Simon & Schuster is doing a pretty good job when it comes to the meat of Howard Stern’s new book private, as in private parts. The price is known ($35, retail) and the cover as well. And, of course, one important fact: Howard Stern Comes Again is his first book in more than 20 years and hits shelves andamazon.com May 14.
Private Parts, published in 1993, was (at that time) the fastest-selling book in the history of Simon & Schuster. When the first-printing of 250,000 copies sold out in just a few hours, a second printing of 600,000 copies was ordered. Within two weeks the book would be in its eighth printing, for a total of more than one million copies. So great was the demand that 10,000 people turned up for a signing at the midtown Barnes & Noble, creating a massive traffic jam in which Stern himself was trapped, effectively shutting down Fifth Avenue.
Private Parts went on to spend 20 weeks on the New York Times bestseller list—all the more remarkable considering that several national accounts refused to sell the book.
Stern’s follow-up, Miss America, released in 1995, sold even faster. Barnes & Noble recorded 33,000 sales on publication date—a one-day record for the chain at that time. 15,000 people showed up for a signing at a Borders Books & Music in Los Angeles. Miss America spent 16 weeks on the New York Times bestseller list.
“I’ve been waiting two years for this book to be finished, because Howard Stern told me to be patient,” says Jonathan Karp, Publisher of Simon & Schuster. “It was well worth the wait. Howard Stern Strikes Again is certain to be one of the most entertaining and widely read books of the year.”
Stern, when asked to comment, offered “Fuck Hemingway! I put my heart and soul into this book and could not be more proud of it.”
Everything old is new again. An important move by First Run Features, who are proud to announce the theatrical re-release of the legendary documentary Before Stonewall on June 21 in New York and June 28 in Los Angeles, with other cities to follow. Fifty years after the riots gave birth to the modern lesbian and gay liberation movement, and with substantial progress made, LGBTQ Americans still find themselves fighting on many fronts for full equality, in the U.S. and around the world. Before Stonewall offers a potent reminder of what life was like for LGBTQ people before that extraordinary event.
In the early morning hours of June 28, 1969, the police raided the Stonewall Inn, a gay bar in New York City’s Greenwich Village, leading to three nights of rioting by the city’s gay community. With this outpouring of courage and unity the gay and lesbian liberation movement had begun.
Before Stonewall pries open the closet door, setting free the dramatic story of the sometimes horrifying public and private existences experienced by LGBT Americans since the early 1900’s. Revealing and often humorous, this widely acclaimed film relives the emotionally-charged sparking of today’s gay rights movement, from the events that led to the fevered 1969 riots to many other milestones in the brave fight for acceptance.
Experience the fascinating and unforgettable, decade-by-decade history of homosexuality in America through eye-opening historical footage and amazing interviews with those who lived through an often brutal closeted history. The theatrical re-release of Before Stonewall is a chance for audiences to experience this eye-opening film on the big screen, with an audience, the way it was meant to be seen.
Narrated by iconic author Rita Mae Brown, the film features stirring interviews with pioneering cultural figures and activists including Audre Lorde, Allen Ginsberg, Harry Hay, Richard Bruce Nugent, Frank Kameny and Barbara Gittings.
Everyone is intrigued by big cats, but how much do we really know about them? In Nature: Super Cats (PBS Distribution), viewers get a never before seen glimpse into the lives of these wild creatures. Presented in three parts, this series uncovers the secret lives of wild cats with groundbreaking technology, never used before to film our feline friends.
Filmed over a span of 600 days in 14 different countries, this program features 31 cat species, including the Iberian Lynx, the Margay from Central and South America, and the deadliest cat of them all, Africa’s Black-Footed Cat.
Super Cats also reveals the social sides…their complex communication, devoted parental care, courtship rituals, hunting patterns and more. Remote cameras and low-light technology help capture rare moments in the lives of wildcats including a swamp tiger taking a bath in the sea, never before revealed on screen.
The three episodes included in the program are:Extreme Lives, where we meet the planet’s ultimate cats, including the Cheetah, the Snow Leopard, the Canada Lynx, and the African Leopard. Using the latest scientific research, we are exposed to the inner life of these cats like never before. In episode two, Cats in Every Corner, we discover how cats thrive in almost every landscape on earth from the wetlands of Asia to the world’s oldest desert in Africa to the forest of Central America and in the secluded beaches of California. Episode three, Science and Secrets, reveals how new approaches and technologies are helping to uncover some of cats most intimate secrets including the cheetah’s remarkable gymnastic abilities and why lions are able to hunt so cooperatively.
Narrated by Oscar winning actor F. Murray Abraham, (“Amadeus”) “NATURE: SUPER CATS” unveils the various lives these creatures lead from the solitary bachelor snow leopard in the Himalayas to the elusive swamp tiger of South Asia. It follows exquisite predators such as one exceptional Californian bobcat, blind in one eye yet able to capture airborne prey.
Jane Fonda is 81 years old and looks 55. Plastic surgery? Probably, but her doctor is really really good . . . not like the work done on Lily and Dolly, whose doctors worked way beyond 9 to 5.
Yet much of Fonda’s great looks and shape are the result of decades of working out, feeling the burn, sweating to the oldies. She was the first Big Name to make exercise tapes (remember those?), and now, Lightyear Entertainment, in partnership with Fonda, Inc., has released those workouts on DVD, released in the U.S. and Canada through MVD Distribution.
“Who knew that this many years later people would still be doing The Workout, but they are!,” coos Fonda.”
Arnie Holland, President of Lightyear, adds, “The five DVDs we released in 2015 and the Boxed Set have been selling extraordinarily well and steadily for the past three years. We are delighted that Jane Fonda and Warner Bros. have agreed to allow us to release more of these programs, which changed the face of the home video business when originally released. They set unheard of sales records, dominated the sell-through charts for more than a decade, and changed American culture.”
Some consider him the “offspring of Fu Manchu.” Margaret Cho commissioned him to paint her portrait in her blood.
Welcome Bloodlines: The Art and Life of Vincent Castiglia, a film focusing on artist Vincent Castiglia’s painful life of abuse, addiction and recovery while also exploring the reasons why the world renowned artist paints exclusively in human blood.
Castiglia paints surreal images exclusively in human blood. He began doing so as form of self-healing following a troubled childhood and painful existence. From darkness, however, came light, and Castiglia’s story is one of inspiration and hope, providing proof that art can heal and serve to inspire others.
Cho is interviewed in the film as well as celebrities Gregg Allman, Damien Echols, Kerry King and Gary Holt of the heavy metal band Slayer, record executive Michael Alago and numerous others including filming in the studio and museum of legendary artist H.R. Giger, who designed the iconic creature for the Alien movies.
I had forgotten that I saw this flick way back when, back when there was a bunch of films about women using s-e-x to kill men who violate them, in more ways than one. Except lots of oodles of gratuitous nudity, tits everywhere, and blood spurting by the gallons. The film made have been made in 1996, but it’s prime, lurid ’80s expliotation . . . which means it’s great!
Actress Delawna McKinney stars as Mila, a porno star who decides to leave all that X-rated stuff behind. (No pun intented
. . . or is there?) Mila wants to leave the porn industry but gets kidnapped by a militant misogynist sect known as The Sword. These are dudes who believe are using their sexual powers to destroy men. The Sword’s plans are thwarted when Mila kills her captor, and with the help of Brian (the swell Anthony To’omata), a local journalist, escapes.
The cast is riddled with titillating real-life porn stars, a busty bevy including Ginger Lynn Allen, Joanna Angel, Sophie Dee and Alexis Amore. Now really, do you think, even for a second, that The Sword will win? Not until we see more tits. And more blood. Thank God for directors as sharp and intuitive as Paul Ragsdale. Listen to the dialogue; there are even sexual assault stats tossed in.
This flick comes from the wonderful Olive Films.
Don’t skip the Blu-ray special tracks:
♥ Audio commentary with writer/director Paul Ragsdale, producer Angelica De Alba and cinematographer Dan Zampa
♥ Making of Streets of Vengeance featurette
♥ Cast & crew interviews
♥ Photo galleries
♥ Music videos
♥ Slashlorette Party trailer
♥ Tough Guys trailer
Meet Hanna. Hanna is a mute seven-year-old who adores her father.
He’s the only person who understands her, and all Hanna wants is to
live happily ever after with him. But her mother, Suzette, stands in
her way. Since she was almost three, Hanna’s felt the need to test
Suzette, to find out what she was made of. So Hanna would act, and
give Suzette a chance to act in reply. And then she’d know. If Suzette passed or failed. But though Suzette tried, she couldn’t figure out Hanna’s game. So Hanna’s moved on from testing Suzette, to plotting to kill her.
Meet Suzette. She loved Hanna so effortlessly when she was a baby. Baby Hanna had simple, intuitive needs. Girl Hanna is a box within a box, manipulating, antagonizing, and now harming Suzette. Girl Hanna intentionally cut Suzette’s hair, fed a schoolmate paint, set a trashcan on fire, and that’s just the tip of the iceberg. Suzette is out of options. She needs to put Hanna away to save her marriage, and keep her sanity.
Baby Teeth(St. Martin’s Press; $26.99), by screenwriter-turned-novelist Zoje Stage, is more than a story about a bad seed. It is an
“unnerving and unputdownable” look at a mentally ill girl with a murky future, and a physically and emotionally vulnerable woman ambiguous about being a mother, “an unflinching portrait of
childhood psychopathy and maternal regret.”
In her book debut, Stage writes from both points of view beautifully, imagining the creative and precocious Hanna, bursting with imagery and emotions she can’t figure out how to express, and imposing her own anxieties and dealings with chronic disease on the emotionally and physically vulnerable Suzette.
NOVA: Wonders is a fresh, lively series that makes complicated concepts accessible while taking a deep dive into the scientific process. Each episode poses a big scientific question and takes viewers along on a journey to explore how far we’ve come in our quest for answers, and how we’ve managed to get here. Among the intriguing topics pondered are the secret language of animals, what’s hidden in the human body, the artificial intelligence technologies that could rival and surpass the abilities of the human mind, the controversial power to engineer life in a lab, and the mysteries of the universe.
The program travels to some unexpected places to look for answers—including deep underwater, where humpback whales are essentially playing a game of “telephone” across the world, with pods teaching each other new songs; deep beneath our skin, where trillions of microbes are living in our bodies; deep below the earth, in mines where researchers are trying to detect elusive dark matter particles; deep into space, where astrophysicists are hunting for signs of extra-terrestrial life, and more.
Three young scientists serve as enthusiastic guides and science communicators. Talithia Williams is a mathematician and statistician who also applies data models to the human body and the environment. She is joined by co-hosts Rana el Kaliouby, a computer scientist developing emotion recognition technology used in artificial intelligence, and André Fenton, a neuroscientist studying the biology of memory. All three set-up the inquiry, demonstrate key aspects of the challenges facing scientists, and ask provocative questions about research carried out on the winding paths of uncertainty and the unknown.
We have been bosom buddies and breast friends with Miss Dolly since 1986. One of 12 children raised in a cabin in the foothills of the Appalachian Mountains, Dolly grew to become an international superstar as famous for her distinctive voice and enduring songs as her curvy figure (40DD-17-36), big hair and bubbly personality.
She is the epitome of the American Dream, a whip-smart woman who lives according to her own rules, a successful businessperson and philanthropist, and a role model for the ages.
How did she do it?
There is much to be learned from her big heart and spirit, grit and strong work ethic. What Would Dolly Do? (Grand Central Publishing, $22)–part biography, part words of wisdom and life lessons–highlights the very best of the her highly quotable Dollyisms, unrelenting positivity and her belief in everyone’s ability to overcome adversity, with some beauty tips and recipes thrown in.
The laughs ended in August 2014 when Robin Williams killed himself at 63. His death not only raised questions about how and why it had happened, but also prompted reassessments of his extraordinary life and career. F or anyone with the slightest acquaintance with popular culture over the past four decades, he seemed to be everywhere, from stand-up to TV, movies, and late-night talk shows, with an uncanny sense of the zeitgeist matched by few others.
Now, Dave Itzkoff presents a full and revealing portrait of one of the most beloved and original comedians and actors of our time in Robin(Henry Holt and Company, $30). Illuminating both the man and the performer, Itzkoff draws on more than one hundred interviews with Robin’s family, friends, and colleagues, as well his own encounters and interviews with Williams over the years. Included are insights from fellow comedians, actors, and collaborators such as Billy Crystal, David Letterman, Pam Dawber, Dana Carvey, Barry Levinson, Terry Gilliam, Eric Idle, Jeff Bridges and Bobcat Goldthwait.
Among the topics covered and the news-making revelations offered are:
The largely untold story of Robin’s family background and his privileged but lonely upbringing in the upscale suburbs of Detroit, where he entertained himself with make-believe and toy soldiers. As Itzkoff shows, Robin was indelibly shaped by both his father—a stern, self-made auto industry executive—and his glamorous, eccentric and funny Southern mother.
How Robin was first exposed to improvisational comedy and acting through a stray course at prestigious Claremont College, and later honed his talents at the humbler College of Marin. Sharp-eyed mentors there eased his way into the elite acting program at the Juilliard School in New York City, where his fellow students included Christopher Reeve, who became one of his closest friends.
How Robin burst into local prominence in San Francisco and Los Angeles during the stand-up comedy boom of the 1970s, and quickly became known as a rising star. Candid interviews with his first wife, Valerie Velardi, who has not spoken on the record in years, reveal how he began to indulge heavily in cocaine and alcohol, and how his hidden vulnerabilities, self-doubt, and deep loneliness helped to fuel his addictions.
The improbable circumstances that got Robin cast in a guest-starring role as Mork from Ork on the hit television series Happy Days after Henry Winkler’s Fonzie character literally “jumped the shark.” (Producer Garry Marshall’s young son loved Star Wars and said TV needed more aliens.) That one appearance was such a sensation that it soon resulted in Robin getting his own ABC sitcom, Mork & Mindy.
How Robin’s substance abuse led to a personal crisis, and to John Belushi’s hotel bungalow in Los Angeles on the night the Saturday Night Live star died of an overdose. Belushi’s death convinced Robin to swear off drugs and alcohol for the next 20 years, but his sobriety could not repair the damage he had caused to his first marriage.
How Robin’s failure to win an Oscar the first three times he was nominated weighed heavily on him, until he finally took home an Academy Award for Best Supporting Actor for Good Will Hunting.
Robin’s own unflinchingly honest assessment of how he relapsed into alcoholism, which ended his two-decade-long marriage to his second wife and close collaborator, Marsha Garces. He then had to struggle simultaneously with addiction, divorce, and open-heart surgery.
The most complete and balanced account of Robin’s decline and death. Drawing on official autopsy results, Itzkoff concludes that Robin’s suicide was not a result of depression or substance abuse, as had been widely assumed, or from Parkinson’s Disease, as his own family had originally believed, but from a little-known and often misdiagnosed condition called Lewy Body Dementia.
Previously unpublished tributes from Robin’s private memorial service, including remembrances from his three children; his close friends Billy Crystal, Bobcat Goldthwait, and Eric Idle.
Details of the bitter legal conflict over Robin’s estate. The courtroom battle exposed long-simmering tensions between Robin’s children and his third wife Susan Schneider, to whom he had been married for less than three years.
As Itzkoff notes, there is no actor or comedian today who can be considered Robin’s protégé or his heir, although he inspired many performers. He had many admirers but no imitators—no one who tried to do what he did the way he did it. When he died, his reputation for joyfulness and humor stood in stark contrast to the sad and solitary manner in which his life came to an end. Inevitably, people asked, Who was he? What was behind all the accents and characters, the blurs of motion and flashes of energy? How much did he truly reveal and how much did he keep hidden?
“Some part of him would be present in every set and stand-up role he played,” Itzkoff writes, “but in their totality these things did not add up to him. The real Robin was a modest, almost inconspicuous man, who never fully believed he was worthy of the monumental fame, adulation, and accomplishments he would achieve. He shared the authentic person at his core with considerable reluctance, but he also felt obliged to give a sliver of himself to anyone he encountered even fleetingly. It wounded him deeply to think that he had denied a memorable Robin Williams experience to anyone who wanted it, yet the people who spent years by his side were left to feel that he had kept some fundamental part of himself concealed, even from them.” [p. 3]
With ROBIN, Dave Itzkoff gives us a comprehensive and revelatory portrait yet of a performer loved and admired by millions for his generosity of spirit, his quickness of mind, the laughter he sparked, and the hopefulness he inspired. Nearly four years after the passing of Robin Williams, it will be eagerly read by anyone seeking to understand who he truly was.
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