hearts.

Misery Obscura: The Photography of Eerie Von ($29.95)
Beginning as the unofficial photographer for punk legends the Misfits and later taking charge of the bass guitar as a founding member of underground pioneers Samhain and metal gods Danzig, Eerie Von captured the dark heart of rock’s most vital bleeding edge during a time when rock and roll was not only dangerous, but downright menacing. Hundreds of “fly-on-the-wall” photos from the best seats in the house document everything from the Misfits’ humble beginnings in Lodi, New Jersey, to the heights of Danzig’s stadium-rock glory.  There are forewords by Lyle Preslar aned Mike D’Antonio; the book ships with a signed 8×10 full-cover lobby card.
Metallica’s lead guitarist coos: “Misery Obscura has an amazing fly-on-the-wall feel that is mesmerizing but unequivocal. He puts me right back in the 1980s, in the same space where the Misfits and Samhain were.”

Choosing Death: The Improbable History of Death Metal & Grindcore ($29.95)
Albert Mudrian’s widely praised blow-by-blow history of metal’s most relentless strains was first published in 2004. Picking up the gruesome path over a decade later, Mudrian leaves no tombstone unturned, delivers three new chapters, and expands existing material with the results of 50 new interviews. Brutal new 16-page color section features raw, bloody early photos of Death, Repulsion, Obituary, Deicide, Morbid Angel, Thanatos, At the Gates, Napalm Death, Carcass, Dismember, Nihilist, and many others. There are forewords by Scott Carlson of Repulsion and BBC DJ John Peel; the book ships with free limited color woven patch. Coos  Napalm Death (dis)member Shame Embury: “Albert Mudrian, our disciple of all that is heavy and extreme, definitively documents this period of blissful cacophony for all to behold. Play fast or die!”

Visit bazillionpoints.com . . . if you dare.

 

 

Skip the New Year’s bubbly. Head straight for the “Fresh Cream.”

A most musically way to begin the New Year: The deluxe edition UMe release of Fresh Cream, the debut album by the British, blues boom power trio, Cream.

The 3-CD + 1 Blu-Ray audio disc come housed in a gatefold sleeve within a rigid slipcase and includes a 64-page hardback book, featuring new sleeve notes by respected Rolling Stone writer David Fricke. The set comprises various alternate and new stereo mixes plus several, previously unreleased BBC sessions. A special six-album 180g vinyl edition of Fresh Cream will also be released in April.

Can you name who was who?

Originally released in 1966, at the height of the UK blues bloom, Fresh Cream showcased the not inconsiderable talents of three of the then music scene’s brightest lights: Eric Clapton, fresh from John Mayall’s Bluesbreakers; drummer, Ginger Baker, straight from the Graham Bond Organisation; Jack Bruce who, at the time, had just left Manfred Mann. Collectively the three had decided to give up their roles as much sought after sidemen to form their own super group.

Coming together as Cream in the early summer of 1966, the trio moved at impressive speed to make the release of Fresh Cream in December of the same year. Highlights include the racing harmonica work-out and the call and response excitements on Muddy Waters’ “Rollin’ and Tumblin’”; a spine-tingling vocal on the Willie Dixon classic, “Spoonful”; as well as the self-penned “Sleepy Time Time”, which gave Clapton a free hand to wake up all and sundry. Their rousing treatment of the traditional standard, “Cat’s Squirrel” alerted listeners to just how well Clapton, Baker and Bruce musically complemented each other.

 

A slice of humble pie? New book takes a trip through the history of Faces

Let’s face it: The Faces had quite a life. They were an English rock band formed in 1969 by members of Small Faces after lead singer/guitarist Steve Marriott left that group to form Humble Pie. The remaining Small Faces—Ian McLagan (keyboards), Ronnie Lane (bass guitar) and Kenney Jones (drums and percussion)—were joined by Ronnie Wood (guitar) and Rod Stewart (lead vocals), both from the Jeff Beck Group, and the new line-up was renamed Faces.

Whew!

Now, the definitive story of one of Britain’s best-loved bands has found a groove. Had Me a Real Good Time: Faces, Before, During and After (Overlook Omnibus, $29.95) by music journalist Andy Neill examines the Faces as never before, exploring their roots and contribution to 70’s rock and beyond.

Formed in 1969 from the remnants of the Small Faces and the Jeff Beck Group, Rod Stewart, Ron Wood, Ronnie Lane, Ian McLagan and Kenny Jones presented a uniquely authentic musical act at a time when aestheticized disco and glam rock were in vogue. With lead singer Stewart’s raspy voice and the band’s unpretentious, direct approach to music, the famously madcap Faces cultivated both their own brand of rock and a worldwide following.

Updated to include a chapter on the legacy of keyboard player MacLagan (who died in 2014) the book provides the most comprehensive account of the Faces from their working class upbringings in Britain, through hits such as “Stay with Me,” and into their illustrious solo careers, including collaborations with the Rolling Stones, Bob Dylan, and Joe Cocker. Neill synthesizes original research and first-hand interviews to form this immersive account of the distinctive group.

Rod Stewart is a big fan of the book: “It’s amazing,” he says. “It’s got a huge amount of information.”